Matching Items (472)
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- All Subjects: Guitar music
ContributorsChan, Robbie (Performer) / McCarrel, Kyla (Performer) / Sadownik, Stephanie (Performer) / ASU Library. Music Library (Contributor)
Created2018-04-18
ContributorsMayo, Joshua (Contributor) / Betts, Sarah (Performer) / Cericola, Marco (Performer) / Gonzalez, Nikolas (Performer) / ASU Library. Music Library (Publisher)
Created2021-04-28
Description
Whenever a text is transmitted, or communicated by any means, variations may occur because editors, copyists, and performers are often not careful enough with the source itself. As a result, a flawed text may come to be accepted in good faith through repetition, and may often be preferred over the authentic version because familiarity with the flawed copy has been established. This is certainly the case with regard to Manuel M. Ponce's guitar editions. An inexact edition of a musical work is detrimental to several key components of its performance: musical interpretation, aesthetics, and the original musical concept of the composer. These phenomena may be seen in the case of Manuel Ponce's Suite in D Major for guitar. The single published edition by Peer International Corporation in 1967 with the revision and fingering of Manuel López Ramos contains many copying mistakes and intentional, but unauthorized, changes to the original composition. For the present project, the present writer was able to obtain a little-known copy of the original manuscript of this work, and to document these discrepancies in order to produce a new performance edition that is more closely based on Ponce's original work.
ContributorsReyes Paz, Ricardo (Author) / Koonce, Frank (Thesis advisor) / Solis, Theodore (Committee member) / Rotaru, Catalin (Committee member) / Arizona State University (Publisher)
Created2013
ContributorsDaval, Charles (Performer) / ASU Library. Music Library (Publisher)
Created2018-03-26
ContributorsMayo, Joshua (Performer) / ASU Library. Music Library (Publisher)
Created2021-04-29
ContributorsDominguez, Ramon (Performer) / ASU Library. Music Library (Publisher)
Created2021-04-15
ContributorsWhite, Bill (Performer) / ASU Library. Music Library (Publisher)
Created2021-04-03
ContributorsSanchez, Armand (Performer) / Nordstrom, Nathan (Performer) / Roubison, Ryan (Performer) / ASU Library. Music Library (Publisher)
Created2018-04-13
Description
Neuroscientific research has verified that humans have specialized brain areas used in the production and perception of language. It is speculated that these brain areas may also be involved in the perception and expression of emotions. A recent study supports the idea of an auditory equivalent to visually recognizable emotions, finding that the words containing the phoneme /i:/ as in “beat” were rated more positively and those with the phoneme /^/ as in “but” were rated more negatively. It was theorized that these results support that the same facial musculature used in producing visually recognizable expressions also favors specific phonemic sounds. The present study replicates this prior research using a new methodology in which participants matched verbalized monosyllabic nonsense pseudo-words to positive or negative cartoon pictures. We hypothesized that pseudo-words containing the sounds /i:/ would be matched with pictures that are more emotionally positive and ones containing the sounds /^/ would be matched with pictures that are more negative. Data collected from 119 undergraduate student volunteers from a Southwestern public university confirmed our hypotheses and exhibit the same pattern found in previous research supporting that specific vowel phonemes are matched with emotional valence. Our findings are the first to confirm this phoneme-emotion relationship with verbalized sounds and pictures. The results support the idea that the musculature associated with positive and negative facial expressions also favors production of specific phonemic sounds that listeners recognize and associate with specific emotions.
ContributorsBarnes, Heather Lee (Author) / Benitez, Viridiana (Thesis director) / Corbin, William (Thesis director) / McBeath, Michael K. (Thesis director) / Yu, Christine S.P. (Committee member) / Department of Psychology (Contributor) / Barrett, The Honors College (Contributor)
Created2020-12