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Increasing numbers of courses are offered online and increasing numbers of students are pursuing post-secondary studies. At broad-access institutions, such as land grant universities and community colleges, this presents a particular concern around student persistence--that is, the number of students who complete diploma, certificate, or degree requirements from an institution.

Increasing numbers of courses are offered online and increasing numbers of students are pursuing post-secondary studies. At broad-access institutions, such as land grant universities and community colleges, this presents a particular concern around student persistence--that is, the number of students who complete diploma, certificate, or degree requirements from an institution. Such increased access and increased enrollment also present unique challenges to first-year writing instructors, who are often the first professionals with whom first-year students are in contact. Here I explore the many reasons why student persistence should interest first-year writing instructors, in particular, those who are teaching online. Student persistence has important civic, economic, ethical, institutional, and disciplinary implications that first-year instructors cannot ignore. I propose a persistence-based pedagogy that involves six essential elements: designing learner-centered online writing courses, demonstrating mattering by valuing student writing, fostering self-efficacy by making assignments relevant, fostering student connections through collaboration and community, engaging virtual learners by fostering a sense of place and presence, and recognizing the challenges and minimizing the risks of teaching online. Such an undertaking is necessarily transdisciplinary and draws on scholarship in rhetoric and composition, instructional design, educational psychology, applied linguistics, and higher education administration. It connects pedagogical principles advanced nearly fifty years ago with digital pedagogies that are in their infancy and attempts to balance the social epistemic nature of writing instruction with the real-world demands of diverse student populations, increasing course sizes, and ever-changing technologies. Perhaps most importantly, this dissertation focuses on strategies that online writing instructors can adopt regardless of their theoretical leanings, academic training, or institutional requirements. While persistence-based instruction does not change the purpose or outcomes of first-year composition and does not replace proper placement measures or address early-term drop rates, it does provide a framework for facilitating online courses that is rooted in rhetorical theory and composition pedagogy and promotes informed teaching and lifelong learning.
ContributorsBergin, Jeffrey R (Author) / Roen, Duane (Thesis advisor) / Miller, Keith (Committee member) / James, Mark (Committee member) / Arizona State University (Publisher)
Created2012
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Description
Online communities have created such an outpouring of new media that academia has not had the time to catch up. Creepypasta is a genre of online horror short story that began in the early 2000’s on the forums 4chan and Something Awful. In the twenty-two years since its inception, the

Online communities have created such an outpouring of new media that academia has not had the time to catch up. Creepypasta is a genre of online horror short story that began in the early 2000’s on the forums 4chan and Something Awful. In the twenty-two years since its inception, the academic discourse around it has sprouted but not flourished. Creepypasta as a genre is perhaps one of the newest and least understood offshoots of horror and the gothic. Thus far there have been no full-bodied attempts at defining the genre or looking at the works as a whole, instead there is only focus on the parts. This thesis will be attempting to define the genre and will undertake this by first analyzing the components that define the genre, its origins, claims to authenticity, and publishing routes, as well as the folkloric connections which have been the focus of the majority of the literature thus far. This will move into an analysis of a single example of the form, Accounts from a Lonely Broadcast Station, to demonstrate the application of the definition of the genre, but also to show the wide breadth of potential of this genre in being analyzed academically.
ContributorsRamirez, Makayla (Author) / Justice, George (Thesis advisor) / Zarka, Emily (Committee member) / Baldini, Cajsa (Committee member) / Arizona State University (Publisher)
Created2022