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With the assistance of my thesis committee, I created a podcast to fulfill my objective of interviewing survivors of sexual abuse/grooming practices and their support systems. I utilized this method to have in-depth discussions and provide people with a safe space to share their experiences. By doing so, we were

With the assistance of my thesis committee, I created a podcast to fulfill my objective of interviewing survivors of sexual abuse/grooming practices and their support systems. I utilized this method to have in-depth discussions and provide people with a safe space to share their experiences. By doing so, we were able to reflect on the areas in which professionals can improve on recognizing signs of abuse in their communities. My goal was to show how training teachers to recognize signs of trauma is essential for effectively assisting the population we serve. Ultimately, this came down to what instruction was taught in the Teachers College. Curricula centered on properly managing trauma in the classroom, including sexual abuse, should be required for courses in the upper and lower division degree program for Mary Lou Fulton Teachers College.
ContributorsReineke, Lindsay (Author) / Panneton, Teresa (Thesis director) / Goodman, Brian (Committee member) / Barrett, The Honors College (Contributor) / Division of Teacher Preparation (Contributor)
Created2022-12
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This thesis analyzes the unsettling presence of the Holocaust in Cynthia Ozick’s The Shawl (1980), Philip Roth’s The Ghost Writer (1979), and Nathan Englander’s What We Talk About When We Talk About Anne Frank (2013). Characters in these texts struggle to maintain a stable sense of what it means to

This thesis analyzes the unsettling presence of the Holocaust in Cynthia Ozick’s The Shawl (1980), Philip Roth’s The Ghost Writer (1979), and Nathan Englander’s What We Talk About When We Talk About Anne Frank (2013). Characters in these texts struggle to maintain a stable sense of what it means to be Jewish in America outside of a relationship to the Holocaust. This leaves the characters only able to form negative associations about what it means to live with the memory of the Holocaust or to over-identify so heavily with the memory that they can’t lead a normal life. These authors construct a re-formed memory of the Holocaust in ways that prompt a new focus on how permanently intertwined the Holocaust and Jewish identity are. In this context, re-formed means the way Jewish American writers have reconstructed the connection between Jewish identity and its relation to the Holocaust in ways that highlight issues of over-identification and negative identity associations.

By pushing past the trope of unspeakability that often surrounds the Holocaust, these authors construct a re-formed memory that allows for the formation of Jewish American identity as permanently bound with constant Holocaust preoccupation, the memory of Anne Frank, and the Holocaust itself. The authors’ treatment of issues surrounding Jewish identity contribute to the genre of post-Holocaust literature, which focuses on re-forming the discussion about present day Jewish American connection to the Holocaust. Giving voice to the Holocaust in new ways provides an opportunity for current and future generations of Jewish Americans to again consider the continued importance of the Holocaust as a historical event within the Jewish community.

In a world that is once again becoming increasingly anti-semitic as a result of the current political climate, white supremacist riots, desecration of Jewish grave sites, and shootings at temples, the discussion that these texts open up is increasingly important and should remain at the forefront of American consciousness. The research in this thesis reveals that through the process of Holocaust memory constantly being re-formed through the work of these Jewish American authors, its continued influence on Jewish American culture is not forgotten.
ContributorsMiller, Samantha Tracy (Author) / Goodman, Brian (Thesis advisor) / Holbo, Christine (Committee member) / Lockard, Joe (Committee member) / Arizona State University (Publisher)
Created2020