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- All Subjects: Navajo
- Creators: Appleton, Nicholas A
Description
The purpose of this study was to investigate whether an alignment exists between the mission of Puente de Hozho Magnet School and the visualization of how current Navajo students view their education at the school. Qualitative research was used as an opportunity to explore the significance and to gain an in-depth understanding of how Navajo students view their education in the context of their personal experiences. The population consisted of six Navajo fifth grade students who lived outside the boundaries of their Indian reservation and attended school at Puente de Hozho Magnet School. The six student participants were asked to respond to the question, "What does your education look like at Puente de Hozho Magnet School?" through the pictures they took with a camera in and around the school. After the pictures were developed, students were individually interviewed by utilizing selected pictures to prompt their memory in eliciting descriptions and meanings of the images they captured. The students' responses generated a data set for coding and analysis, from which a wealth of data yielded prominent themes as to their education at Puente de Hozho Magnet School. Analysis of this research concluded that the students' visualization of their education at Puente de Hozho is aligned with the original mission and vision of the school. The student voices represent a relationship of natural connections to their cultural heritage as experienced in their school by disregarding stereotypes and rising above the expected.
ContributorsYazzie, Lamont L (Author) / Spencer, Dee Ann (Thesis advisor) / Appleton, Nicholas A (Committee member) / Gilmore, Treva C (Committee member) / Arizona State University (Publisher)
Created2012
Description
Nohokáá Dine’é Diyinii’s (Empowered Earth Surface People, Diné People) story begins with the origin of the cosmos as detailed in Diné emergence narratives, and continues in Diné ceremonial songs, film, and poetry. Diné people’s emergence narratives describe how life moved through the four worlds and how Changing Woman brought Diné people into existence. In the present, Diné people often tell stories against violent colonial domination that aims to unsettle the hope and safety that undergirds their life and prosperity. Through their stories, Diné people bring their past and present together to make futures where Diné life can flourish. Each dissertation chapter explores the contours of storytelling as imagination, power, and future-making through selected Diné stories. Chapter 1 draws from the story of Gus Bighorse as set forth in his as-told-to autobiography (1990). The chapter describes how this Diné warrior, who survived the 1860s forced removal of Diné people, spoke from the heart to tell of a future beyond the US Cavalry’s violence. Such future-focused storying illustrates how Diné people apply elements of Sa’ah’ Naghai Bike’ Hózhǫ (SNBH) in the present to encourage the people to live. SNBH is a philosophy, worldview, and organizing principle for the underlying power through and by which Diné people imagine, create, remake, and renew our reality to realize hózhǫ, beauty. Chapter 2 examines the critical discourse within and around the 2014 Navajo election language fluency controversy that led to Christopher L. Clark Deschene’s removal from the general election ballot. Chapter 3 analyzes the hooghan and the Treaty of 1868 to show how construction in the United States always has sustained and marked the permanence of settler colonialism as white colonizers usurped Diné people’s lands and destroyed their homes. Chapter 4 employs the concept of feminist rehearsal to map the production of life and death in the border town of Gallup. This chapter interweaves the author’s family’s border town experience, the Nááhwíiłbįįhí Story, and Sydney Freeland’s feature film Drunktown’s Finest (2014). Chapter 5, an examination of Diné narratives of catastrophe and emergence, establishes a Diné-based approach to the threat of removal that climate change imposes.
ContributorsClark, Jerome (Author) / Horan, Elizabeth (Thesis advisor) / Bebout, Lee (Committee member) / Fonseca-Chávez, Vaness (Committee member) / Yazzie, Melanie K. (Committee member) / Arizona State University (Publisher)
Created2021