Matching Items (3)
Description
In this dissertation, I study large-scale civic conversations where technology extends the range of “discourse visibility” beyond what human eyes and ears can meaningfully process without technical assistance. Analyzing government documents on digital innovation in government, emerging data activism practices, and large-scale civic conversations on social media, I advance a rhetoric for productively listening to democratic discourse as it is practiced in 2016. I propose practical strategies for how various governments—from the local to the United Nations international climate talks—might appropriately use technical interventions to assist civic dialogues and make civic decisions. Acknowledging that we must not lose the value that comes from face-to-face civic deliberation, I suggest practical pathways for how and when to use technology to increase democratic engagement from all stakeholders.
ContributorsSutherland, Alison (Author) / Adamson, Joni (Thesis advisor) / Long, Elenore (Committee member) / Simeone, Michael (Committee member) / Arizona State University (Publisher)
Created2016
Description
In June 2013, United States (US) government contractor Edward Snowden arranged for journalists at The Guardian to release classified information detailing US government surveillance programs. While this release caused the public to decry the scope and privacy concerns of these surveillance systems, Snowden's actions also caused the US Congress to critique how Snowden got a security clearance allowing him access to sensitive information in the first place. Using Snowden's actions as a kairotic moment, this study examined congressional policy documents through a qualitative content analysis to identify what Congress suggested could “fix” in the background investigation (BI) process. The study then looked at the same documents to problematize these “solutions” through the terministic screen of surveillance studies.
By doing this interdisciplinary rhetorical analysis, the study showed that while Congress encouraged more oversight, standardization, and monitoring for selected steps of the BI process, these suggestions are not neutral solutions without larger implications; they are value-laden choices which have consequences for matters of both national security and social justice. Further, this study illustrates the value of incorporating surveillance as framework in rhetoric, composition, and professional/technical communication research.
By doing this interdisciplinary rhetorical analysis, the study showed that while Congress encouraged more oversight, standardization, and monitoring for selected steps of the BI process, these suggestions are not neutral solutions without larger implications; they are value-laden choices which have consequences for matters of both national security and social justice. Further, this study illustrates the value of incorporating surveillance as framework in rhetoric, composition, and professional/technical communication research.
ContributorsYoung, Sarah (Author) / Goggin, Peter (Thesis advisor) / Wise, J. MacGregor (Committee member) / Rose, Shirley (Committee member) / Arizona State University (Publisher)
Created2017
Description
The struggle of the National Women’s History Museum (NWHM) to make space for women’s history in the United States is in important ways emblematic of the struggle for recognition and status of American women as a whole. Working at the intersections of digital-material memory production and using the NWHM as a focus, this dissertation examines the significance of the varied strategies used by and contexts among which the NWHM and entities like it negotiate for digital, material, and rhetorical space within U.S. public memory production. As a “cybermuseum,” the NWHM functions within national public memory production at the intersections of material and digital culture; yet as an activist institution in search of a permanent, physical “home” for women’s history, the NWHM also counterproductively reifies existing gendered norms that make such an achievement difficult. By examining selected aspects of this complexly situated entity, this dissertation makes visible the gendered nature of public memory production, the digital and material components of that production, and the hybrid nature of emerging public memory entities which operate simultaneously in multiple spheres. Adopting an interdisciplinary approach and guided by Carole Blair’s work on rhetorical materiality, this dissertation explores key aspects of the NWHM’s process of becoming, including an examination of the centrality of the interpellation of publics to the rhetorical materiality of public discourse; an analysis of the material state of public memory production in national history museums in the U.S.; and an exploration of the embodied engagement that undergirds all interaction with and presentation of historical artifacts and narratives, whether digital, physical or both at once. In a synthesis of findings, this dissertation describes a set of key characteristics through which certain hybrid digital-material entities (including the NWHM) enact increasingly complex variations of rhetorical agency. These characteristics suggest a need for a more flexible analytic framework, described in the final chapter. This framework takes shape as an heuristic of functions across which digital-material entities always already enact a situated, active, embodied, and simultaneous agency, one that can account fully for the rhetorical processes through which space is “made” for women in U.S. public memory.
ContributorsChabot, Shersta A (Author) / Goggin, Maureen D (Thesis advisor) / Rose, Shirley K. (Committee member) / Long, Elenore (Committee member) / Arizona State University (Publisher)
Created2017