Matching Items (3)
Description
This dissertation is about African Americans’ transnational rhetorical and literate social practices of reclaiming Black humanity. To this end, it asks: How is the humanity of African Americans rhetorically constituted in relation to Ghana? To reclaim Black humanity, what do African Americans do down the ground and to what end? For those who turn to Ghana to reclaim their humanity, what do they say they need to learn, and need to unlearn in the process of re-education? What does this re-education make possible? Where do they locate (if any) healing in this process of re-education? Currently, people, including those of African descent, are moving across transnational borders at a rate never seen before. In response, scholars in transnational rhetorical studies such as Rebecca Dingo and Blake Scott have challenged the field to account for the workings of “vectors of power” – colonial histories, nation-state power, and the operations of global capital—in people’s lives (Dingo and Blake 524). In relation to such movement among people of African descent, leaders in Global Black Rhetorics, Ronisha Browdy and Esther Milu, direct special attention to matters of healing, re-education, and the reclamation of Black humanity. Given its own experiences of brutal colonial histories of chattel slavery, resource exploitation, and current economic challenges, the nation-state of Ghana has become a contested transnational site to theorize African Americans’ inventive practices of negotiating these globalized forces which continue to dehumanize them in multiple ways. Heeding the call of cultural icons including W.E.B. Du Bois, Malcolm X, and Maya Angelou to “return home” to Ghana, the participants in this study enact everyday rhetorical and literate social practices such as taking Indigenous Ghanaian names, wearing Indigenous clothing, and engaging in somatic practices at contested historic sites. This dissertation has sought to honor these difficult and yet necessary rhetorical and literate social practices that African Americans deploy on-the-ground in Ghana to achieve their purposes of making a homeplace conducive for their humanity, honoring their ancestral heritage, re-educating themselves, and healing from epistemic and ontological harm as feats towards reclaiming Black humanity. In honoring these rhetorical and literate social practices of African Americans returning home to Ghana, I invoked bell hooks’ concept of homeplace and African philosophical and epistemic concepts of Ubuntu relationality and Sankofa. And yet the call to return home is not without its challenges–challenges that underscore the contributions of participatory rhetorical research in such transnationally complex domains.
ContributorsIddrisu, Mohammed Sakip (Author) / Long, Elenore (Thesis advisor) / Miller, Keith (Committee member) / Anokye, Akua Duku (Committee member) / Hannah, Mark (Committee member) / Arizona State University (Publisher)
Created2024
Description
This study examines ninth graders’ negotiation of meaning with one canonical work, Romeo and Juliet. The study’s sample was 88% Latino at a Title I high school. The study adopts a sociocultural view of literacy and learning. I employed ethnographic methods (participant observation, data collection, interviews, and focus groups) to investigate the teacher’s instructional approaches and the literacy practices used while teaching the canonical work. With a focus on students’ interpretations, I examined what they said and wrote about Romeo and Juliet. One finding was that the teacher employed instructional approaches that facilitated literacy practices that allowed students to draw on their cultural backgrounds, personal lived experiences, and values as they engaged with Romeo and Juliet. As instructional approaches and literacy practices became routine, students formed a community of learners. Because the teacher allowed students to discuss their ideas before, during, and after reading, students were provided with multiple perspectives to think about as they read and negotiated meaning. A second finding was that students drew on their personal lived experiences, backgrounds, and values as they made sense and negotiated the meaning of Romeo and Juliet’s plot and characters. Although the text’s meaning was not always obvious to students, in their work they showed their growing awareness that multiple interpretations were welcomed and important in the teacher’s classroom. Through the unit, students came to recognize that their own and their peers’ understandings, negotiations, and interpretations of the canonical work were informed by a variety of complex factors. Students came to find relevance in the text’s themes and characters to their experiences as adolescents. The study’s findings point to the importance of allowing students to draw from their cultural backgrounds and experiences as they negotiate meaning with texts, specifically canonical ones, and to welcome and encourage multiple meanings in the English classroom.
ContributorsBaez, Felipe J., Jr (Author) / Warriner, Doris (Thesis advisor) / Anderson, Kate (Committee member) / Early, Jessica (Committee member) / Gee, Elisabeth (Committee member) / Arizona State University (Publisher)
Created2016
Description
This dissertation explored the literacy practices that developed around comics when two secondary teachers (one AP Science and one AP English) used comics in their classroom instruction for the first time. It also explored the ways the teachers and their students positioned comics within their specific classroom contexts. Historically, comics are a marginalized medium in educational circles—widely considered non-academic despite the recognition by scholars for their sophistication as a multimodal medium. Scholars, librarians, teachers, and comics authors have made the case for the inclusion of comics in educational contexts citing their ability to support the literacy development of struggling readers, engage reluctant readers, promote lifelong reading, and convey information visually. However, the roles comics can play in educational contexts are still under researched, and many gaps exist in the literature including a lack of real world contexts and clearly reported instructional strategies. This study aimed to fill these gaps by reporting the literacy practices that students and teachers develop around comics, as well as contextualizing these practices in the classroom contexts and students’ and teachers’ experiences. Drawing from a social semiotic view of multimodality and the view of literacy as a social practice, I conducted a qualitative case study using ethnographic methods for data collection which I analyzed using an interpretive framework for qualitative data analysis and constant comparative analysis. I found three literacy practices developed around comics in these contexts—Q&A, writing about comics, and drawing comics. I also found that teachers and students positioned comics in four primary ways within these contexts—as a tool, as entertainment, as a medium, and as a traditional form of literature. Based on my findings, I developed three assertions: 1) there is a disconnect between teachers’ goals for using comics in their instruction and the literacy practice that developed around the comics they selected; 2) there is a disconnect between the ways in which teachers position comics and the ways in which students position comics; and 3) traditional views of literature and literacy continue to dominate classrooms when multimodal texts are selected and utilized during instruction.
ContributorsKachorsky, Danielle Perrine (Author) / Serafini, Frank (Thesis advisor) / Gee, Elisabeth (Committee member) / Marsh, Josephine (Committee member) / Arizona State University (Publisher)
Created2018