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The purpose of this thesis is to identify the ways neurodivergent people engage with tone and intent, in spaces where the expression of such things is missing the audible and visual cues that exist in face-to-face communications. Interviews were conducted with four participants who self-identify as neurodivergent, with each of

The purpose of this thesis is to identify the ways neurodivergent people engage with tone and intent, in spaces where the expression of such things is missing the audible and visual cues that exist in face-to-face communications. Interviews were conducted with four participants who self-identify as neurodivergent, with each of the interviews seeking to understand their experiences with the written expression of tone and intent. The interviews shed light on how direct, semi-direct, and indirect tone indicators are used as tools for understanding the intent and tone of a message, as well as which of the three types of tone indicators are the most helpful in practice. The interviews also touched on how social interactions in digital spaces are often viewed through a neurotypical lens, and thus make understanding the sociolinguistic rules of digitally-based interactions difficult for neurodivergent individuals who are expected to know said rules without being told. Through the course of the interviews, participants expressed a desire for people as whole to be clearer about their tone and intent when communicating in digital spaces, and that tone indicators are vital for communicating such things.
ContributorsHadden, Sydney (Author) / Pruitt, Kathryn (Thesis advisor) / Adams, Karen (Committee member) / Peterson, Tyler (Committee member) / Arizona State University (Publisher)
Created2023
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Description
In this thesis, I explore Cognate Object Constructions COCs (e.g. The clown "laughed" a creepy "laugh") through three research questions: (1) What verbs can accept Cognate Objects COs? (2) Why can these verbs accept COs and other verbs cannot? and (3) How are COCs derived? I demonstrate that Sorace's Hierarchy

In this thesis, I explore Cognate Object Constructions COCs (e.g. The clown "laughed" a creepy "laugh") through three research questions: (1) What verbs can accept Cognate Objects COs? (2) Why can these verbs accept COs and other verbs cannot? and (3) How are COCs derived? I demonstrate that Sorace's Hierarchy sheds light on which verbs can accept COs and which cannot by explaining the discrepancies in grammaticality judgments that exist in the literature. I then argue that Hale and Keyser's Conflation account of COCs is not minimalist because it relies on a phenomenon that can be reduced to Merge. After commenting and repairing their account, I provide an outline for a more minimalist framework, which I refer to as "Problems of Projection Extensions" PoP+, that focuses on MERGE, workspaces, labeling theory, phases, and determinacy. Inside this framework, I then develop my own account that depends on only Internal Merge and the constraint in English against stranded articles. With my account situated in this PoP+ framework, I am able to approach the research questions from a syntactic perspective, arguing that the Unergative Restriction on COCs is a result of a determinacy violation in the derivation of Unaccusative COCs. Finally, I point out that, being situated in the PoP+ framework, my account opens COCs up to further investigation not possible before.
ContributorsWillson, Jacob (Author) / Gelderen, Elly van (Thesis advisor) / Pruitt, Kathryn (Committee member) / Peterson, Tyler (Committee member) / Arizona State University (Publisher)
Created2019