Matching Items (6)
Description
This project examines and challenges the West's generally accepted two category approach to the world's belief systems. That is, it will deconstruct the religion / science `paradigm' that has developed over the past two centuries. It will argue that the dichotomy between the two categories was created by modernity for the purpose of establishing an exclusive view believed to be based on knowledge. This exclusive view, philosophical naturalism (science), was set in opposition to all alternative views identified as religion. As the exclusive view, though constructed on a defective foundation of knowledge, philosophical naturalism, nonetheless, became the privileged interpreter and explainer of reality in the academy of the Western world.
As a work in the area of epistemology and the philosophy of religion, this project will challenge philosophical naturalism's claim to knowledge. The approach will be philosophical and historical critically assessing both modernity's and postmodernity's basis for knowledge. Without a rational basis for exclusive knowledge the popular dichotomy dissolves. The implications of this dissolution for `religious studies' will be addressed by offering an alternative scheme that provides a more plausible way to divide the world's belief systems.
As a work in the area of epistemology and the philosophy of religion, this project will challenge philosophical naturalism's claim to knowledge. The approach will be philosophical and historical critically assessing both modernity's and postmodernity's basis for knowledge. Without a rational basis for exclusive knowledge the popular dichotomy dissolves. The implications of this dissolution for `religious studies' will be addressed by offering an alternative scheme that provides a more plausible way to divide the world's belief systems.
ContributorsTussing, Rodney W (Author) / Cady, Linell (Committee member) / Anderson, Owen (Committee member) / Gereboff, Joel (Committee member) / Arizona State University (Publisher)
Created2014
Description
Zoos are a unique collection-based institution with deep roots in the social structure of modern society. From their beginnings as elite menageries to display power or wealth, they have evolved into public institutions committed to providing exemplary animal care, and recreational and educational opportunities for visitors. More recently, zoos have developed a series of significant conservation programs and partnerships around the globe, efforts that have proved vital to saving endangered species such as the Arabian oryx (Oryx leucoryx) and California condor (Gymnogyps californianus), among other species.
Intrinsic to the development of modern zoo designs are the interwoven concerns of naturalism and animal welfare. Animal welfare, in particular, has become the paramount responsibility for professionally run zoological institutions as they seek to become centers of conservation and education without compromising animal wellbeing. Animal welfare and naturalism (understood as a design feature in zoo exhibits) are typically harmonious objectives, but these goals have occasionally clashed in implementation. While animal welfare and naturalism are defined in various (and not always consistent) ways in the literature, in-depth interviews of leading professionals and scholars in the zoo community and multi-dimensional case studies of exemplary, accredited institutions (including the Phoenix Zoo, the San Diego Zoo, Woodland Park Zoo and Arizona-Sonora Desert Museum) provide unique insight into the shifting meaning of these terms and how welfare and naturalism have and continue to shape the
development of modern zoo enclosures. This study concludes by suggesting a possible
future trajectory for innovative and alternative zoo designs that incorporate both animal welfare and naturalism without sacrificing either goal.
Intrinsic to the development of modern zoo designs are the interwoven concerns of naturalism and animal welfare. Animal welfare, in particular, has become the paramount responsibility for professionally run zoological institutions as they seek to become centers of conservation and education without compromising animal wellbeing. Animal welfare and naturalism (understood as a design feature in zoo exhibits) are typically harmonious objectives, but these goals have occasionally clashed in implementation. While animal welfare and naturalism are defined in various (and not always consistent) ways in the literature, in-depth interviews of leading professionals and scholars in the zoo community and multi-dimensional case studies of exemplary, accredited institutions (including the Phoenix Zoo, the San Diego Zoo, Woodland Park Zoo and Arizona-Sonora Desert Museum) provide unique insight into the shifting meaning of these terms and how welfare and naturalism have and continue to shape the
development of modern zoo enclosures. This study concludes by suggesting a possible
future trajectory for innovative and alternative zoo designs that incorporate both animal welfare and naturalism without sacrificing either goal.
ContributorsBoyle, Kristen E (Author) / Minteer, Ben A (Thesis advisor) / Ellison, Karin (Committee member) / Cunningham, Stan (Committee member) / Arizona State University (Publisher)
Created2017
ContributorsLigon, Brandon (Author) / Broglio, Ron (Thesis director) / Paine, Garth (Committee member) / Barrett, The Honors College (Contributor) / School of Music, Dance and Theatre (Contributor)
Created2024-05
ContributorsLigon, Brandon (Author) / Broglio, Ron (Thesis director) / Paine, Garth (Committee member) / Barrett, The Honors College (Contributor) / School of Music, Dance and Theatre (Contributor)
Created2024-05
ContributorsLigon, Brandon (Author) / Broglio, Ron (Thesis director) / Paine, Garth (Committee member) / Barrett, The Honors College (Contributor) / School of Music, Dance and Theatre (Contributor)
Created2024-05
Description
"Shapeshifting through Words" investigates the history of literature from nonhuman perspectives to determine how people understand animal experiences of the world. I gauge this history through a taxonomy, compiling around 500 stories from nonhuman vantage points to mark trends in publication frequency, as well as number and types of perspectives extracted from the data. A trope and genre analysis follows, along with the hallmarks for what constitutes a nonhuman narrative. Finally, this knowledge is adapted to a framework in the form of a booklet in how to construct a nonhuman perspective based on its cognitive and sensory understanding of the world.
ContributorsLigon, Brandon (Author) / Broglio, Ron (Thesis director) / Paine, Garth (Committee member) / Barrett, The Honors College (Contributor) / School of Music, Dance and Theatre (Contributor)
Created2024-05