Full metadata
Title
Perceptual Memories, Physicality and Collaboration As Sources of Musical Material in My Pieces Situación #3, Situación #2, and Between Transparency and the Invisible
Description
This dissertation is an account of the strategies that I employed in the compositionof three of my recent pieces: Situación #3, for flute (bass flute), clarinet (bass clarinet), piano, percussion, violin, cello, and electronics; Situación #2, for amplified acoustic guitar and two performers; and Between transparency and the invisible, for orchestra and electronics.
The first chapter, devoted to Situación #3 discusses the re-interpretation of memories and visual records with musical means. The second chapter focuses on Situación #2 and the issues of physicality and collaboration that originated the piece. The third chapter addresses Between transparency and the invisible and how it was informed by my experience contemplating visual art.
Date Created
2023
Contributors
- Zárate Flores, Carlos Angel (Author)
- Navarro, Fernanda A (Thesis advisor)
- Bolaños, Gabriel J (Committee member)
- Paine, Garth (Committee member)
- Arizona State University (Publisher)
Topical Subject
Extent
63 pages
Language
Copyright Statement
In Copyright
Primary Member of
Peer-reviewed
No
Open Access
No
Handle
https://hdl.handle.net/2286/R.2.N.187686
Level of coding
minimal
Cataloging Standards
Note
Partial requirement for: M.M., Arizona State University, 2023
Field of study: Music
System Created
- 2023-06-07 12:06:43
System Modified
- 2023-06-07 12:06:43
- 11 months 1 week ago
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