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During the design of interactive dance performances, dancers generate a strong relationship to the responsive media after they are given information about how to use the system. This case study

During the design of interactive dance performances, dancers generate a strong relationship to the responsive media after they are given information about how to use the system. This case study observes a dancer's experience of improvising in a responsive audio system (RAS). A triangulated analysis and conclusion is formed from Laban Movement Analysis in conjunction with post-experience discussions relating to Optimal Flow.

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    Date Created
    • 2014
    Resource Type
  • Text
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    Note
    • Partial requirement for: M.F.A., Arizona State University, 2014
      Note type
      thesis
    • Includes bibliographical references (p. 29-30)
      Note type
      bibliography
    • Field of study: Dance

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    by Julie Akerly

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