This dissertation analyzes three films from Mexico, Spain, and Argentina--Kilómetro 31, El orfanato, and Aparecidos (2007)--and their interplay with the historicism that has traditionally served as the default referent for "reality" in Western narrative.
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- Partial requirement for: Ph. D., Arizona State University, 2013Note typethesis
- Includes bibliographical references (p. 223-233)Note typebibliography
- Field of study: Spanish