Women's contributions to the history of Canadian music can be traced back to the late nineteenth century. However, women's achievements then, and still somewhat now, are often overlooked and as a result, piano solo works by Canadian women composers are largely unknown. The purpose of this study is to promote the wealth of solo piano repertoire composed by Canadian women, and to report the results in an accessible and comprehensible format for students, teachers, and performers at all levels.
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- Partial requirement for: D.M.A., Arizona State University, 2011Note typethesis
- Includes bibliographical references (pages 171-172)Note typebibliography
- Field of study: Music