Matching Items (7)
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Description
Waltz, is a collection of poems written to play along the boundaries between sound, language, and meaning. As a vehicle for exploration, the poems in Waltz, commandeer themes of nostalgia, love, loss, and abstraction, all of which build up and break each other down to create something of a nonlinear

Waltz, is a collection of poems written to play along the boundaries between sound, language, and meaning. As a vehicle for exploration, the poems in Waltz, commandeer themes of nostalgia, love, loss, and abstraction, all of which build up and break each other down to create something of a nonlinear narrative, and concomitant sketch of the poet.
ContributorsAieta, Joseph (Author) / Ball, Sally (Thesis director) / Liston, Chelsea (Committee member) / Department of English (Contributor) / Barrett, The Honors College (Contributor)
Created2018-05
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Description
The first section of this project analyzes and compares writing techniques of authors who write in the spy fiction genre. A short story written by Marissa Arnold makes up the second component of the project and begins on page 23. The story follows the unexpected adventure of a covert agent

The first section of this project analyzes and compares writing techniques of authors who write in the spy fiction genre. A short story written by Marissa Arnold makes up the second component of the project and begins on page 23. The story follows the unexpected adventure of a covert agent working in 2029.
ContributorsArnold, Marissa Ann (Author) / Fazio, Marsha (Thesis director) / Hattenhauer, Darryl (Committee member) / Division of Teacher Preparation (Contributor) / Barrett, The Honors College (Contributor)
Created2017-12
Description
Your Heart Is In Your Brain, Not Your Chest, is a 16-piece book of poetry that I have written as my undergraduate honors thesis at Arizona State University-Barrett, the Honors College. The work examines events that have transpired in my life, and thus, the different speakers of each poem navigate

Your Heart Is In Your Brain, Not Your Chest, is a 16-piece book of poetry that I have written as my undergraduate honors thesis at Arizona State University-Barrett, the Honors College. The work examines events that have transpired in my life, and thus, the different speakers of each poem navigate varying topics from relationships, to toxic masculinity, to heartbreak, to friendship, to solitude, to love, to acceptance, and more. I am a Secondary Education (English) major, so the motive behind this creative thesis was to teach myself to experience and assume vulnerability by means of poetry, which would allow me to better teach poetry in my future classroom(s). Specifically, it is imperative that I be able to express my emotions and thoughts through writing, so that I will be able to successfully teach my students how to express themselves through their writing as well. Not only can poetry be artistically liberating, but it also holds intellectual value that cannot be taught or found in other subject areas. Poetry takes time, patience, creativity, and discipline all at once. Gaining these qualities through writing poetry will translate not only into strengthening students' writing, but also into real-world application. These skills have proven necessary throughout my life and through writing poetry, I have been able to hone in and finely tune them. I intend to take what I have learned and transfer my knowledge to my students in order for them to be successful in their writing, in their education, and in their lives as well. There's a perception in the world that poetry is hostile to readers and a dead art, but I want to be the teacher that helps solve this issue and does not perpetuate that perception. My main goal for this book of poetry was to elucidate how writing personal poems can serve as a therapeutic, cathartic, reflective, and thought-provoking means of expression that leads to a work of art. Through this work, I will be able to provide my students with a teacher who can properly instruct them on how to express themselves through poetry and writing as well as turn their work into pieces of art along the way. I will also be able to introduce them to poetry that they might not find on their own and that speaks to the world they live in.
ContributorsDifelice, Morgan Casey (Author) / Ball, Sally (Thesis director) / Black, Cheyenne (Committee member) / Division of Teacher Preparation (Contributor) / Barrett, The Honors College (Contributor)
Created2016-12
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Description

As the COVID-19 pandemic globally altered the way education was accessed by students and facilitated by teachers. Educators understand the importance of students engaging in the learning experiences to promote achievement. In this paper, we address the following objectives: (1) provide a conceptualization of student engagement from the perspective of

As the COVID-19 pandemic globally altered the way education was accessed by students and facilitated by teachers. Educators understand the importance of students engaging in the learning experiences to promote achievement. In this paper, we address the following objectives: (1) provide a conceptualization of student engagement from the perspective of teachers, students, and families, (2) identify the factors that influence student engagement, (3) identify the distinctions and similarities between in-person and virtual learning, and (4) recommend practices to increase student engagement during virtual learning. Research plans were to collect data in Oujda, Morocco and Arizona, USA to examine educational experiences in two different contexts. In this paper, we present data from the Oujda participants. Results indicated various levels of students’ emotional, behavioral, and cognitive engagement due to factors involving technology, supervision, motivation, and teacher pedagogy. Results reflected various perspectives of teachers, students, and parents regarding student engagement, yet all the perspectives indicated that engagement and preference is higher for in-person learning than virtual learning.

ContributorsGarlock, Olivia (Author) / Oakes, Wendy (Thesis director) / Pinkerton, Tanya (Committee member) / Barrett, The Honors College (Contributor) / Division of Teacher Preparation (Contributor)
Created2021-12
Description

As restrictions regarding the COVID pandemic began to be enforced in March 2020, the first celebrity announced they had tested positive. It was Tom Hanks. An American cultural icon and a household name in the United States since his role as Forrest Gump in the movie Forrest Gump (1994). My

As restrictions regarding the COVID pandemic began to be enforced in March 2020, the first celebrity announced they had tested positive. It was Tom Hanks. An American cultural icon and a household name in the United States since his role as Forrest Gump in the movie Forrest Gump (1994). My family loves all his movies, especially Big (1988), and I found myself concerned for his health like he was my family. Every time there was an update on social media or the news, I held my breath for the other foot to drop. When my parents told me that Hanks was getting better, I breathed a sigh of relief. I heard many other pandemic stories like those of President Donald Trump, American singer-songwriter Pink, and NBA player Rudy Gobert. However, I realized that I didn’t hear enough about how my community experienced this global pandemic. I wanted to know how the people I used to see all the time navigated the health issues, isolation, financial stress, and other issues that arose, and more specifically, I wanted to know how their beliefs had helped them navigate the crisis. The purpose of this project is to share the Covid-19 stories of ordinary people across ages and genders—from high school students to college students, parents to grandparents. While no one person experienced it the same way as another, there were common themes across the narratives of the 8 people that I interviewed, namely, their reliance on their Christian faith during these times of uncertainty and fear. My interviews with participants lasted roughly thirty minutes, and I always started with the initial question, “what was your initial reaction to COVID?” I would then follow up by asking the participant how Covid-19 impacted their life. How did it impact their education, career, family, and community? I asked what challenges arose and what opportunities or good came to them during this time. I also asked participants what they learned about God and how they grew over the past few years. Each participant shared with me a quote, verse, or lyric they held onto, used as a source of strength, or represents a theme of their life during that time (you will see these written as epigraphs for the stories). Rather than merely collecting and publishing their interviews, I wanted to transform their experiences into literary narratives, so I turned to a practice called art-based research (ABR), a practice that involves the translation of fieldwork (and interview) into creative art forms. ABR addresses research in more engaged ways, and it allows us to share information in more culturally appropriate ways. By using ABR, this collection of Covid stories will engage and appeal more to a general audience. The resultant collection of nine narratives revealed strong themes of faith and family. Each narrative gave light to how the pandemic was hard and/or fruitful for the participants’ relationships with God and relationships with their families. The five participants who were 25 and under rendered additional themes of community and isolation while the four who were 26 and up rendered additional themes of emotional and mental health. The six female participants rendered additional themes of education and community while the three male participants rendered additional themes of politics and self-improvement. It is important to note that four of the five participants who are 25 and under are female while the group of 26 and up were half female and half male. Also important to note is that four of the six female participants were 25 and under while two of the three male participants were 26 and up. Thus, the small number of participants does not allow the research to apply broadly to any group outside the study. I hope that this project unifies the American experience of COVID as well as highlights the differences that make each story special. The history books will hone in on the generic and standard research studies will focus on the numbers, but projects like this provide a layer of humanity to the history we will tell future generations. I also hope that in the more immediate future, this project will serve today’s generations well in processing the trauma and grief that occurred during these last few years as well as render empathy for one another.

ContributorsSemon, Jenna (Author) / Dombrowski, Rosemarie (Thesis director) / Blasingame, James (Committee member) / Barrett, The Honors College (Contributor) / Division of Teacher Preparation (Contributor)
Created2023-05
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Description
This project was focused on creating a trade book that could be used in Kindergarten through first-grade classrooms for science lessons. I have analyzed and researched the benefits of using trade books in the classroom. Along with those benefits, best practices were also looked at. I then applied those key

This project was focused on creating a trade book that could be used in Kindergarten through first-grade classrooms for science lessons. I have analyzed and researched the benefits of using trade books in the classroom. Along with those benefits, best practices were also looked at. I then applied those key questions, ideas, and concepts that are used to determine the use of a trade in the classroom, and created my own trade book. The trade book was centered around a standard from Next Generation Science Standards for Kindergarten through first-grade. The focus of this book was to inform children, in an age appropriate, yet scientifically accurate and engaging format, what living organisms need in order to survive and grow. The trade book brings all the research and creativity together in order to inform and benefit students in their learning process. This creative project has allowed me to broaden my literary skills, as well as my creativity for teaching in the classroom.
ContributorsMercado, Catherine Louise (Author) / Pfister-Angulo, Mark (Thesis director) / McKee, Dianne (Committee member) / Division of Teacher Preparation (Contributor) / Barrett, The Honors College (Contributor)
Created2020-05
Description
This Narrative Inquiry Research project looks at the first-hand experiences and stories of educators, counselors, and administrators working in schools during and following the pandemic. This is done through video interviews pieced together to create one large documentary-style video. In addition to the creative component, there is also an essay

This Narrative Inquiry Research project looks at the first-hand experiences and stories of educators, counselors, and administrators working in schools during and following the pandemic. This is done through video interviews pieced together to create one large documentary-style video. In addition to the creative component, there is also an essay detailing the results of those answers, the research behind it, and what that research means for schools now.
ContributorsMorgan, Laurel (Author) / Oliver, Jill (Thesis director) / Ludlow, Carlyn (Committee member) / Barrett, The Honors College (Contributor) / Division of Teacher Preparation (Contributor)
Created2023-12