Matching Items (188)
ContributorsWillis, Dawn O. (Performer) / Fuller, Charles L. (Performer) / Copeland, Jill (Performer) / Christiansen, Scott (Performer) / Borland, Mary Ann (Performer) / Women's Chorus (Performer) / Arizona Statesmen (Performer) / ASU Library. Music Library (Publisher)
Created1987-12-03
ContributorsFuller, Charles L. (Performer) / Willis, Dawn O. (Performer) / Hloucal, Amy (Performer) / Williams, Christy (Performer) / Arizona Statesmen (Performer) / Women's Chorus (Performer) / ASU Library. Music Library (Publisher)
Created1988-03-17
ContributorsMeredith, Steve (Performer) / Rathmell, Robert (Performer) / Fuller, Charles L. (Performer) / Women's Chorus (Performer) / Arizona Statesmen (Performer) / ASU Library. Music Library (Publisher)
Created1988-10-13
ContributorsMeredith, Steve (Performer) / Fuller, Charles L. (Performer) / Rathmell, Robert (Performer) / Women's Chorus (Performer) / Arizona Statesmen (Performer) / ASU Library. Music Library (Publisher)
Created1988-12-01
ContributorsNemko, Deborah (Performer) / Weber, Steven T (Performer) / Marsh, Heather (Performer) / Darrough, Galen P. (Performer) / Women's Chorus (Performer) / Arizona Statesmen (Performer) / ASU Library. Music Library (Publisher)
Created1989-12-07
ContributorsNemko, Deborah (Performer) / Weber, Steven T (Performer) / Copeland, Jill (Performer) / Darrough, Galen P. (Performer) / Women's Chorus (Performer) / Arizona Statesmen (Performer) / ASU Library. Music Library (Publisher)
Created1990-03-01
ContributorsSchreuder, Joel (Conductor) / Larson, Brook (Conductor) / Souza Santos, Rubia (Performer) / Dauphinais, Michael (Performer) / Women's Chorus (Performer) / Men's Chorus (Performer) / ASU Library. Music Library (Publisher)
Created1999-10-14
ContributorsSouza Santos, Rubia (Performer) / Dauphinais, Michael (Performer) / Women's Chorus (Performer) / Men's Chorus (Performer) / ASU Library. Music Library (Publisher)
Created1999-11-18
ContributorsSchreuder, Joel (Conductor) / Larson, Brook (Conductor) / Souza Santos, Rubia (Performer) / Dauphinais, Michael (Performer) / Women's Chorus (Performer) / Men's Chorus (Performer) / ASU Library. Music Library (Publisher)
Created2000-03-23
ContributorsSchreuder, Joel (Conductor) / Larson, Brook (Conductor) / Souza Santos, Rubia (Performer) / Dauphinais, Michael (Performer) / Women's Chorus (Performer) / Men's Chorus (Performer) / ASU Library. Music Library (Publisher)
Created2000-04-30
ContributorsAgeyeva, Julia (Performer) / Schreuder, Joel (Conductor) / Larson, Brook (Conductor) / Simmons, Mark (Conductor) / Mills, Robert (Conductor) / Women's Chorus (Performer) / Men's Chorus (Performer) / ASU Library. Music Library (Publisher)
Created2000-10-17
ContributorsLarson, Brook (Conductor) / Schreuder, Joel (Conductor) / Men's Chorus (Performer) / Women's Chorus (Performer) / ASU Library. Music Library (Publisher)
Created2001-03-22
ContributorsCasarow, Pattye (Conductor) / Beachy, Cathy (Conductor) / Wen, Shu-Wen (Performer) / Huff, Michael (Conductor) / Mills, Robert (Performer) / Women's Chorus (Performer) / Men's Chorus (Performer) / ASU Library. Music Library (Publisher)
Created2001-10-04
ContributorsUniversity Choir (Performer) / Men's Chorus (Performer) / Women's Chorus (Performer) / ASU Library. Music Library (Publisher)
Created2001-11-15
ContributorsCasarow, Pattye (Conductor) / Wen, Shu-Wen (Performer) / Huff, Michael (Conductor) / Mills, Robert (Performer) / Women's Chorus (Performer) / Men's Chorus (Performer) / ASU Library. Music Library (Publisher)
Created2002-03-07
ContributorsCasarow, Pattye (Contributor) / Wen, Shu-Wen (Performer) / Huff, Michael (Conductor) / Mills, Robert (Performer) / Women's Chorus (Performer) / Men's Chorus (Performer) / ASU Library. Music Library (Publisher)
Created2002-04-18
ContributorsButler, Robb (Conductor) / Wen, Shu-Wen (Performer) / Women's Chorus (Performer) / ASU Library. Music Library (Publisher)
Created2002-11-14
ContributorsRussell, Timothy Wells (Conductor) / West, Jayne (Performer) / Bryant, Stephen (Performer) / University Symphony Orchestra (Performer) / Choral Union (Performer) / Concert Choir (Performer) / University Choir (Performer) / Women's Chorus (Performer) / ASU Library. Music Library (Publisher)
Created2003-05-04
ContributorsOwen, Kenneth (Conductor) / Larson, Brook (Conductor) / Garzarelli, Angela Joy (Performer) / Women's Chorus (Performer) / Sun Devil Singers (Performer) / ASU Library. Music Library (Publisher)
Created2003-11-23
ContributorsOwen, Ken (Conductor) / McDevitt, Mandy L. M. (Performer) / Larson, Brook (Conductor) / Wang, Lin-Yu (Performer) / Jacobs, Todd (Performer) / Morehouse, Daniel (Performer) / Magers, Kristen (Performer) / DeGrow, Gary (Performer) / DeGrow, Richard (Performer) / Women's Chorus (Performer) / Sun Devil Singers (Performer) / ASU Library. Music Library (Publisher)
Created2004-03-24
ContributorsInman, Laura (Performer) / Wang, Liang-Yu (Performer) / Larson, Brook (Performer) / Reilly, Megan (Performer) / Dan, Kayoko (Performer) / Kemp, Megan (Performer) / Tollefson, Ellen (Performer) / Ujie, Noriko (Performer) / Rich, Angela (Performer) / Bell, Rebecca (Performer) / Sample, Michael (Performer) / Women's Chorus (Performer) / Sun Devil Singers (Performer) / ASU Library. Music Library (Publisher)
Created2005-03-29
ContributorsBock, Kevin (Performer) / Ehlers, Lisa (Performer) / Drake-Perry, Shin-Young (Performer) / Black, Katherine (Performer) / Lincoln, Ingrid (Performer) / Morales, Michelle (Performer) / Inman, Laura (Performer) / Women's Chorus (Performer) / ASU Library. Music Library (Publisher)
Created2005-04-04
ContributorsSchank, Stephen (Performer) / Wang, Liang-Yu (Performer) / Larson, Brook (Performer) / Reilly, Megan (Performer) / Sun Devil Singers (Performer) / Women's Chorus (Performer) / ASU Library. Music Library (Publisher)
Created2005-10-23
ContributorsGentry, Gregory R. (Conductor) / Larson, Brook (Conductor) / Helvey, Emily (Performer) / Inman, Laura (Conductor) / Paynter-Paise, Michele (Conductor) / Wang, Liang-Yu (Performer) / Schank, Stephen (Conductor) / Sun Devil Singers (Performer) / Women's Chorus (Performer) / Herberger Singers (Performer) / ASU Library. Music Library (Publisher)
Created2006-03-31
ContributorsRussell, Timothy Wells (Performer) / FitzPatrick, Carole (Performer) / Jones, Isola (Performer) / University Symphony Orchestra (Performer) / Choral Union (Performer) / Concert Choir (Performer) / Herberger Singers (Performer) / Sun Devil Singers (Performer) / University Choir (Performer) / Women's Chorus (Performer) / ASU Library. Music Library (Publisher)
Created2006-04-28
ContributorsPaise, Michele Paynter (Conductor) / Larson, Brook Carter (Conductor) / Women's Chorus (Performer) / Men's Chorus (Performer) / ASU Library. Music Library (Publisher)
Created2006-10-20
ContributorsLarson, Brook Carter (Conductor) / Paise, Michele Paynter (Conductor) / Women's Chorus (Performer) / Men's Chorus (Performer) / ASU Library. Music Library (Publisher)
Created2007-03-25
ContributorsGarrison, Ryan D. (Conductor) / Larson, Brook Carter (Conductor) / Women's Chorus (Performer) / Men's Chorus (Performer) / ASU Library. Music Library (Publisher)
Created2007-10-28
ContributorsLarson, Brook Carter (Conductor) / Gentry, Gregory R. (Conductor) / Garrison, Ryan D. (Conductor) / Schildkret, David (Conductor) / Men's Chorus (Performer) / Symphonic Chorale (Performer) / Women's Chorus (Performer) / Chamber Singers (Performer) / Choral Union (Performer) / ASU Library. Music Library (Publisher)
Created2007-12-03
ContributorsGarrison, Ryan D. (Conductor) / Larson, Brook Carter (Conductor) / Women's Chorus (Performer) / Men's Chorus (Performer) / ASU Library. Music Library (Publisher)
Created2008-03-30
ContributorsRussell, Timothy Wells (Conductor) / FitzPatrick, Carole (Performer) / Roderer, Jennifer (Performer) / Courtemanche, Kevin (Performer) / Volpe, Peter (Performer) / University Symphony Orchestra (Performer) / Choral Union (Performer) / Chamber Singers (Performer) / Symphonic Chorale (Performer) / Men's Chorus (Performer) / Women's Chorus (Performer) / ASU Library. Music Library (Publisher)
Created2008-04-25
ContributorsBarefield, Robert (Performer) / Ryan, Russell (Performer) / ASU Library. Music Library (Publisher)
Created2008-11-02
ContributorsFitzPatrick, Carole (Performer) / Ryan, Russell (Performer) / ASU Library. Music Library (Publisher)
Created2009-03-22
ContributorsGarrett, Jennifer (Conductor) / Larson, Brook Carter (Conductor) / Nouri, Sahar (Performer) / Smolnik, Carric (Performer) / Clewell, Megan (Performer) / Women's Chorus (Performer) / Men's Chorus (Performer) / ASU Library. Music Library (Publisher)
Created2009-03-27
ContributorsGarrett, Jennifer (Performer) / Women's Chorus (Performer) / ASU Library. Music Library (Publisher)
Created2009-04-20
ContributorsGarrett, Jennifer (Conductor) / FitzPatrick, Carole (Performer) / Aspnes, Lynne (Performer) / Campbell, Andrew (Pianist) (Performer) / Ryan, Russell (Performer) / Rockmaker, Jody (Performer) / Kocour, Mike (Performer) / McLin, Katherine (Performer) / Larson, Brook Carter (Conductor) / Women's Chorus (Performer) / Men's Chorus (Performer) / ASU Library. Music Library (Publisher)
Created2009-05-04
ContributorsSwartz, Jonathan (Performer) / Buck, Nancy (Performer) / Landschoot, Thomas (Performer) / Ryan, Russell (Performer) / ASU Library. Music Library (Publisher)
Created2009-10-10
ContributorsSchuring, Martin (Performer) / Campbell, Andrew (Pianist) (Performer) / Ryan, Russell (Performer) / Buck, Elizabeth (Performer) / Gardner, Joshua (Performer) / Micklich, Albie (Performer) / Ericson, John Q. (John Quincy), 1962- (Performer) / ASU Library. Music Library (Publisher)
Created2009-10-18
ContributorsGarrett, Jennifer (Conductor) / Smolnik, Carric (Conductor) / Chiaravalloti, Charissa (Conductor) / Rugen, Kira (Conductor) / Ames, Liz (Performer) / Women's Chorus (Performer) / Men's Chorus (Performer) / ASU Library. Music Library (Publisher)
Created2009-10-24
ContributorsRotaru, Catalin (Performer) / Ryan, Russell (Performer) / Susilo, Chandra (Performer) / Manfredi, Zo (Performer) / Wuenschel, Allyson (Performer) / Stein, Adele (Performer) / Cobalis, Jacy (Performer) / ASU Library. Music Library (Publisher)
Created2009-11-23
ContributorsEhlers, Lisa (Performer) / Cosand, Walter, 1950- (Performer) / Campbell, Andrew (Pianist) (Performer) / Thompson, Jan Meyer (Performer) / Ryan, Russell (Performer) / ASU Library. Music Library (Publisher)
Created2010-02-01
ContributorsRyan, Russell (Performer) / FitzPatrick, Carole (Performer) / Barefield, Robert (Performer) / Dreyfoos, Dale (Performer) / ASU Library. Music Library (Publisher)
Created2010-04-25
ContributorsRyan, Russell (Performer) / Campbell, Andrew (Pianist) (Performer) / Buck, Nancy (Performer) / Cosand, Walter, 1950- (Performer) / Schuring, Martin (Performer) / FitzPatrick, Carole (Performer) / Landschoot, Thomas (Performer) / ASU Library. Music Library (Publisher)
Created2010-09-26
Description
Playing an orchestral reduction is not always the most joyous of times for pianists. As pianists, we have to express a reduced idea of all the instruments and orchestral textures that are in the full score. However, in many cases, there are often omissions, errors or discrepancies in the existing published reductions. These reductions are made by a variety of people: editors, conductors, pianists, but rarely by the composer, and often do not reflect the composer's true intentions. While many reductions are technically playable, including the reduction of the Sibelius Violin Concerto that will form the basis of this paper, the arrangement of the orchestration can be obscured or inaccurate to the point where the violin soloist may not be receiving the best representation of the actual orchestration. A piano reduction should as closely as possible represent the original intention of the composer, both for the sake of the audience and the performers. The pianist should be able to provide the proper support and orchestration of any reduction for the instrumentalist or vocalist so that the same performance style and technique can be used while performing with either a piano reduction or a full orchestra. This research document contains a detailed examination of the various orchestral reductions of the Sibelius Violin Concerto, culminating in a new version by the author. In this discussion, the author will present a basic understanding of how to orchestrate at the piano through an in-depth explanation of piano skill and technique, practice techniques such as listening to a recorded version of the full orchestration while playing the piano, and ways to study and revise an existing piano reduction. The current published reductions of the Sibelius Violin Concerto contain many errors and discrepancies and will be contrasted with the author's own reduction, available for comparison and study in the appendix. This new revised reduction will clearly show the orchestral instruments represented throughout the score, demonstrate new techniques for various orchestral textures, and will yield a playable product that more closely represents the composer's original intentions.
ContributorsLee, Sehee (Author) / Campbell, Andrew (Thesis advisor) / Rogers, Rodney (Committee member) / Ryan, Russell (Committee member) / Britton, David (Committee member) / Landschoot, Thomas (Committee member) / Arizona State University (Publisher)
Created2011
ContributorsBuck, Nancy (Performer) / Ryan, Russell (Performer) / ASU Library. Music Library (Publisher)
Created2011-02-11
ContributorsMicklich, Albie (Performer) / Schuring, Martin (Performer) / Spring, Robert (Conductor) / Palmer, Katie (Performer) / Vallier, Michelle (Performer) / Schreffler, Sarah (Performer) / Trinkle, Isadora (Performer) / Kesler, Michelle (Performer) / FitzPatrick, Carole (Performer) / Ryan, Russell (Performer) / Stanford, Allison (Performer) / Hill, Gary W. (Conductor) (Conductor) / Wintringham, Jonathan (Performer) / Hanson, Elizabeth (Performer) / Lemoine, Ryan (Performer) / Gest, Gordon (Performer) / Clarinet Ensemble (Performer) / Chamber Orchestra (Performer) / ASU Library. Music Library (Publisher)
Created2011-09-23
ContributorsHamilton, Robert, 1937- (Performer) / Pagano, Caio, 1940- (Performer) / FitzPatrick, Carole (Performer) / Ryan, Russell (Performer) / ASU Library. Music Library (Publisher)
Created2011-10-21
ContributorsBuck, Elizabeth (Performer) / Smith, J. B., 1957- (Performer) / Micklich, Albie (Performer) / Schuring, Martin (Performer) / Buck, Nancy (Performer) / Ryan, Russell (Performer) / Daum, Jenna (Performer) / Oh, Jin Hee (Performer) / Stanton, Brittney (Performer) / Valadez, Katie (Performer) / ASU Library. Music Library (Publisher)
Created2011-11-06
Description
Arnold Schoenberg's 1908-09 song cycle, Das Buch der hängenden Gärten [The Book of the Hanging Gardens], opus 15, represents one of his most decisive early steps into the realm of musical modernism. In the midst of personal and artistic crises, Schoenberg set texts by Stefan George in a style he called "pantonality," and described his composition as radically new. Though stylistically progressive, however, Schoenberg's musical achievement had certain ideologically conservative roots: the composer numbered among turn-of-the-century Viennese artists and thinkers whose opposition to the conventional and the popular--in favor of artistic autonomy and creativity--concealed a reactionary misogyny. A critical reading of Hanging Gardens through the lens of gender reveals that Schoenberg, like many of his contemporaries, incorporated strong frauenfeindlich [anti-women] elements into his work, through his modernist account of artistic creativity, his choice of texts, and his musical settings. Although elements of Hanging Gardens' atonal music suggest that Schoenberg valued gendered-feminine principles in his compositional style, a closer analysis of the work's musical language shows an intact masculinist hegemony. Through his deployment of uncanny tonal reminiscences, underlying tonal gestures, and closed forms in Hanging Gardens, Schoenberg ensures that the feminine-associated "excesses" of atonality remain under masculine control. This study draws upon the critical musicology of Susan McClary while arguing that Schoenberg's music is socially contingent, affected by the gender biases of his social and literary milieux. It addresses likely influences on Schoenberg's worldview including the philosophy of Otto Weininger, Freudian psychoanalysis, and a complex web of personal relationships. Finally, this analysis highlights the relevance of Schoenberg's world and its constructions of gender to modern performance practice, and argues that performers must consider interrelated historical, textual, and musical factors when interpreting Hanging Gardens in new contexts.
ContributorsGinger, Kerry Anne (Author) / FitzPatrick, Carole (Thesis advisor) / Dreyfoos, Dale (Committee member) / Mook, Richard (Committee member) / Norton, Kay (Committee member) / Ryan, Russell (Committee member) / Arizona State University (Publisher)
Created2012
Description
Numerous orchestral reductions for piano are plagued by cumbersome passages that impede pianists from delivering phrases with flow and elegance. The vocal works of George Frideric Handel (1685–1759) and Richard Wagner (1813–1883) are among the more unwieldy of these. While arrangers of the piano vocal scores by these two composers admirably include as much orchestration as possible, their efforts often result in writing that is not idiomatic for the piano. The frustrating difficulties in the orchestral reductions of Handel’s “Empio, dirò, tu sei” (Giulio Cesare), his Messiah chorus “For unto us a child is born” as well as Wagner’s aria “Du bist der Lenz” (Die Walküre) all plead for a new, fresh arrangement for the working pianist. Concerning itself with the formation of one’s hands, stamina preservation, and the need to give proper support to the singers, this paper makes examples of these three pieces to document and justify the steps and techniques one may take to customize both these and any variety of orchestral reductions. With great emphasis on the methodology of rewriting operatic and choral orchestral reductions, this document presents newly arranged note–for–note piano vocal scores of the above arias and chorus. By customizing and rewriting complex scores, our partners benefit by singing above the identical accompaniment every time. It is the intent that the collaborative pianist can apply these methods to future rewrites, with the result of producing scores that are conducive to proper technique and flow.
ContributorsPeterman, Jeremy Patrick (Author) / Campbell, Andrew (Thesis advisor) / FitzPatrick, Carole (Committee member) / Oldani, Robert (Committee member) / Reber, William (Committee member) / Ryan, Russell (Committee member) / Arizona State University (Publisher)
Created2012