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Attitudes and habits are extremely resistant to change, but a disruption of the magnitude of the COVID-19 pandemic has the potential to bring long-term, massive societal changes. During the pandemic, people are being compelled to experience new ways of interacting, working, learning, shopping, traveling, and eating meals. Going forward, a

Attitudes and habits are extremely resistant to change, but a disruption of the magnitude of the COVID-19 pandemic has the potential to bring long-term, massive societal changes. During the pandemic, people are being compelled to experience new ways of interacting, working, learning, shopping, traveling, and eating meals. Going forward, a critical question is whether these experiences will result in changed behaviors and preferences in the long term. This paper presents initial findings on the likelihood of long-term changes in telework, daily travel, restaurant patronage, and air travel based on survey data collected from adults in the United States in Spring 2020. These data suggest that a sizable fraction of the increase in telework and decreases in both business air travel and restaurant patronage are likely here to stay. As for daily travel modes, public transit may not fully recover its pre-pandemic ridership levels, but many of our respondents are planning to bike and walk more than they used to. These data reflect the responses of a sample that is higher income and more highly educated than the US population. The response of these particular groups to the COVID-19 pandemic is perhaps especially important to understand, however, because their consumption patterns give them a large influence on many sectors of the economy.

Created2020-09-03
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Narration of the Jump Around Round 1 encounter between #8 Springhare and #9 Jackrabbit by Jessica Light.

ContributorsLight, Jessica (Creator)
Created2019
Arizona Portfolio
ContributorsGully, Anthony (Author) / Chou, Ju-hsi (Author) / Dowden, Robin (Author)
Description

Phoebus 5: A Journal of Art History - Table of Contents

“Editor’s Note” by Anthony Gully, p. 5-6.

“Preface” by Lucinda H. Gedeon, p. 9-12.

“Hiram Power’s Bust of George Washington: The President as an Icon” by Vivien Green Fryd, p. 14-28.

“A Sky After El Greco, An Early Homage by Demuth” by Marie

Phoebus 5: A Journal of Art History - Table of Contents

“Editor’s Note” by Anthony Gully, p. 5-6.

“Preface” by Lucinda H. Gedeon, p. 9-12.

“Hiram Power’s Bust of George Washington: The President as an Icon” by Vivien Green Fryd, p. 14-28.

“A Sky After El Greco, An Early Homage by Demuth” by Marie Timberlake, p. 29-44.

“Ben Shahn’s ‘Mine Building: A Symbol of Disaster’” by Carolyn Robbins, p. 45-60.

“Georgia O’Keeffe’s ‘Horse’s Skull on Blue’: A Dedicatory Essay” by Barbara Spies, p. 61-65.

“Eastman Johnson's Cranberry Pickers” by Joseph Lamb, p. 66-74. 

“Dull Knife’s Defiance” by Maria Leone, p. 75-79. 

“A Designer of Dreams: Arthur B. Davies’ ‘Dawn, Mother of Night’” by Anne Gully, p. 80-87.

“Death and Mystical Liberation in John B. Flannagan’s ‘Beginning’” by Timothy Norris, p. 88-92.

Architecture that Speaks: Edward Hopper's Cottage, Cape Cod” by William Laubach, p. 93-95.

“Behind the Mask: Walt Kuhn’s ‘Young Clown’” by Richard Raymond, p. 96-101.

“George Elbert Burr: A Sometimes Master” by Thomas van der Meulen, p. 102-109.

“‘Parade’ in Review, an Interview with Philip C. Curtis” by Dawne Walczak, p. 110-124.

“Notes” p. 125-143.

ContributorsGully, Anthony (Author) / Gedeon, Lucinda H. (Author) / Fryd, Vivien Green (Author) / Timberlake, Marie (Author) / Robbins, Carolyn (Author) / Spies, Barbara (Author) / Lamb, Joseph (Author) / Leone, Maria (Author) / Gully, Anne (Author) / Norris, Timothy (Author) / Laubach, William (Author) / Raymond, Richard (Author) / van der Meulen, Thomas (Author) / Walczak, Dawne (Author)
Created1987
Description

Phoebus 3: A Journal of Art History - Table of Contents

“Preface” by Jack Breckenridge, p. 5.

“A Possible Interpretation of the Bird-man Figure Found on Objects Associated with the Southern Cult of the Southeastern United States, A.D. 1200 to 1350” by Lee Anne Wilson, p. 6-18.

“John Milton’s ‘Unholy Trinity’: (Satan, Sin,

Phoebus 3: A Journal of Art History - Table of Contents

“Preface” by Jack Breckenridge, p. 5.

“A Possible Interpretation of the Bird-man Figure Found on Objects Associated with the Southern Cult of the Southeastern United States, A.D. 1200 to 1350” by Lee Anne Wilson, p. 6-18.

“John Milton’s ‘Unholy Trinity’: (Satan, Sin, and Death)” by Anthony Gully, p. 19-36.

“Arizona Portfolio” p. 38-84.

          “Voyage of the Sesostris: Elihi Vedder in Egypt” by Hugh Broadley, p. 39-51.

          “Theodore Roszak’s ‘Emergence: Transition I’ at Arizona State University” by Joan
          Seeman Robinson, p. 52-53.

          “‘La peur donnant des ailes au courage by Jean Cocteau: a Drawing in the Phoenix Art
          Museum” by Anne Gully and Susan Benforado Gunther, p. 54-63.

          “John Mix Stanley, a ‘Hudson River’ Painter in Arizona” by James K. Ballinger, p. 64-72.

          “‘Corn Husking’ by Winslow Homer” by Gerald Eager, p. 73-79.

          “A Plate from the Meissen Swan Service in the Phoenix Art Museum” by Barbara
          Nachtigall, p. 80-84.

“Death in the Darkroom: Poisonings of Nineteenth Century Photographers” by Bill Jay, p. 85-98.

“Oral History in Art: A New Tool” by Winberta Yao, p. 99-108.

“A Note from a Reader” p. 109. 

“Contributors” p. 110-112

ContributorsBreckenridge, Jack (Author) / Wilson, Lee Anne (Author) / Gully, Anthony (Author) / Broadley, Hugh (Author) / Robinson, Joan Seeman (Author) / Gully, Anne (Author) / Gunther, Susan Benforado (Author) / Ballinger, James K. (Author) / Eager, Gerald (Author) / Nachtigall, Barbara (Author) / Yao, Winberta M. (Author) / Jay, Bill (Author)
Created1981
Description

Phoebus 2: A Journal of Art History - Table of Contents

“Preface” by Jack Breckenridge, p. 3.

“Contributors” p. 4-5.

“Table of Contents” p. 6-7.

“The Problem of Antisolimenismo in Neapolitan Baroque Painting” by Donald Rabiner, p. 8-16.

“Mid-Fourteenth Century Painting in Suchou: Some Lesser Masters” by Claudia Brown, p. 17-30.

“A Re-Examination of the Cult

Phoebus 2: A Journal of Art History - Table of Contents

“Preface” by Jack Breckenridge, p. 3.

“Contributors” p. 4-5.

“Table of Contents” p. 6-7.

“The Problem of Antisolimenismo in Neapolitan Baroque Painting” by Donald Rabiner, p. 8-16.

“Mid-Fourteenth Century Painting in Suchou: Some Lesser Masters” by Claudia Brown, p. 17-30.

“A Re-Examination of the Cult of Demeter and the Meaning of the Eleusinian Mysteries” by Sherly Farness, p. 31-38. 

“Arizona Portfolio” p. 39-53. 

          “Wooden Cross” by Mildred Monteverde, p. 40-43.

          “Le Petit Tablier” by Rosalind Robinson, p. 44-47.

          “La Réunion des plus Célèbres Monuments Antiques de la France” by Vicki C. Wright, p.
          48-53. 

“An Unpublished Rowlandson Sketchbook” by Anthony Gully, p. 54-74.

“Are We Ready for Shih-T'ao?” by Ju-hsi Chou, p. 75-87. 

A Conversation Between Adolph Gottlieb and Jack Breckenridge” transcribed by Jack Breckenridge, p. 88-96. 

“Three Recent Art Reference Books” by Winberta Yao, p. 97-102

ContributorsBreckenridge, Jack (Author, Transcriber) / Rabiner, Donald, 1949- (Author) / Brown, Claudia (Author) / Farness, Sherly (Author) / Monteverde, Mildred (Author) / Robinson, Rosalind (Author) / Wright, Vicki C. (Vicki Christine) (Author) / Gully, Anthony (Author) / Chou, Ju-hsi (Author) / Yao, Winberta M. (Author)
Created1979
Description

Phoebus 1: A Journal of Art History - Table of Contents 

“Preface” by Ju-hsi Chou, p. 4-6. 

“Dedication” by Harry Wood, p. 7-8.

“Style and Symbolism in the Awatobi Kiva Mural Paintings” by Marvin Cohodas, p. 9-21.

“Mr. B and the Cherubim: A Critical Examination of William Blake's 'A Descriptive Catalogue' of 1809” by

Phoebus 1: A Journal of Art History - Table of Contents 

“Preface” by Ju-hsi Chou, p. 4-6. 

“Dedication” by Harry Wood, p. 7-8.

“Style and Symbolism in the Awatobi Kiva Mural Paintings” by Marvin Cohodas, p. 9-21.

“Mr. B and the Cherubim: A Critical Examination of William Blake's 'A Descriptive Catalogue' of 1809” by Anthony Gully, p. 23-46. 

“Arizona Portfolio” p. 47-64.

          “La Muse de Guillaume Apollinaire (The Muse of Guillaume Apollinaire)” by Anthony
          Gully, p. 48-51.

          “Wild Geese, Flowering Plants, and Tall Reeds” by Ju-hsi Chou, p. 52-55.

          “Ting” by Ju-hsi Chou, p. 56-59.

          “Homage to Watteau” by Robin Dowden, p. 60-64.

“A Note on a Letter from Roger Hilton to Terry Frost” by Jack Breckenridge, p. 65-74.

“Ming Idealism and Landscape Painting” by Ju-hsi Chou, p. 75-92.

“Classic Maya Elements in the Iconography of Rulership at El Tajin, Veracruz, Mexico” by Michael Kampen, p. 93-104. 

“Anne de Coursey Clapp, Wen Cheng-ming, ‘The Ming Artist and Antiquity’” by Anne de Coursey Clapp and Wen Cheng-ming, p. 105-108.

“‘7+5 Sculptors in the 1950s’: An Exhibition in the Phoenix Art Museum” 108-113.

“List of Contributors” by 114-116.

ContributorsWood, Harry, 1910- (Author) / Chou, Ju-hsi (Author) / Cohodas, Marvin (Author) / Gully, Anthony (Author) / Dowden, Robin (Author) / Breckenridge, Jack (Author) / Kampen, Michael (Author) / Clapp, Anne de Coursey (Author) / Cheng-ming, Wen (Author)
Created1978
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ContributorsGully, Anthony (Author)