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Description
"Romantic Cyber-Engagement" offers a new type of dissertation organized around three projects that combine the core values of the Digital Humanities with the hypertext tradition of scholarly pursuits in the field of Romanticism. The first of the three Digital Humanities contributions is to the profession. "A Resource for the Future:

"Romantic Cyber-Engagement" offers a new type of dissertation organized around three projects that combine the core values of the Digital Humanities with the hypertext tradition of scholarly pursuits in the field of Romanticism. The first of the three Digital Humanities contributions is to the profession. "A Resource for the Future: The ICR Template and Template Guide" articulates a template for the construction and operation of an advanced conference in Romantic studies. This part of the project includes the conference web site template and guide, which is publicly available to all interested organizations; the template guide includes instructions, tutorials, and advice to govern modification of the template for easier adaptation for future conferences. The second project, "Collaborative Literature Projects in the Digital Age: The Frankenstein Project" is a functional pedagogical example of one way to incorporate Digital Humanities praxis as an interactive part of a college course. This part of the dissertation explains the "Frankenstein Project," a web site that I created for an undergraduate critical theory course where the students contributed various critical approaches for sections of the novel Frankenstein; or, The Modern Prometheus. The final project, "'[W]hat they half-create, / And what perceive': The Creation of a Hypertext Scholarly Edition of 'Tintern Abbey;'" is a critical approaches section in which I created an interactive web site that focused on the primary work, "Lines Written a Few Miles above Tintern Abbey: On Revisiting the Banks of the Wye during a Tour, July 13, 1798." This advanced, multimodal site allows viewers to examine various critical approaches to each section of the primary work, and the viewer/reader can interactively engage the text in dialogue by contributing their own interpretation or critical approach. In addition to the three products and analysis generated from this dissertation, the project as a whole offers an initial Digital Humanities model for future dissertations in discipline of English Literature.
ContributorsMatsunaga, Bruce (Author) / Lussier, Mark S (Thesis advisor) / Broglio, Ronald (Committee member) / Wright, Johnson K (Committee member) / Arizona State University (Publisher)
Created2013
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Description
This study examined discussion forum posts within a website dedicated to a medium and genre of music (chiptunes) with potential for music-centered making, a phrase I use to describe maker culture practices that revolve around music-related purposes. Three research questions guided this study: (1) What chiptune-related practices did members of

This study examined discussion forum posts within a website dedicated to a medium and genre of music (chiptunes) with potential for music-centered making, a phrase I use to describe maker culture practices that revolve around music-related purposes. Three research questions guided this study: (1) What chiptune-related practices did members of chipmusic.org discuss between December 30th, 2009 and November 13th, 2017? (2) What do chipmusic.org discussion forum posts reveal about the multidisciplinary aspects of chiptunes? (3) What import might music-centered making evident within chipmusic.org discussion forum posts hold for music education? To address these research questions, I engaged in corpus-assisted discourse analysis tools and techniques to reveal and analyze patterns of discourse within 245,098 discussion forum posts within chipmusic.org. The analysis cycle consisted of (a) using corpus analysis techniques to reveal patterns of discourse across and within data consisting of 10,892,645 words, and (b) using discourse analysis techniques for a close reading of revealed patterns.

Findings revealed seven interconnected themes of chiptune-related practices: (a) composition practices, (b) performance practices, (c) maker practices, (d) coding practices, (e) entrepreneurial practices, (f), visual art practices, and (g) community practices. Members of chipmusic.org primarily discussed composing and performing chiptunes on a variety of instruments, as well as through retro computer and video game hardware. Members also discussed modifying and creating hardware and software for a multitude of electronic devices. Some members engaged in entrepreneurial practices to promote, sell, buy, and trade with other members. Throughout each of the revealed themes, members engaged in visual art practices, as well as community practices such as collective learning, collaborating, constructive criticism, competitive events, and collective efficacy.

Findings suggest the revealed themes incorporated practices from a multitude of academic disciplines or fields of study for music-related purposes. However, I argue that many of the music-related practices people discussed within chipmusic.org are not apparent within music education discourse, curricula, or standards. I call for an expansion of music education discourse and practices to include additional ways of being musical through practices that might borrow from multiple academic disciplines or fields of study for music-related purposes.
ContributorsO'Leary, Jared Duane (Author) / Mantie, Roger A (Thesis advisor) / Tobias, Evan S (Thesis advisor) / Schmidt, Margaret (Committee member) / Stauffer, Sandra (Committee member) / Thompson, Jason (Committee member) / Arizona State University (Publisher)
Created2018
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Description
The College Band Directors National Association (CBDNA) began holding

national conferences in 1941, and the organization's six divisions have held biennial conferences on alternating years beginning in 1950. The CBDNA Statement of Purpose specifies, "CBDNA is committed to serving as a dynamic hub connecting individuals to communities, ideas and resources." The

The College Band Directors National Association (CBDNA) began holding

national conferences in 1941, and the organization's six divisions have held biennial conferences on alternating years beginning in 1950. The CBDNA Statement of Purpose specifies, "CBDNA is committed to serving as a dynamic hub connecting individuals to communities, ideas and resources." The regional and national conferences are one of the strongest means to that end. This study presents a history and documentation of the events of the College Band Directors National Association Western/Northwestern Divisional Conference held in Reno, Nevada from 1990 to 2016. The events leading up to the first conference are reported. The details of the clinics and concerts are chronicled to provide a foundation for analyses of various trends and threads regarding number and types of ensembles that performed, types and content of clinics presented, trends in repertoire selection, details of featured composers and commissions, and a discussion of gender disparity across all of these facets.
ContributorsMartin, Stephen (Author) / Stauffer, Sandra (Thesis advisor) / Hill, Gary W. (Committee member) / Schmidt, Margaret (Committee member) / Sullivan, Jill M. (Committee member) / Arizona State University (Publisher)
Created2016
ContributorsKraus, Lawrence (Director)
Created2012
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Description
ABSTRACT

Understanding complex and adaptive socio-ecological systems (SES) to deal with our most challenging and overlapping problems such as global climate change, biodiversity loss, and rising consumption rates requires sustainability theory that is commensurate with these problems’ size and complexity. The received United Nations-based sustainability framework aims to achieve a balance

ABSTRACT

Understanding complex and adaptive socio-ecological systems (SES) to deal with our most challenging and overlapping problems such as global climate change, biodiversity loss, and rising consumption rates requires sustainability theory that is commensurate with these problems’ size and complexity. The received United Nations-based sustainability framework aims to achieve a balance among three pillars—economics, environment, and social equity—for today and for future generations. Yet, despite applying this sustainability framework for over a quarter of a century, the Earth is less sustainable, not more. Theoretical trade-offs between environmental conservation and economic growth have often reinforced business-as-usual practices and educational paradigms, and emphasized economic values over ecological limits.

How can the principles of foundational naturalists help clarify, enhance, and advance sustainability discourse? I propose that the principles of Henry David Thoreau (1817-1862), Aldo Leopold (1887-1948), Rachel Carson (1907-1964), and Edward O. Wilson (1927-), express a worldview that captures and integrates a range and depth of historical, normative, economic, ecological, scientific, and social values for a viable and applicable discourse of sustainability.

This analytical study relies on (i.) textual analysis and interpretation of four key naturalists and humanists, (ii.) analysis of secondary sources that illuminate their proto- ecological and sustainability principles, and (iii.) interviews with leading sustainability scholars. Because these thinkers integrate science and ethics, natural history and philosophy, ecology and society, and environmental and economic problems within a holistic worldview, I call them systems naturalists. Their transdisciplinary worldview of one holistic system, with economics subordinated to environmental limits, links important values from the natural sciences and the humanities. The writings and examples of systems naturalists provide more robust historical sustainability principles that can help solve our most challenging SES problems by synthesizing a broad range of knowledge in the sciences, social sciences, and the humanities to inform sustainability paradigm, practices, and pedagogy.
ContributorsThomas, Craig (Craig F.) (Author) / Minteer, Ben A (Thesis advisor) / Pijawka, David K (Committee member) / Hirt, Paul W (Committee member) / Boone, Christopher (Committee member) / Arizona State University (Publisher)
Created2015
Description
Urban wetland ecosystems provide myriad ecosystem services and are shaped by diverse social and ecological factors. In rapidly urbanizing parts of the desert Southwest, wetlands are especially vital. Across less than 60 km as it enters the Phoenix area, the Salt River is dammed, diverted, re-filled, clear-cut, restored, and ignored.

Urban wetland ecosystems provide myriad ecosystem services and are shaped by diverse social and ecological factors. In rapidly urbanizing parts of the desert Southwest, wetlands are especially vital. Across less than 60 km as it enters the Phoenix area, the Salt River is dammed, diverted, re-filled, clear-cut, restored, and ignored. This study documents how animal and plant communities in three perennially inundated reaches of the river changed over a decade under different social-ecological pressures. One wetland in the urban core is restored, another formed accidentally by human infrastructure, and the last is managed on the urban periphery. Surveys conducted since 2012 used point-count surveys to assess bird communities and visual encounter surveys to assess reptiles and amphibians. Plant communities were surveyed in 2012 and 2022 using cover classes. Between 2012 and 2022, accidental and restored wetlands close to the urban core displayed an increase in plant abundance, largely consisting of introduced species. While all sites saw an increase in plant species considered invasive by land management groups, both urban wetlands saw an increase in regionally native species, including plants that are culturally significant to local Indigenous groups. Reptile communities declined in richness and abundance in both urban sites, but birds grew in abundance and richness at the urban restored site while not changing at the urban accidental wetland. The non-urban site saw stable populations of both birds and herpetofauna. These trends in biotic communities reveal ecological tradeoffs under different management strategies for urban wetlands. These findings also create a portrait of wetland communities along a rapidly urbanizing arid river. As the Salt River watershed becomes more urbanized, it is important to establish a more empathetic and informed relationship between its plant and animal—including human—residents. To this end, these data were incorporated in a series of handmade paper artworks, crafted from the most abundant wetland plant species found at the study sites, harvested alongside local land management efforts. These artworks examine the potential of four common cosmopolitan wetland plants for papermaking, revealing the potential to align ecosystem management efforts with both materials production and fine arts. By using relief printmaking to visualize long-term ecological data, I explored an alternative, more creative and embodied way to engage with and visualize urban wetland communities. This alternate mode of engagement can complement ecological management and research to diversify disciplines and participants engaged with understanding and living alongside urban wetlands.
ContributorsRamsey-Wiegmann, Luke Dawson (Author) / Childers, Daniel L (Thesis advisor) / Makings, Elizabeth (Committee member) / Bateman, Heather (Committee member) / Arizona State University (Publisher)
Created2023