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Applications of Deep Neural Networks to Neurocognitive Poetics: A Quantitative Study of the Project Gutenberg English Poetry Corpus

Description
With the advent of sophisticated computer technology, we increasingly see the use of computational techniques in the study of problems from a variety of disciplines, including the humanities. In a field such as poetry, where classic works are subject to frequent re-analysis over the course of years, decades, or even…

With the advent of sophisticated computer technology, we increasingly see the use of computational techniques in the study of problems from a variety of disciplines, including the humanities. In a field such as poetry, where classic works are subject to frequent re-analysis over the course of years, decades, or even centuries, there is a certain demand for fresh approaches to familiar tasks, and such breaks from convention may even be necessary for the advancement of the field. Existing quantitative studies of poetry have employed computational techniques in their analyses, however, there remains work to be done with regards to the deployment of deep neural networks on large corpora of poetry to classify portions of the works contained therein based on certain features. While applications of neural networks to social media sites, consumer reviews, and other web-originated data are common within computational linguistics and natural language processing, comparatively little work has been done on the computational analysis of poetry using the same techniques. In this work, I begin to lay out the first steps for the study of poetry using neural networks. Using a convolutional neural network to classify author birth date, I was able to not only extract a non-trivial signal from the data, but also identify the presence of clustering within by-author model accuracy. While definitive conclusions about the cause of this clustering were not reached, investigation of this clustering reveals immense heterogeneity in the traits of accurately classified authors. Further study may unpack this clustering and reveal key insights about how temporal information is encoded in poetry. The study of poetry using neural networks remains very open but exhibits potential to be an interesting and deep area of work.
ContributorsGoodloe, Oscar Laurence (Author) / Nishimura, Joel (Thesis director) / Broatch, Jennifer (Committee member) / School of Mathematical and Natural Sciences (Contributor) / Barrett, The Honors College (Contributor)
Created2019-05

Designing a Digital Humanities Project Presentation

Description
Elizabeth Grumbach, the project manager of the Institute for Humanities Research's Digital Humanities Initiative, shares methodologies and best practices for designing a digital humanities project. The workshop will offer participants an introduction to digital humanities fundamentals, specifically tools and methodologies. Participants explore technologies and platforms that allow scholars of all…

Elizabeth Grumbach, the project manager of the Institute for Humanities Research's Digital Humanities Initiative, shares methodologies and best practices for designing a digital humanities project. The workshop will offer participants an introduction to digital humanities fundamentals, specifically tools and methodologies. Participants explore technologies and platforms that allow scholars of all skills levels to engage with digital humanities methods. Participants will be introduced to a variety of tools (including mapping, visualization, data analytics, and multimedia digital publication platforms), and how and why to choose specific applications, platforms, and tools based on project needs.
ContributorsGrumbach, Elizabeth (Author)
Created2018-09-26

Carlos Montezuma’s Wassaja Newsletter: Access, Engagement, and Collaboration

Description

In 2014/2015, Arizona State University (ASU) Libraries, the Labriola National American Indian Data Center, and the ASU American Indian Studies Department completed an ASU Institute for Humanities Research (IHR) seed grant entitled “Carlos Montezuma’s Wassaja Newsletter: Digitization, Access and Context” to digitize all ASU held issues of the newsletter Wassaja…

In 2014/2015, Arizona State University (ASU) Libraries, the Labriola National American Indian Data Center, and the ASU American Indian Studies Department completed an ASU Institute for Humanities Research (IHR) seed grant entitled “Carlos Montezuma’s Wassaja Newsletter: Digitization, Access and Context” to digitize all ASU held issues of the newsletter Wassaja Freedom’s Signal for the Indian, which Yavapai activist-intellectual Carlos Montezuma, MD (1866-1923) self-published during 1916-1922. The grant team additionally selected a portion of the ASU Libraries Carlos Montezuma archival collection for digitization to provide a more complete picture of Dr. Carlos Montezuma’s life and work.

The ASU grant team produced a searchable online collection on the ASU Digital Repository and created an online exhibition in conjunction with the IHR Nexus Lab’s Developing Wassaja Project. The Nexus Lab’s role at ASU is to grow the digital humanities through interdisciplinary collaborations bringing together humanities, science, and technology. The Nexus Lab partnered with the grant team to create the Developing Wassaja Project which provided an opportunity for faculty, staff, and students at ASU to engage in electronic publication through web application development.

The resulting web platform, Wassaja: A Carlos Montezuma Project, provides context for this digitized collection and facilitates community interaction, including a partnership with Dr. Montezuma’s home community the Fort McDowell Yavapai Nation. In this webcast, Digital Projects Librarian Matthew Harp, Developing Wassaja Project team member Joe Buenker (subject librarian), and grant team member Joyce Martin (librarian and curator of the Labriola National American Indian Data Center) will discuss and demonstrate the resources created and the resulting partnership with the Fort McDowell Yavapai Nation. The webcast will focus on identifying collaborators and needed skills to engage in Digital Humanities research and on identifying the stages of a collaborative project.

Participants will gain insight on working directly with diverse communities; overcoming technical limitations of traditional institutional repositories; collaborative strategies with faculty, research centers, and cultural heritage societies; solutions for moving hidden collections into an engaging digital exhibition; integrating digital humanities research and instruction with library curation; and preparing for long term costs and management issues.
ContributorsHarp, Matthew (Author) / Martin, Joyce (Author) / Buenker, Joseph (Author)
Created2016-03-23