Global climate models predict increases in precipitation events in the Phoenix-metropolitan area and with the proposition of more flooding new insights are needed for protecting roadways and the services they provide. Students from engineering, sustainability, and planning worked together in ASU’s Urban Infrastructure Anatomy Spring 2016 course to assess:
1. How historical floods changed roadway designs.
2. Precipitation forecasts to mid-century.
3. The vulnerability of roadways to more frequent precipitation.
4. Adaptation strategies focusing on safe-to-fail thinking.
5. Strategies for overcoming institutional barriers to enable transitions.
The students designed an EPA Storm Water Management Model for the City of Phoenix and forced it with future precipitation forecasts. Vulnerability indexes were created for infrastructure performance and social outcomes. A multi-criteria decision analysis framework was created to prioritize infrastructure adaptation strategies.
The ASU School of Dance presents Poetry Both Fierce and Fragile: Spring Concert, April 19-22, with works by guest artists, dance faculty, graduate, and undergraduate students, performed at Galvin Playhouse.
For the study, the author prepared and performed a recital of the five works that are discussed: Wind Trace (1984), Trio Interlink (1990), Rhythm Gradation (1993), Perspectives II (1996), and Ballade (2002). The document is a performance guide that also provides background information on each piece. The guide discusses technical and interpretative issues uncovered through firsthand preparation and performance, and provides suggestions to solve them. At the conclusion, the author draws connections between these pieces, to highlight similarities that will be helpful to consider when preparing performances of any of his works involving percussion. Finally, an exhaustive catalog of known Ichiyanagi percussion works is provided as a resource for further performance and research.
Ichiyanagi has been writing for percussion since the 1970s. His catalog includes solos, chamber pieces, ensemble pieces, mixed-chamber pieces, and concerti. With recent compositions like Marimba Scenery (2011), Concerto for marimba and orchestra (2012), and the duo Two Dimensions (2012), Ichiyanagi continues to write for percussion. Virtuosi such as Sumire Yoshihara, Atsushi Sugahara, Momoko Kamiya, and Mutsuko Taneya have commissioned and premiered works by the composer. These pieces are on par with the challenging repertoire that has dominated percussion literature since the mid-twentieth century. Nonetheless, the author has found no existing document that is fully devoted to Ichiyanagi’s percussion work.