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- Creators: Schubert, Franz, 1797-1828
Description
Islamist groups in Somalia define themselves by their opposition. From the pre-Islamist movement of Mohammed Hassan in the nineteenth century to al-Itihaad al-Islaami in the twentieth to al-Shabaab in the twenty-first, Islamism exists as a form of resistance against the dominant power of the era. Furthermore these Islamist groups have all been influenced by the type of state in which they exist, be it colonial, independent, or failed. This work seeks to examine the relationship between the uniquely Somali form of Islamism and the state. Through use of historical records, modern media, and existing scholarship this dissertation will chart the development of Islamism in Somalia from the colonial period to the present and explore the relationship Somali Islamism has with various forms of state.
ContributorsFurlow, Richard Bennett (Author) / Gallab, Abdullahi (Thesis advisor) / Talebi, Shahla (Committee member) / Ali, Souad (Committee member) / Arizona State University (Publisher)
Created2013
Description
ABSTRACT In this thesis, I probe into the ways in which the much-debated word Jihad lends itself to multifarious meanings within the Mourid Sufi Order and examine the foundations of the principles of peace and non-violence that informed the relationships between Cheikh Ahmadou Bamba, the founder of Mouridism (1853 ca - 1927) and the French colonial state from 1883 to 1927. As a matter of fact, unlike some Senegalese Muslim leaders who had waged a violent Jihad during the colonial conquest and expansion, Cheikh Ahmadou Bamba promoted peaceful forms of Jihad which partook of his reform and revival movement in the Senegalese society. Yet, it is worth pointing out that the Mourid leader's ethics of peace and philosophy of non-violence as methods of struggle (the etymological sense of the word Jihad) during colonial times have been largely unexplored within academia. The contours of these new forms of resistance were grounded on a peaceful and non-violent approach which, according to Cheikh Ahmadou Bamba, was the only way to reach his spiritual, educational and social goals. This thesis proffers a counter-example to religious violence often associated with and perpetrated in the name of Islam. I argue in this thesis that a close investigation into Cheikh Ahmadou Bamba's epistemology of Jihad evidences that the term Jihad has spiritual, educational, social, cultural and economic functions which naturally contrast with its one-sided and violent connotation spotlighted over the last two decades. In conducting research for this work, I used a transdisciplinary approach that can allow me to address the complex issues of Jihad, peace and non-violence in a more comprehensive way. Accordingly, I have used a methodology that crosses the boundaries of several disciplines (historical, anthropological, sociological and literary).
ContributorsSeye, Cheikh (Author) / Haines, Charles (Thesis advisor) / Gallab, Abdullahi (Committee member) / Talebi, Shahla (Committee member) / Saikia, Yasmin (Committee member) / Arizona State University (Publisher)
Created2013
Description
This study is based on a submission of anthropological, historical, and literary approaches. The ethnographic study of the Shi'a holy shrines between November 2011 and January 2012 is based on my visit to Iraq. The study lasted almost ten weeks, to include the two events under discussion: `Ashurā and Al-Arb`ain, in Karbala of that year. This thesis argues that the mourning rituals of `Ashurā and the Forty Day Visitation Zyarat Al-Arb`ain contribute to the social or individual life of Iraqi Shi'a. They also make significant contributions through creating a symbolic language to communicate for the community, as well as communicating with their essential symbolic structure. Second, the Forty Day Visitation Zyarat Al-Arb`ain is one of the most significant collective mourning rituals, one that expresses unity and solidarity of the Iraqi Shi'a community, and helps them to represent their collective power, and maintain their collective existence. This study uses two of Victor Turner's tripartite models. For `Ashurā the rite of passage rituals is used, which consists of the separation, margin, and re-aggregation phase. Through this process of entering and leaving time and social structure, it helps in changing the social status of the participants. The other model used for Al-Arb`ain is pilgrimage as a social process, which includes three levels of communitas: existential, normative, and ideological communitas. The Shi'a in Iraq are holding a position similar to Turner's notion of communitas since they are living within a society that is Muslim and yet even though they are a larger population of the society, they still become marginalized by the Sunni population socially, economically, and politically. Social relations and links play a significant role for Shi'a in `Ashurā and Al-Arb`ain as a reflection between their social status as an undefined communitas and the general structure of Iraqi society.
ContributorsHamdan, Faraj Hattab (Author) / Talebi, Shahla (Thesis advisor) / Ali, Souad T. (Thesis advisor) / Gallab, Abdullahi (Committee member) / Gereboff, Joel (Committee member) / Arizona State University (Publisher)
Created2012
Description
International Relations has traditionally focused on conflict and war, but the effects of violence including dead bodies and memorialization practices have largely been considered beyond the purview of the field. This project seeks to explore the relationship between practices of statecraft at multiple levels and decisions surrounding memorialization. Exploring the role of bodies and bones and the politics of display at memorial sites, as well as the construction of space, I explore how practices of statecraft often rely on an exclusionary logic which renders certain lives politically qualified and others beyond the realm of qualified politics. I draw on the Derridean notion of hauntology to explore how the line between life and death itself is a political construction which sustains particular performances of statecraft. Utilizing ethnographic field work and discourse analysis, I trace the relationship between a logic of haunting and statecraft at sites of memory in three cases. Rwandan genocide memorialization is often centered on bodies and bones, displayed as evidence of the genocide. Yet, this display invokes the specter of genocide in order to legitimate specific policymaking. Memorialization of undocumented immigrants who die crossing the US-Mexico border offers an opportunity to explore practices that grieve ungrievable lives, and how memorialization can posit a resistance to the bordering mechanisms of statecraft. 9/11 memorialization offers an interesting case because of the way in which bodies were vanished and spaces reconfigured. Using the question of vanishing as a frame, this final case explores how statecraft is dependent on vanishing: the making absent of something so as to render something else present. Several main conclusions and implications are drawn from the cases. First, labeling certain lives as politically unqualified can sustain certain conceptualizations of the state. Second, paying attention to the way statecraft is a haunted performance, being haunted by the things we perhaps ethically should be haunted by, can re-conceptualize the way International Relations thinks about concepts such as security, citizenship, and power. Finally, memorialization, while seemingly innocuous, is really a space for political contestation that can, if done in certain ways, really implicate the high politics of security conventional wisdom.
ContributorsAuchter, Jessica (Author) / Doty, Roxanne L (Thesis advisor) / Ashley, Richard K. (Committee member) / Talebi, Shahla (Committee member) / Arizona State University (Publisher)
Created2012
ContributorsSchubert, Franz, 1797-1828 (Composer)
ContributorsSchubert, Franz, 1797-1828 (Composer)
ContributorsSchubert, Franz, 1797-1828 (Composer)
ContributorsSchubert, Franz, 1797-1828 (Composer)
ContributorsSchubert, Franz, 1797-1828 (Composer)
ContributorsSchubert, Franz, 1797-1828 (Composer)