This paper aims to give a greater understanding of how these warriors and overbearing men interact with the boundaries pressed upon them by medieval Scandinavian society and how these warriors made their place in a warrior culture. Especially in Iceland, where warriors increasingly fell out of place with Icelandic society, they struggled to fit themselves within the bounds of a society that did not have need of a standing army, but retained the warrior culture that is commonly seen in Norway, Sweden, and Denmark at this time.
Religion and gender are two contemporary, heavily influential social identity markers that the media engages with. In India, Bollywood simultaneously interacts with religious and gender identity by producing many movies on Hindu-Muslim inter-religious romantic relationships in the twenty-first century. Bollywood’s Hindu-Muslim romance movies are stories with a central focus on a romantic relationship in which one lover is Hindu and the second is Muslim. The masculinity and femininity of the Hindu and Muslim characters are not accidental; it is meticulously articulated in every movie. This thesis explores two sets of patterns in the movies: themes in love stories and gender identity across the protagonists. It is important to note that representation of religious identity in Bollywood is highly debated with a special emphasis on Muslim identity since they are a religious minority and the political "Other". This thesis acknowledges that the presence of Muslims in Bollywood is complicated and not black and white, but it focuses on the representation of Muslims that is connected romantically with Hindus.