Matching Items (42)
Description

The ASU School of Dance presents Transition Projects I, February 13-15, with works by dance faculty and undergraduate students, performed at Dance Studio Theatre, PEBE 132.

ContributorsAmmerman, Mark C. (Set designer) / Benard, Jacqueline (Costume designer) / Britt, Melissa (Choreographer) / Caban, Francesco Gabrial (Choreographer, Videographer) / Caban, Fred (Videographer) / Felix, Steven (Choreographer, Lighting designer, Costume designer) / Fitzgerald, Mary (Choreographer) / Frey, Callie (Dancer) / Hauk, Chelsey (Dancer, Costume designer) / Howe, Martha E. (Choreographer) / Koch, Carolyn (Lighting designer) / Kozulla, Ashle (Dancer) / Manners, Robin (Dancer) / McHale, Samantha (Dancer) / McNamara, Caitlyn (Dancer) / Mihaleva, Galina (Costume designer) / Millizer, Emily (Dancer) / Myers, Molly (Dancer) / Peck, Hutton (Dancer) / Pelegrino, Laura (Dancer) / Perez, Larisa (Choreographer, Dancer) / Ramey, Jenna (Dancer) / Razey, Jenna (Dancer) / Roses-Thema, Cynthia (Choreographer) / Sapienze, Angelo (Videographer) / Smith, Chelsea (Choreographer, Lighting designer, Costume designer) / Spenceley, Jenni (Dancer, Choreographer, Costume designer) / Trujillo, David (Lighting designer) / Walker, Morgan (Videographer) / Wilcox, Madeline (Dancer) / Williams, LaShonda L. (Choreographer, Costume designer, Set designer) / Zakrzewski, Emily (Dancer) / Herberger Institute of Dance School (Publisher)
Created2009
Description

The ASU School of Dance presents Transition Projects, February 19-21, with works by dance faculty and undergrad students, performed at Dance Studio Theatre, PEBE 132.

ContributorsRamey, Alyssa Noel (Choreographer, Dancer, Costume designer) / Mills, Lorne (Musician) / Swayze, William (Musician) / Vining, Robin (Musician) / Ammerman, Mark C. (Lighting designer, Set designer) / Mumford, Jessica (Choreographer, Costume designer, Set designer) / West, Misty (Dancer) / Rosenkrans, Angela (Choreographer) / McGloin, Aaron (Lighting designer, Choreographer, Costume designer, Set designer) / Jones, Patricia (Costume designer) / Jones, Jessica (Dancer, Dancer) / Ramey, Jenna (Dancer, Dancer) / Fitzgerald, Mary (Choreographer, Costume designer) / Abruzzi, Lucio (Dancer, Costume designer, Choreographer, Set designer) / Koch, Carolyn (Lighting designer) / Conder, Carley (Choreographer) / Syslo, Celine (Dancer, Costume designer, Dancer) / Grabianowski, Nicole (Dancer, Costume designer) / Mihaleva, Galina (Costume designer) / Franco, Mandy (Dancer) / Gersony, Alyssa (Dancer) / Hauk, Chelsey (Dancer) / McCaskill, Katie (Dancer) / McNamara, Caitlyn (Dancer) / McHale, Samantha (Dancer)
Created2010
Description

The ASU School of Dance presents Emerging Artists I, November 20-22, with works by dance MFA candidates Sammy Stephens, Jr. and LaShonda L. Williams, performed at the Dance Lab, FAC 122.

ContributorsHerberger Institute School of Dance (Publisher) / Vissicaro, Pegge (Choreographer) / Stephens, Jr., Sammy (Dancer, Choreographer, Composer) / Williams, Lashonda (Dancer, Choreographer, Costume designer, Set designer) / Mihaleva, Galina (Costume designer) / Church, Micaela (Dancer, Musician) / Croitoru, Michael (Dancer) / Fletcher, Kasey (Dancer) / Frost, Randi (Dancer) / Hood, Brittany (Dancer) / Millizer, Emily (Dancer, Musician) / Newman, Emily (Dancer) / Richards, Brittany (Dancer) / Zakrzewski, Emily (Dancer) / Ammerman, Mark C. (Set designer) / Davis, Omilade (Musician, Dancer) / Kaplan, Robert (Composer) / Benard, Jaqueline (Costume designer) / Castro, Angel (Dancer) / Gillie, Randy (Dancer) / Gonzalez, Anthony (Dancer) / Mayes, Paige (Dancer) / Schneider, Samantha (Dancer) / Wrobel, Tara (Dancer) / Aguirre, Alex (Dancer) / Nuvayestewa, Lorin (Dancer)
Created2009
Description

The ASU School of Dance presents Transition Projects II, February 20-22, with works by dance faculty and undergrad students, performed at Dance Studio Theatre, PEBE 132.

ContributorsAbruzzi, Lucio (Dancer) / Ammerman, Mark C. (Set designer) / Clegg, Debbie (Costume designer) / Conder, Carley (Choreographer, Costume designer) / Davis, Jeff (Lighting designer) / Endicott, Jenna (Dancer) / Fisher, Rose (Choreographer, Costume designer, Dancer) / Hendrix, Robbia (Dancer) / Hood, Brittany (Dancer, Choreographer, Lighting designer, Costume designer) / Jones, Jessica (Dancer) / Kirwan, Molly (Dancer) / Klassen, Katy (Dancer) / Klem, Amy (Dancer) / Koch, Carolyn (Lighting designer) / Kosowski, Jenna (Choreographer) / Kroon, Anjuli (Dancer, Choreographer, Lighting designer, Costume designer) / Lee, Yeongwen (Choreographer, Set designer) / Lopez, Lisa (Costume designer, Dancer) / Manners, Robin (Dancer) / Mansfield, Lauren (Dancer) / McGloin, Aaron (Lighting designer, Dancer) / McHale, Samantha (Dancer) / Mihaleva, Galina (Costume designer) / Murray, Leigh (Choreographer, Costume designer) / Perez, Larisa (Dancer) / Quinal, Elizabeth (Dancer) / Rosenkrans, Angela (Choreographer, Lighting designer, Costume designer) / Sheldrick, Sarah (Dancer, Choreographer, Lighting designer, Costume designer) / Smith, Chelsea (Dancer) / Theobald, Kiri (Lighting designer, Choreographer, Costume designer) / Trujillo, David (Lighting designer) / West, Misty (Dancer) / Herberger Institute School of Dance (Publisher)
Created2009
Description

The ASU School of Dance presents The Dance Annual, March 5-7, with works by dance faculty, alumni, graduate, undergraduate, and visiting artists, performed at Galvin Playhouse Theatre and Plaza.

ContributorsHerberger Institute School of Dance (Publisher) / Fitzgerald, Mary (Choreographer) / Ammerman, Mark C. (Lighting designer, Lighting designer) / Benard, Jacqueline (Costume designer, Costume designer) / Canto, Melissa (Dancer, Dancer) / Leite, Ashleigh (Choreographer) / Koch, Carolyn (Lighting designer) / Mihaleva, Galina (Costume designer, Costume designer) / Mumford, Jessica (Set designer, Videographer, Choreographer, Costume designer) / Abruzzi, Lucio (Dancer, Choreographer, Costume designer) / Grabianowski, Nicole (Dancer) / Jones, Jessica (Dancer) / Klem, Amy (Dancer) / McHale, Samantha (Dancer) / Millizer, Emily (Dancer) / Pellegrino, Laura (Dancer) / Wilcox, Madeline (Dancer) / Wrobel, Tara (Dancer, Choreographer) / Karr, Mandi (Dancer) / Zakrzewski, Emily (Dancer) / Newman, Emily (Choreographer, Dancer, Costume designer) / Fehser, Janelle (Musician, Dancer) / Trujillo, Davey (Lighting designer) / Bradley, LaTefia (Dancer) / Castro, Miguel (Dancer) / Pool, Amanda (Dancer) / Promisson, Jessica (Dancer) / Tryon, Chelsi (Dancer) / Ferrell, Rebecca A. (Choreographer) / Frost, Randi (Dancer) / McGloin, Aaron (Lighting designer) / Gonzales, Anthony (Dancer) / Ricker, Gina (Dancer) / Ramsey, Ashlee (Choreographer, Dancer) / Waugh, Whitney (Dancer) / Conder, Carley (Choreographer) / Syslo, Celine (Costume designer, Dancer) / West, Misty (Dancer) / Stephens, Jr., Sammy (Choreographer, Composer) / Aguire, Alex (Dancer) / Gillie, Randy (Dancer) / Mayes, Paige (Dancer) / Nuvayestewa, Lorin (Dancer) / Schneider, Samantha (Dancer)
Created2010
Description
How does the idea of the visible and invisible, tangible and intangible, interact with the garments on the body? Perception, to become aware through the sense, involves the way in which the eye sees space, both visible and invisible. The way in which we see objects are significant in our

How does the idea of the visible and invisible, tangible and intangible, interact with the garments on the body? Perception, to become aware through the sense, involves the way in which the eye sees space, both visible and invisible. The way in which we see objects are significant in our everyday life and how we evaluate it. The main pattern the garments encompass are the accordion pleating and the variety in which the pattern can be utilized; the accordion pleating can be scaled, attached together, and twisted around the body. Effervescence is a 6-look collection that entails the idea of perception. The results of the project include 3 completed looks, 3 3D print on fabric, and 8 3D print accessories. In this paper, I will explain the process of creating the collection, the experimentation, and the results.
ContributorsNguyen, Juliana (Author) / Mihaleva, Galina (Thesis director) / Stephenson, Kathy (Committee member) / Tevzadze, Irina (Committee member) / Barrett, The Honors College (Contributor) / School of Art (Contributor)
Created2022-05
165762-Thumbnail Image.png
Description

How does the idea of the visible and invisible, tangible and intangible, interact with the garments on the body? Perception, to become aware through the sense, involves the way in which the eye sees space, both visible and invisible. The way in which we see objects are significant in our

How does the idea of the visible and invisible, tangible and intangible, interact with the garments on the body? Perception, to become aware through the sense, involves the way in which the eye sees space, both visible and invisible. The way in which we see objects are significant in our everyday life and how we evaluate it. The main pattern the garments encompass are the accordion pleating and the variety in which the pattern can be utilized; the accordion pleating can be scaled, attached together, and twisted around the body. Effervescence is a 6-look collection that entails the idea of perception. The results of the project include 3 completed looks, 3 3D print on fabric, and 8 3D print accessories. In this paper, I will explain the process of creating the collection, the experimentation, and the results.

ContributorsNguyen, Juliana (Author) / Mihaleva, Galina (Thesis director) / Stephenson, Kathy (Committee member) / Tevzadze, Irina (Committee member) / Barrett, The Honors College (Contributor) / School of Art (Contributor)
Created2022-05
165763-Thumbnail Image.png
Description

How does the idea of the visible and invisible, tangible and intangible, interact with the garments on the body? Perception, to become aware through the sense, involves the way in which the eye sees space, both visible and invisible. The way in which we see objects are significant in our

How does the idea of the visible and invisible, tangible and intangible, interact with the garments on the body? Perception, to become aware through the sense, involves the way in which the eye sees space, both visible and invisible. The way in which we see objects are significant in our everyday life and how we evaluate it. The main pattern the garments encompass are the accordion pleating and the variety in which the pattern can be utilized; the accordion pleating can be scaled, attached together, and twisted around the body. Effervescence is a 6-look collection that entails the idea of perception. The results of the project include 3 completed looks, 3 3D print on fabric, and 8 3D print accessories. In this paper, I will explain the process of creating the collection, the experimentation, and the results.

ContributorsNguyen, Juliana (Author) / Mihaleva, Galina (Thesis director) / Stephenson, Kathy (Committee member) / Tevzadze, Irina (Committee member) / Barrett, The Honors College (Contributor) / School of Art (Contributor)
Created2022-05
165764-Thumbnail Image.png
Description

How does the idea of the visible and invisible, tangible and intangible, interact with the garments on the body? Perception, to become aware through the sense, involves the way in which the eye sees space, both visible and invisible. The way in which we see objects are significant in our

How does the idea of the visible and invisible, tangible and intangible, interact with the garments on the body? Perception, to become aware through the sense, involves the way in which the eye sees space, both visible and invisible. The way in which we see objects are significant in our everyday life and how we evaluate it. The main pattern the garments encompass are the accordion pleating and the variety in which the pattern can be utilized; the accordion pleating can be scaled, attached together, and twisted around the body. Effervescence is a 6-look collection that entails the idea of perception. The results of the project include 3 completed looks, 3 3D print on fabric, and 8 3D print accessories. In this paper, I will explain the process of creating the collection, the experimentation, and the results.

ContributorsNguyen, Juliana (Author) / Mihaleva, Galina (Thesis director) / Stephenson, Kathy (Committee member) / Tevzadze, Irina (Committee member) / Barrett, The Honors College (Contributor) / School of Art (Contributor)
Created2022-05
165765-Thumbnail Image.jpg
Description

How does the idea of the visible and invisible, tangible and intangible, interact with the garments on the body? Perception, to become aware through the sense, involves the way in which the eye sees space, both visible and invisible. The way in which we see objects are significant in our

How does the idea of the visible and invisible, tangible and intangible, interact with the garments on the body? Perception, to become aware through the sense, involves the way in which the eye sees space, both visible and invisible. The way in which we see objects are significant in our everyday life and how we evaluate it. The main pattern the garments encompass are the accordion pleating and the variety in which the pattern can be utilized; the accordion pleating can be scaled, attached together, and twisted around the body. Effervescence is a 6-look collection that entails the idea of perception. The results of the project include 3 completed looks, 3 3D print on fabric, and 8 3D print accessories. In this paper, I will explain the process of creating the collection, the experimentation, and the results.

ContributorsNguyen, Juliana (Author) / Mihaleva, Galina (Thesis director) / Stephenson, Kathy (Committee member) / Tevzadze, Irina (Committee member) / Barrett, The Honors College (Contributor) / School of Art (Contributor)
Created2022-05