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- Status: Published
This analysis explores the mirrored formats of scientific research and reality television from an interdisciplinary perspective. By dissecting the four “layers” of reality television and their contributions to authenticity or inauthenticity, it becomes clear that reality television is more pseudoscientific than anything. Textual analysis, in the form of the reality shows, is paired with scholarship on the material to present this argument.
This is a series of three paintings all composed with oil paint. This series offers a unique and thought-provoking perspective on gender roles and the male gaze and how they are used as forms of oppression. This series challenges traditional notions of gender and spark meaningful conversations about the ways in which society shapes and reinforces gender norms.