Matching Items (9)
Description
Working memory and cognitive functions contribute to speech recognition in normal hearing and hearing impaired listeners. In this study, auditory and cognitive functions are measured in young adult normal hearing, elderly normal hearing, and elderly cochlear implant subjects. The effects of age and hearing on the different measures are investigated. The correlations between auditory/cognitive functions and speech/music recognition are examined. The results may demonstrate which factors can better explain the variable performance across elderly cochlear implant users.
ContributorsKolberg, Courtney Elizabeth (Author) / Luo, Xin (Thesis director) / Azuma, Tamiko (Committee member) / Department of Speech and Hearing Science (Contributor) / Barrett, The Honors College (Contributor)
Created2018-05
Description
Pitch and timbre perception are two important dimensions of auditory perception. These aspects of sound aid the understanding of our environment, and contribute to normal everyday functioning. It is therefore important to determine the nature of perceptual interaction between these two dimensions of sound. This study tested the interactions between pitch perception associated with the fundamental frequency (F0) and sharpness perception associated with the spectral slope of harmonic complex tones in normal hearing (NH) listeners and cochlear implant (CI) users. Pitch and sharpness ranking was measured without changes in the non-target dimension (Experiment 1), with different amounts of unrelated changes in the non-target dimension (Experiment 2), and with congruent/incongruent changes of similar perceptual salience in the non-target dimension (Experiment 3). The results showed that CI users had significantly worse pitch and sharpness ranking thresholds than NH listeners. Pitch and sharpness perception had symmetric interactions in NH listeners. However, for CI users, spectral slope changes significantly affected pitch ranking, while F0 changes had no significant effect on sharpness ranking. CI users' pitch ranking sensitivity was significantly better with congruent than with incongruent spectral slope changes. These results have important implications for CI processing strategies to better transmit pitch and timbre cues to CI users.
ContributorsSoslowsky, Samara Miranda (Author) / Luo, Xin (Thesis director) / Yost, William (Committee member) / Dorman, Michael (Committee member) / Department of Speech and Hearing Science (Contributor) / Barrett, The Honors College (Contributor)
Created2016-12
Description
The objective of this study was to analyze the auditory feedback system and the pitch-shift reflex in relation to vibrato. 11 subjects (female n = 8, male n = 3) without speech, hearing, or neurological disorders were used. Compensation magnitude, adaptation magnitude, relative response phase, and passive and active perception were recorded when the subjects were subjected to auditory feedback perturbed by phasic amplitude and F0 modulation, or “vibrato”. “Tremolo,” or phasic amplitude modulation, was used as a control. Significant correlation was found between the ability to perceive vibrato and tremolo in active trials and the ability to perceive in passive trials (p=0.01). Passive perceptions were lower (more sensitive) than active perceptions (p< 0.01). Adaptation vibrato trials showed significant modulation magnitude (p=0.031), while tremolo did not. The two conditions were significantly different (p<0.01). There was significant phase change for both tremolo and vibrato, but vibrato phase change was greater, nearly 180° (p<0.01). In the compensation trials, the modulation change from control to vibrato trials was significantly greater than the change from control to tremolo (p=0.01). Vibrato and tremolo also had significantly different average phase change (p<0.01). It can be concluded that the auditory feedback system tries to cancel out dynamic pitch perturbations by cancelling them out out-of-phase. Similar systems must be used to adapt and to compensate to vibrato. Despite the auditory feedback system’s online monitoring, the passive perception was still better than active perception, possibly because it required only one task (perceiving) rather than two (perceiving and producing). The pitch-shift reflex compensates to the sensitivity of the auditory feedback system, as shown by the increased perception of vibrato over tremolo.
ContributorsHiggins, Alexis Brittany (Author) / Daliri, Ayoub (Thesis director) / Liss, Julie (Committee member) / Luo, Xin (Committee member) / School of Life Sciences (Contributor) / Barrett, The Honors College (Contributor)
Created2018-05
Description
Vocal emotion production is important for social interactions in daily life. Previous studies found that pre-lingually deafened cochlear implant (CI) children without residual acoustic hearing had significant deficits in producing pitch cues for vocal emotions as compared to post-lingually deafened CI adults, normal-hearing (NH) children, and NH adults. In light of the importance of residual acoustic hearing for the development of vocal emotion production, this study tested whether pre-lingually deafened CI children with residual acoustic hearing may produce similar pitch cues for vocal emotions as the other participant groups. Sixteen pre-lingually deafened CI children with residual acoustic hearing, nine post-lingually deafened CI adults with residual acoustic hearing, twelve NH children, and eleven NH adults were asked to produce ten semantically neutral sentences in happy or sad emotion. The results showed that there was no significant group effect for the ratio of mean fundamental frequency (F0) and the ratio of F0 standard deviation between emotions. Instead, CI children showed significantly greater intensity difference between emotions than CI adults, NH children, and NH adults. In CI children, aided pure-tone average hearing threshold of acoustic ear was correlated with the ratio of mean F0 and the ratio of duration between emotions. These results suggest that residual acoustic hearing with low-frequency pitch cues may facilitate the development of vocal emotion production in pre-lingually deafened CI children.
ContributorsMacdonald, Andrina Elizabeth (Author) / Luo, Xin (Thesis director) / Pittman, Andrea (Committee member) / College of Health Solutions (Contributor, Contributor) / Barrett, The Honors College (Contributor)
Created2021-05
Description
Speech motor learning is important for learning to speak during childhood and maintaining the speech system throughout adulthood. Motor and auditory cortical regions play crucial roles in speech motor learning. This experiment aimed to use transcranial alternating current stimulation, a neurostimulation technique, to influence auditory and motor cortical activity. In this study, we used an auditory-motor adaptation task as an experimental model of speech motor learning. Subjects repeated words while receiving formant shifts, which made the subjects’ speech sound different from their production. During the adaptation task, subjects received Beta (20 Hz), Alpha (10 Hz), or Sham stimulation. We applied the stimulation to the ventral motor cortex that is involved in planning speech movements. We found that the stimulation did not influence the magnitude of adaptation. We suggest that some limitations of the study may have contributed to the negative results.
ContributorsMannan, Arhum (Author) / Daliri, Ayoub (Thesis director) / Luo, Xin (Committee member) / School of Life Sciences (Contributor) / Barrett, The Honors College (Contributor)
Created2021-05
Description
Prosodic features such as fundamental frequency (F0), intensity, and duration convey important information of speech intonation (i.e., is it a statement or a question?). Because cochlear implants (CIs) do not adequately encode pitch-related F0 cues, pre-lignually deaf pediatric CI users have poorer speech intonation perception and production than normal-hearing (NH) children. In contrast, post-lingually deaf adult CI users have developed speech production skills via normal hearing before deafness and implantation. Further, combined electric hearing (via CI) and acoustic hearing (via hearing aid, HA) may improve CI users’ perception of pitch cues in speech intonation. Therefore, this study tested (1) whether post-lingually deaf adult CI users have similar speech intonation production to NH adults and (2) whether their speech intonation production improves with auditory feedback via CI+HA (i.e., bimodal hearing). Eight post-lingually deaf adult bimodal CI users and nine NH adults participated in this study. 10 question-and-answer dialogues with an experimenter were used to elicit 10 pairs of syntactically matched questions and statements from each participant. Bimodal CI users were tested under four hearing conditions: no-device (ND), HA, CI, and CI+HA. F0 change, intensity change, and duration ratio between the last two syllables of each utterance were analyzed to evaluate the quality of speech intonation production. The results showed no significant differences between CI and NH participants in any of the acoustic features of questions and statements. For CI participants, the CI+HA condition led to significantly greater F0 decreases of statements than the ND condition, while the ND condition led to significantly greater duration ratios of questions and statements. These results suggest that bimodal CI users change the use of prosodic cues for speech intonation production in different hearing conditions and access to auditory feedback via CI+HA may improve their voice pitch control to produce more salient statement intonation contours.
ContributorsAi, Chang (Author) / Luo, Xin (Thesis advisor) / Daliri, Ayoub (Committee member) / Davidson, Lisa (Committee member) / Arizona State University (Publisher)
Created2022
Description
Music is an important part of everyday life. It plays a crucial role for human connection and provides a communication network for emotions. Hearing loss can negatively impact the music experience. Although Cochlear Implants (CI) enable individuals with severe to profound hearing loss to successfully understand spoken language, many users find their experience with music less than satisfactory. Music training programs may offer a hopeful solution to recondition the music experience for CI users. However, music training programs available to CI users today generally carry more weight on improving the perceptual accuracy of music rather than enhancing appreciation and enjoyment. The primary objective of this review is to identify different types of music training programs and their connection to music appreciation. A brief overview of the factors that contribute to music appreciation are also provided.
ContributorsGellhaus, Jacynda (Author) / Luo, Xin (Thesis advisor) / Rao, Aparna (Committee member) / Berisha, Visar (Committee member) / Arizona State University (Publisher)
Created2021
Description
Stress, depression, and anxiety are prevailing mental health issues that affect individuals worldwide. As the search for effective solutions continues, advancements in technology have led to the development of digital tools for stress identification and management purposes. The Cigna StressWaves Test (CSWT) is a publicly available stress analysis toolkit that claims to use “clinical-grade” artificial intelligence (AI) technology to evaluate individual stress levels through speech. To investigate their claim, this research stands as an independent validation study involving 60 participants over the age of 18. The primary objective of the study is to assess the repeatability and efficacy of the CSWT as a stress measurement tool. Key results indicate the CSWT lacks test-retest reliability and convergent validity. This implies that the CWST is not a repeatable tool and does not provide similar stress outcomes relative to an established measure of stress, the Perceived Stress Scale (PSS). These findings cast doubt on the accuracy and effectiveness of the CWST as a stress assessment tool. The public availability of the CSWT and the claim that it is a “clinical-grade” tool highlights concerns regarding premature deployment of digital health tools for stress management.
ContributorsYawer, Batul (Author) / Berisha, Visar (Thesis advisor) / Liss, Julie (Committee member) / Luo, Xin (Committee member) / Arizona State University (Publisher)
Created2023
Description
Cochlear implant (CI) successfully restores hearing sensation to profoundly deaf patients, but its
performance is limited by poor spectral resolution. Acoustic CI simulation has been widely used
in normal-hearing (NH) listeners to study the effect of spectral resolution on speech perception,
while avoiding patient-related confounds. It is unclear how speech production may change with
the degree of spectral degradation of auditory feedback as experience by CI users. In this study,
a real-time sinewave CI simulation was developed to provide NH subjects with auditory
feedback of different spectral resolution (1, 2, 4, and 8 channels). NH subjects were asked to
produce and identify vowels, as well as recognize sentences while listening to the real-time CI
simulation. The results showed that sentence recognition scores with the real-time CI simulation
improved with more channels, similar to those with the traditional off-line CI simulation.
Perception of a vowel continuum “HEAD”- “HAD” was near chance with 1, 2, and 4 channels,
and greatly improved with 8 channels and full spectrum. The spectral resolution of auditory
feedback did not significantly affect any acoustic feature of vowel production (e.g., vowel space
area, mean amplitude, mean and variability of fundamental and formant frequencies). There
was no correlation between vowel production and perception. The lack of effect of auditory
feedback spectral resolution on vowel production was likely due to the limited exposure of NH
subjects to CI simulation and the limited frequency ranges covered by the sinewave carriers of
CI simulation. Future studies should investigate the effects of various CI processing parameters
on speech production using a noise-band CI simulation.
performance is limited by poor spectral resolution. Acoustic CI simulation has been widely used
in normal-hearing (NH) listeners to study the effect of spectral resolution on speech perception,
while avoiding patient-related confounds. It is unclear how speech production may change with
the degree of spectral degradation of auditory feedback as experience by CI users. In this study,
a real-time sinewave CI simulation was developed to provide NH subjects with auditory
feedback of different spectral resolution (1, 2, 4, and 8 channels). NH subjects were asked to
produce and identify vowels, as well as recognize sentences while listening to the real-time CI
simulation. The results showed that sentence recognition scores with the real-time CI simulation
improved with more channels, similar to those with the traditional off-line CI simulation.
Perception of a vowel continuum “HEAD”- “HAD” was near chance with 1, 2, and 4 channels,
and greatly improved with 8 channels and full spectrum. The spectral resolution of auditory
feedback did not significantly affect any acoustic feature of vowel production (e.g., vowel space
area, mean amplitude, mean and variability of fundamental and formant frequencies). There
was no correlation between vowel production and perception. The lack of effect of auditory
feedback spectral resolution on vowel production was likely due to the limited exposure of NH
subjects to CI simulation and the limited frequency ranges covered by the sinewave carriers of
CI simulation. Future studies should investigate the effects of various CI processing parameters
on speech production using a noise-band CI simulation.
ContributorsPerez Lustre, Sarahi (Author) / Luo, Xin (Thesis director) / Daliri, Ayoub (Committee member) / Division of Teacher Preparation (Contributor) / College of Health Solutions (Contributor, Contributor) / Barrett, The Honors College (Contributor)
Created2019-05