Matching Items (14)
Description
Pandora is a play exploring our relationship with gendered technology through the lens of artificial intelligence. Can women be subjective under patriarchy? Do robots who look like women have subjectivity? Hoping to create a better version of ourselves, The Engineer must navigate the loss of her creation, and Pandora must navigate their new world. The original premiere run was March 27-28, 2018, original cast: Caitlin Andelora, Rikki Tremblay, and Michael Tristano Jr.
ContributorsToye, Abigail Elizabeth (Author) / Linde, Jennifer (Thesis director) / Abele, Kelsey (Committee member) / Department of Information Systems (Contributor) / Economics Program in CLAS (Contributor) / Barrett, The Honors College (Contributor)
Created2018-05
Description
With beauty magazines becoming a prevalent source of information and inspiration for girls and young adults, this creative project analyzed Seventeen Magazine in an attempt to understand its implications. Shortly after its debut, the publication shifted its focus from career and goal-oriented topics to those of fashion and romance. In an effort to construct a visual critique of the segments produced by Seventeen and receive audience response, an interactive installation was created and opened to the public. This paper explains the method used and includes a discussion of audience opinion.
ContributorsFuller, Darcy Shannon (Author) / Linde, Jennifer (Thesis director) / Stewart, Karen (Committee member) / Barrett, The Honors College (Contributor) / T. Denny Sanford School of Social and Family Dynamics (Contributor) / Hugh Downs School of Human Communication (Contributor)
Created2014-05
Description
For my Barrett Honors creative project, I performed George Brant's emotionally gripping and timely one-woman play entitled "Grounded" which tells the story of a fighter pilot who was recommissioned to fly drones after becoming pregnant. The effects of the demanding routine of a drone pilot are masterfully captured as the pilot endures a decline in psychological state caused by the daily circumstances of a pilot fighting in drone warfare. In addition to the performance, I kept a written journal on which I have reflected and summarized in my thesis. The creative project has indeed been one of my most challenging, yet rewarding experiences in performance thus far. With the incredible guidance of Micha Espinosa and Jennifer Linde, I was able to achieve a feat of memorizing and performing an hour and ten minute play that really tested my capacity as an actor. It expanded my skill set as an actor and allowed me to play a female role that escapes the "ingenue role" that I have been cast as constantly in my performance career. I have divided my reflection journal into four separate sections: Statement of Purpose, Background Information on Drone Warfare, Character Development and Methodological Process, Performance Reflection and "Talk-Back." These sections guide the reader through my development from the beginning of the process all the way to final performance.
ContributorsHarrington, Jennifer Megan (Author) / Espinosa, Micha (Thesis director) / Linde, Jennifer (Committee member) / School of Film, Dance and Theatre (Contributor) / Hugh Downs School of Human Communication (Contributor) / Barrett, The Honors College (Contributor)
Created2017-05
Description
In May 2014, The Encyclopedia Show: Chicago performed its last volume. Like all others before, the Show was a collection of performances devised by artists, musicians, poets and playwrights all performing various subtopics surrounding a central theme, taken from “an actual Encyclopedia.” The final show was Volume 56 for Chicago; the founding city ended their six year run with an amassed body of work exploring topics ranging from Wyoming to Alan Turing, Serial Killers to Vice Presidents.
Perhaps more impressive than the monthly performance event in Chicago is the fact that the show has been “franchised” to organizers and performers in at least seventeen cities. Franchise agreements mandated that for at least the first year of performance, topics were to follow Chicago’s schedule, thus creating an archive of Shows around the world, each that started with Bears, moved to The Moon, onto Visible Spectrum of Color, and so on.
Now that the Chicago show has ended, I wonder what will happen to the innovative format for community performance that has reached thousands of audience members and inspired hundreds of individual performances across the globe in a six-year period.
This project, like much of my own work, has two aims: first, to provide the first substantive history of The Encyclopedia Show for archival purposes; and second, to explore whether this format can be used to achieve the goals of “interdisciplinarity” in the classroom. In an effort to honor my own interests in multiple academic disciplines and in an attempt to capture the structural and performative “feel” of an Encyclopedia Show, this dissertation takes the shape of an actual Encyclopedia Show. The overarching topic of this “show” is: Michelle Hill: The Doctoral Process. In an actual Encyclopedia Show, subtopics would work to explore multiple perspectives and narratives encompassed by the central topic. As such, my “subtopics” are devoted to the roles I have played throughout my doctoral process: historian, academic, teacher. A fourth role, performer, works to transition between the sections and further create the feel of a “breakage” from a more traditional dissertation.
Perhaps more impressive than the monthly performance event in Chicago is the fact that the show has been “franchised” to organizers and performers in at least seventeen cities. Franchise agreements mandated that for at least the first year of performance, topics were to follow Chicago’s schedule, thus creating an archive of Shows around the world, each that started with Bears, moved to The Moon, onto Visible Spectrum of Color, and so on.
Now that the Chicago show has ended, I wonder what will happen to the innovative format for community performance that has reached thousands of audience members and inspired hundreds of individual performances across the globe in a six-year period.
This project, like much of my own work, has two aims: first, to provide the first substantive history of The Encyclopedia Show for archival purposes; and second, to explore whether this format can be used to achieve the goals of “interdisciplinarity” in the classroom. In an effort to honor my own interests in multiple academic disciplines and in an attempt to capture the structural and performative “feel” of an Encyclopedia Show, this dissertation takes the shape of an actual Encyclopedia Show. The overarching topic of this “show” is: Michelle Hill: The Doctoral Process. In an actual Encyclopedia Show, subtopics would work to explore multiple perspectives and narratives encompassed by the central topic. As such, my “subtopics” are devoted to the roles I have played throughout my doctoral process: historian, academic, teacher. A fourth role, performer, works to transition between the sections and further create the feel of a “breakage” from a more traditional dissertation.
ContributorsHill, Michelle (Author) / Etheridge Woodson, Stephani (Thesis advisor) / Linde, Jennifer (Committee member) / Early, Jessica (Committee member) / Underiner, Tamara (Committee member) / Arizona State University (Publisher)
Created2017
Description
This study utilizes semiotic phenomenology as a method of inquiry to describe the lived experiences of Lesbian, Gay, Bisexual, Transgender, Queer (LGBTQ) gamers (gaymers). I begin by discussing my issues with the current gaming literature, arguing that the gamer community is a space that privileges cis, heterosexual, and hypermasculine men while oppressing those who may not fit this mold. I discuss the shortcomings of the current literature that attempts to critically look at race and gaming, noting that race in the gaming community is still portrayed as secondary. I focus special attention to how this space allows for more inclusion than the larger gamer and LGBTQ communities while also critiquing those whom this space privileges. Through interviews of members of the local gaymer organization, the Phoenix Gaymers, I discuss ways in which the gaymer community is more inclusive and conscious of others but still follows forms of what I describe to be gaymer privilege. I focus on gaymer privilege within the intersections of race, gender, and sexuality, where I argue from the phenomenological descriptions, reductions, and interpretations that there are still overt issues of sexism and transphobia as well as implicit issues of white privilege. While I describe the issues that are found within the Phoenix Gaymers, I also attempt to provide suggestions for change within the organization as well as in academic scholarship to create more awareness and inclusion for female, transgender, genderqueer, and queer people of color gaymers.
ContributorsOmori, Jeremy Michael (Author) / Sandlin, Jennifer (Thesis advisor) / Martinez, Jacqueline M (Committee member) / Pérez, Kimberlee (Committee member) / Linde, Jennifer (Committee member) / Arizona State University (Publisher)
Created2017
Description
This project examines how civil communication can be beneficial in organizations and the work place. It examines how conflict, power differences, and incivility contribute to uncivil atmospheres and applies a framework of civil communication to address the issues. The analysis is based upon a third party's published description of an organizational narrative sample and the civil communication framework of civil listening, civil speech and civil actions are then applied. The goal of this project is to determine the relationships between communication and productivity, conflict and productivity as well as if civil communication can address conflict and organizational productivity.
ContributorsWilson, Jenna Marie (Author) / Linde, Jennifer (Thesis director) / Alberts, Jess (Committee member) / Hugh Downs School of Human Communication (Contributor) / Barrett, The Honors College (Contributor)
Created2016-05
Description
This project uses a creative text to prompt dialogue concerning the diverse expressions of religiosity observed among evangelical Christians today and the conformity of these expressions to what is generally considered orthodoxy within the evangelical community. Trigger scripting, "the use of carefully selected scripts of literature intended to...trigger planned-for responses from specialized audiences," serves as the project's methodological basis (Valentine, p. 7). The operative script, Abide, is comprised of the plot points of a feature-length film story and the first act of the narrative in screenplay format. Characters, themes, and dramatic situations are constructed such that they reflect the characteristics of contemporary evangelicalism. Additionally, the story structure is loosely adapted from John Bunyan's The Pilgrim's Progress. Stripped of its explicit theological thesis in order to allow the audience opportunity for interpretation interaction, this allegory as it is thus adapted mainly functions as a model for presenting religious subject matter in a didactic manner (Valentine). Research in performance studies has shown that the performance of guided texts can create opportunities for learning, and even attitude change, among specialized audiences (Rassulo and Hecht). In that vein, this project is intended to encourage evangelicals to assess the effects of their religious practice.
ContributorsNick, Chandler (Contributor) / Linde, Jennifer (Thesis director) / Giner, Oscar (Committee member) / Barrett, The Honors College (Contributor) / College of Liberal Arts and Sciences (Contributor)
Created2015-05
Description
According to the 2010 Trafficking in Persons report produced by the United States government, over 6.8 million women and children across the globe were forced into labor or into the sex trade. The Philippines was recently promoted to Tier 2 in the summer of 2011 as mandated by the United States Trafficking Victims' Protection Act after being on the Tier 2 Watch List in 2009-2010. Being on the Tier 2 Watch List means that the Philippine government did not enforce laws that combat human trafficking in 2009-2011. It was speculated that the country had the potential to be demoted to Tier 3. In 2011, they were still having problems in this area, but the Philippine government is making significant efforts to prevent human trafficking. The purpose of this thesis is to investigate forced labor and sex trafficking among Filipino women in the Philippines. The paper seeks to educate the collegiate audience on this subject and aims to inspire conversation and action. Through the course of the research study, three prominent themes emerged that could be the major contributing factors that make Filipino women vulnerable to trafficking. They are as follows: (1) the Philipine government's corruption/lackadaisical effort to fight trafficking, (2) economic factors, whereas a majority of cities and regions in the Philippines have a high percentage of people living in poverty, on top of an unwillingness to hire women in the fields other than the service sector, and (3) familial and cultural norms with their strong emphasis on stereotypical sex roles can be perceived as discrimination at birth which in turn, contributes to the victimization of the Filipina. This thesis also investigates the tactics of traffickers, how the traffic Filipinas and examines why Filipinas cannot or will not escape.
ContributorsVance Lan-Ette, Kamala (Author) / Linde, Jennifer (Thesis director) / Roe-Sepowitz, Dominique (Committee member) / Eder, James (Committee member) / Barrett, The Honors College (Contributor)
Created2012-05
Description
An art installation that mixed the knowledge gained from both the science and artistic sides of communication via the High Downs School of Communication. The goal of the installation was to have visitors reflect on their own social media experiences by viewing the experiences of others that were included in the installation.
ContributorsMurphy, Sydney (Author) / Linde, Jennifer (Thesis director) / Adame, Bradley (Committee member) / Barrett, The Honors College (Contributor) / School of Life Sciences (Contributor) / Hugh Downs School of Human Communication (Contributor)
Created2024-05
ContributorsCrick-Furman, Hugo (Author) / LeMaster, Lore/tta (Thesis director) / Linde, Jennifer (Committee member) / Ramírez, Pablo (Committee member) / Barrett, The Honors College (Contributor) / School of Music, Dance and Theatre (Contributor)
Created2021-12