Matching Items (16)
Description
As am artist, I am primarily interested in the representation of the human form. I am most interested in self-portraiture, which serves as a tool to better understand my perception of myself and how it fluctuates based on context. Each self-portrait is indicative of my reactions to the world around me and also to dreams, by which I mean the involuntary experiences that occur while we sleep or are unaware of the physical world around us. I tend to take a Freudian approach to understand the concepts of the subconscious mind and dreams. I also use pattern and design elements in my work to serve backgrounds for my figures. These hold symbolic significance and illustrate the idea of using dreams as a source for my imagery.
ContributorsLopez, Laura (Author) / Pomilio, Mark (Thesis director) / Solis, Forrest (Committee member) / Barrett, The Honors College (Contributor)
Created2009-05
Description
The thesis "How Professional Artists Can Better Promote Themselves Online" aims to create a solution to improve artists' online sales and exposure. With the Internet being such a congested platform, I began to wonder how it was possible for artists to stand out from the crowd. I conducted six in-depth interviews in order to form a better understanding of what problems and frustrations artists currently faced everyday online. The data I collected from these interviews transformed my thesis into an entrepreneurial venture, and the iPhone app Artello was born. I created an entire working prototype of my app using Keynotopia. Artello's mission is to build an interactive art community that will create and foster relationships between artists and buyers like never before. This platform illustrates to buyers an artist's personality, style, and individual story. With Artello's guidance, artists will form stronger relationships with art buyers, connect with similar artists, and create a compelling online presence.
ContributorsPoole, Parker Anne (Author) / Gray, Nancy (Thesis director) / Pomilio, Mark (Committee member) / Barrett, The Honors College (Contributor) / Department of Marketing (Contributor) / Department of Management (Contributor)
Created2015-05
Description
This paper is a research study of the market for fine art. The art market describes the collective ecosystem of artists, sellers and buyers creating, selling and buying art. A literature review was conducted with the purpose of understanding why art is valuable. This research states that there are three primary categories of value that apply to art: Financial, Signal and Quintessential. Financial value refers to the monetary value of art. Signal value refers to the social value of owning or creating well-known art. Quintessential value describes art's ability to elicit feelings and ideas from those who engage with the art. A hypothesized model of the art market was created that associated the three entities of the art market with the three value types. Two research studies were conducted that analyzed the ways that these three value types exist in the art market. Based on the findings of the research, it was determined that all three-value types influence each entity. However, the three value types rank in terms of overall importance and impact on the entities. This new model of a three-tiered value type model applies to consumer preferences in the market for luxury items.
ContributorsBiondo, Matthew Joseph (Author) / Gray, Nancy (Thesis director) / Pomilio, Mark (Committee member) / Department of Information Systems (Contributor) / W. P. Carey School of Business (Contributor) / Department of Supply Chain Management (Contributor) / Barrett, The Honors College (Contributor)
Created2016-12
Description
To many, South Phoenix has a negative reputation of being an area full of crime, drugs and poverty. Throughout its foundation, South Phoenix has experienced many changes that have affected the quality of life of its people. The purpose of this creative project was to portray the history of South Phoenix through mural paintings. This thesis, explores a creative proposal to bring history-based murals on the streets of South Phoenix. Three large-scale paintings were created during this creative project, all corresponding with a segment of history of South Phoenix that has been forgotten by the community and the greater Phoenix area. Through this thesis, the author aims to instill a positive image of hope and determination that this community has demonstrated despite the many challenges they faced. Consequently, the author's intent is to one day carry out these projects on the streets of South Phoenix.
ContributorsTorres, Adrian (Author) / Pomilio, Mark (Thesis director) / Button, Melissa (Committee member) / School of Art (Contributor) / Barrett, The Honors College (Contributor)
Created2017-05
Description
The purpose of this study is to explore how internationalization is formed and operationalized in the Intensive English Programs (IEPs) at three Michigan higher education institutions. Drawing from Latour’s (2005) actor-network theory, this study examined the human and non-human actors involved in constructions of internationalization, which was defined as relational processes (programs and policies) that define and deliver international, intercultural, or global elements into the purpose, function and delivery of postsecondary education (Altbach, 2007; Knight, 2003). As an entry point into the study, I focused on the director of the programs and their mission statements, a written articulation of beliefs, as suggested by Childress (2007; 2009).
To explore these potential networks, I utilized Comparative Case Study (Bartlett and Vavrus, 2016), which allowed for more unbounded cases; Actor-Network Theory (Latour, 1999; Latour, 2005) which allowed for agency among non-human actors that also coexist, transform, translate or modify meaning; and relational network analysis methods (Herz et al. 2014; Heath et al. 2009; Clarke 2005), which helped to explore and make sense of complex relational data. This was in the effort to construct an understanding of the “processual, built activities, performed by the actants out of which they are composed” (Crawford, 2004, p. 1). I mapped actors within each site who were performing their local and contingent processes of internationalization.
The results indicate the formation of complex and far reaching webs of actors and activities that accomplish a form of internationalization that is highly localized. While each program under investigation responded to similar pressures, such as funding shortfalls via student enrollment declines, the responses and networks that were created from these constraints were wildly different. Indeed, the study found these programs engaged in international activities that enrolled various external actors, from campus departments to local community groups. In engaging in relational connections that moved beyond their primary instructional purpose, English language instruction and cultural acclimatization, the IEPs in this study were able to 1) contribute to the internationalization of university departmental curricula, 2) serve their communities in dynamic and impactful ways and 3) develop their own sense of internationalization in a university setting.
To explore these potential networks, I utilized Comparative Case Study (Bartlett and Vavrus, 2016), which allowed for more unbounded cases; Actor-Network Theory (Latour, 1999; Latour, 2005) which allowed for agency among non-human actors that also coexist, transform, translate or modify meaning; and relational network analysis methods (Herz et al. 2014; Heath et al. 2009; Clarke 2005), which helped to explore and make sense of complex relational data. This was in the effort to construct an understanding of the “processual, built activities, performed by the actants out of which they are composed” (Crawford, 2004, p. 1). I mapped actors within each site who were performing their local and contingent processes of internationalization.
The results indicate the formation of complex and far reaching webs of actors and activities that accomplish a form of internationalization that is highly localized. While each program under investigation responded to similar pressures, such as funding shortfalls via student enrollment declines, the responses and networks that were created from these constraints were wildly different. Indeed, the study found these programs engaged in international activities that enrolled various external actors, from campus departments to local community groups. In engaging in relational connections that moved beyond their primary instructional purpose, English language instruction and cultural acclimatization, the IEPs in this study were able to 1) contribute to the internationalization of university departmental curricula, 2) serve their communities in dynamic and impactful ways and 3) develop their own sense of internationalization in a university setting.
ContributorsClark, Adam Thomas (Author) / Koro, Mirka (Thesis advisor) / Kim, Jeongeun (Committee member) / Carlson, David L. (Committee member) / Okhremtchouk, Irina S (Committee member) / Vellenga, Heidi (Committee member) / Arizona State University (Publisher)
Created2020
Description
Higher education in Ethiopia has undergone significant expansion since the 1990s, with increases in the number of institutions, professors, and students. In the context of this rapid expansion, the Higher Diploma Program (HDP) was introduced to improve the quality of higher education by training university faculty in pedagogy and shifting pedagogy from teacher-centered to student-centered methods, specifically focusing on the introduction of Active Learning Methods (ALMs). This dissertation examines how the HDP was introduced and implemented in Ethiopian higher education through the theoretical lens of education policy transfer/borrowing and decolonial studies. Using ALMs as a case of a borrowed education policy, this research explores policy-practice gaps and factors hindering implementation of ALMs across different institutional and disciplinary contexts in Ethiopian higher education. Overall, the findings indicate that the HDP did not radically transform pedagogy and that teacher-centered instruction continues to dominate teaching and learning. Despite variations in institutional resources, geographical locations, or disciplinary contexts, ALMs were not commonly implemented. Drawing on the intensive analysis of quantitative and qualitative data, including over 150 faculty surveys, nearly 80 interviews with faculty (n=58), universities leaders (n=15), and policymakers (n=6), and 15 focus group discussions with 100 students, this research has identified barriers to the implementation of ALMs that exceed the often-cited factors such as large class sizes, lack of resources, overloaded curricula, lack of pedagogical knowledge, or a lack of faculty commitment. In addition to the previously documented barriers, this research has also identified the broader interconnected meso- and macro-level barriers related to the economy, politics, culture, and global/local dynamics that reflect the logic of coloniality through the continued influence of international donors using soft power (e.g., international aid, knowledge expertise, and international study tours). Combined, these findings suggest that the barriers to the implementation of ALMs in Ethiopia are rooted in systemic and complex power asymmetry between Ethiopia and the Global West/North, and therefore require not only technical assistance involving multiple sectors and stakeholders, but a radical reconfiguration of the modern/colonial logic that forms the foundation of the HDP and other borrowed education reforms.
ContributorsHalkiyo, Atota Bedane (Author) / Silova, Iveta (Thesis advisor) / Hailu, Meseret (Committee member) / Mlambo, Yeukai (Committee member) / Koro, Mirka (Committee member) / Arizona State University (Publisher)
Created2023
Description
Inclusive education has been impeded by deficit-oriented policies and practices that promote standardization and lead to student segregation by ability/disability labels. Deficit perspectives are maintained across separate programs (i.e., general, special, gifted) through distinct sets of practices and extend into higher education and academia. In response to this issue, this dissertation used strengths-based strategies for collaboratively rethinking and reimagining educational practices, perspectives, and interactions towards inclusivity. The purpose of this research was to study unexpected moments in learning events (i.e., micromoments), explore educators’ responses to these events, and develop strategies for inclusive education professional learning (PL). Diverse educators and neurodivergent adults responded to task invitations based on the research questions: How might micromoments move in/with/through emergent learning events? And, how might attunement to micromoment assemblages be developed? Additional questions explored how conceptualizations of micromoment movement and attunement might transform inclusive education PL and qualitative inquiry.
The neurodiversity paradigm, activist philosophy, post-oppositional transformation theory, and creative learning concepts supported an embodied, multiple, emergent, and inter-relational study of the micromoment. Methodological-poly-experiments formulated as invitations to tasks were used as initial enabling constraints for this research-creation. Documentation from several small Zoom group meetings was used in data-weaving, which included collective speculative fabulations (i.e., storying), post-qualitative cartography in the forms of fiber art sculpture mappings, and a moving content analysis.
The neurodiversity-inspired educational perspective developed in this study supported a PL shift away from student labels toward the study and design of learning events. Attunement to micromoment movement in learning events was practiced by following micromoment dimensions, elements, and flows. This led to the development of a framework for the study of micromoments for educator PL.
This study merged creativity studies, disability studies in education, and educational research. Furthermore, this project extended post-qualitative and research-creation methodologies, offered suggestions for redefining various methodological concepts and neurotypical expectations, and introduced several new concepts for qualitative inquiry.
In conclusion, creative professional learning/unlearning strategies, including reflection on underlying educational perspectives and learning event interactions, were part of a meaningful process in cultivating inclusive education for neurodiverse teachers, students, and research participants.
ContributorsVasquez, Anani Maria (Author) / Koro, Mirka (Thesis advisor) / Beghetto, Ronald (Thesis advisor) / Carlson, David L. (Committee member) / Mathur, Sarup (Committee member) / McAvoy, Mary (Committee member) / Arizona State University (Publisher)
Created2023
Description
What are the embodied educational experiences among students who were forced to migrate from war areas in Ukraine and study at Ukrainian displaced universities? Building on somatic literature and process philosophy, I developed embodied method of data collection and body-echo analysis to explore the complexities, entanglements and relationality of education and embodied experiences in the context of forced migration in Ukraine. The goal of this dissertation was to learn about students’ experiences of forced migration through an essentially embodied learning processes that integrate mental and physical capacities. I believe that students learn through sensing their way through forced migration, accumulating layers of kinesthetic information hidden in their bodies. More specifically, the students in this study moved either with Displaced Universities from the war areas in Ukraine or independently in several waves or enrolled at the Displaced Universities to receive their education in mainland Ukraine at relocated Displaced Universities. The key insights include 1) uniqueness of embodied experience(s) of forced migration for each student; 2) invisible or virtual university spaces created by forced migration in Ukraine; 3) displaced universities created a virtual relational space in Ukraine where university is people not building; 4) somatic practice allowed an entry point into the safe space of talking about forced migration; 5) unique reactions of students to the somatic movement; 6) sense of belonging to space and people; 7) students’ insights very often remain unfinished thoughts and students at times lack the language to talk about their experiences; 8) students educational trajectories should be viewed as unique experiences even when factors are the same or similar; 9) war is a continuous background of the experience even if students move to a safe place in a different country; 10) humor and care have a visible supportive and healing effects in the context of uncertainty. For this reason, I bring embodied experiences of students from Ukrainian Displaced Universities into education, and I expand the limits of cognitive thinking, and focus more into embodied learning through sensing and relating to one-self and others in the context of forced migration.
ContributorsVitrukh, Mariia (Author) / Koro, Mirka (Thesis advisor) / Dinn-You Liou, Daniel (Committee member) / Fitzgerald, Mary (Committee member) / Sereda, Viktoria (Committee member) / Blue Swadener, Beth (Committee member) / Arizona State University (Publisher)
Created2023
Description
In this dissertation, I explore how LGBTQ youth negotiate understanding of their subjective positions and alliances as cultural citizens through art creation. This work addresses the manner in which LGBTQ youth express their subjective positionings within the context of an art creation forum that becomes generative of conversations and artistic creations that inform on the subject. Because it is believed that when youth engage with each other in the context of a safe social forum, they feel allowed to share openly with their peers about critical issues that impact their lives. It is through the context of sharing life experiences that reveals new understandings of the self and can become both inspirational and generative. I propose this form of engagement, when paired with art- based methods, allows LGBTQ youth to inspire narratives that are highly informative.Through application of both traditional and non-traditional research methods, data creations and data analysis the researcher and participants became entangled in a process that resulted in multi-layered understandings. This approach was generative of a variety of visual artwork, which included acrylic paintings, clothing patches, pencil drawings and digitally altered photographs. What was found was that subjectivities are fractured, but participants realized the power of their subjective positionings through identification of individual and creative potentials as the conversations and art production revealed the power of technologies of the self and care of the self. Because of this, participants were able to consider their how their individual growth could contribute to a better future for themselves and their community.
ContributorsSandoval, Jorge Emilio (Author) / Koro, Mirka (Thesis advisor) / Carlson, David (Committee member) / Pomilio, Mark (Committee member) / Arizona State University (Publisher)
Created2022
Description
The following work is a creative exploration of rock formations within urban settings, illuminating the sublimity of seemingly mundane micro-environments. I argue that the historical use of the sublime in landscape painting has allowed artists to create artworks capable of evoking powerful emotion. To support this claim, I investigate the works of American Traditional Landscape painters and Abstract Expressionists, focusing on the impact of their art within the context of its creation. Moreover, I illustrate the importance of redefining the sublime to contemporary society as growing urban environments decrease accessibility to uninhabited natural settings. Through the creation of three oil paintings and two charcoal drawings, I depict seemingly unimportant rock formations in an abstracted sense to demonstrate their sublime nature. I assert that a rock’s sublimity is derived from their existence on this planet as many of these formations are billions of years old, a number unquantifiable to the human mind. Therefore, as rocks frequent urban environments, I argue that the sublime can be interpreted on a micro-scale accessible within contemporary society.
ContributorsGrimes, Charles (Author) / Pomilio, Mark (Thesis director) / Button, Melissa (Committee member) / Barrett, The Honors College (Contributor) / School of Art (Contributor)
Created2024-05