Matching Items (18)
ContributorsJohnson, Michael (Performer) / Dove, Eva (Performer) / Gallardo, Mila (Performer) / Yang, Elliot (Performer) / Yoo, Katie (Performer) / Rice, Sarah (Performer) / Arch, Nathan (Performer) / ASU Library. Music Library (Publisher)
Created2018-04-13
ContributorsJohnson, Michael (Performer) / Di Russo, Michelle (Conductor) / ASU Library. Music Library (Publisher)
Created2018-11-08
ContributorsKosminov, Vladislav (Performer) / Solari, John (Performer) / Liu, Shiyu (Performer) / Huang, Anruo (Performer) / Holly, Sean (Performer) / Novak, Gail (Performer) / Yang, Elliot (Performer) / Wu, Selene (Performer) / Kinnard, Zachariah (Performer) / Kuebelbeck, Stephen (Performer) / Johnson, Kaitlyn (Performer) / Bosworth, Robert (Performer) / Matejek, Ryan (Performer) / ASU Library. Music Library (Publisher)
Created2021-01-27
ContributorsWu, Jamie (Performer) / Wu, Selene (Performer) / ASU Library. Music Library (Publisher)
Created2021-01-25
ContributorsXiong, Lirui (Performer) / Chen, Neilson (Performer) / Wu, Selene (Performer) / Lu, Xi (Performer) / ASU Library. Music Library (Publisher)
Created2021-04-27
ContributorsWu, Jamie (Performer) / Wu, Selene (Performer) / ASU Library. Music Library (Publisher)
Created2021-11-14
Description
This document serves as a comprehensive project centering on a new performing edition of Pierre Danican Philidor’s (1681-1731) Trio Suite No. 2 in E Minor of 1722, one of a collection of six trio suites presented to the French court, following a series of earlier, more well-known suites (1716-1718). The project itself contains a performance edition with a fully realized harpsichord part, a recording featuring entirely modern instruments in modern pitch with a special attention to period affect and style, and finally a written document contextualizing the Philidor family, the French court establishment, and helpful performance practice guidelines for musicians. The purpose of this project is: to both bring to light and make accessible the music of this member of the Philidor clan, to encourage a greater understanding of this family and their musical place in the French establishment, and to build a bridge between the specialization of Historically Informed Performance (HIP) and the modern instrumentalist, particularly conservatory students and professionals unfamiliar or uncomfortable with this material. Ideally, the result will be more frequent programming of French court chamber repertoire such as this work in non-specialist settings and venues. Such programming goals should not detract from HIP and the period instrument field, but rather help this music to expand in interest across a wider classical music audience, and thus by extension also expand interest in the historical performance movement.
ContributorsJohnson, Michael (Author) / Schuring, Martin (Thesis advisor) / Buck, Elizabeth (Committee member) / Schmelz, Peter J (Committee member) / Arizona State University (Publisher)
Created2023
ContributorsJohnson, Michael (Performer) / Dove, Eva (Performer) / Buterbaugh, Lucas (Performer) / Wu, Selene (Performer) / ASU Library. Music Library (Publisher)
Created2020-11-05
ContributorsButerbaugh, Lucas (Performer) / Wu, Selene (Performer) / ASU Library. Music Library (Publisher)
Created2020-10-31
ContributorsChen, Sicong (Performer) / Wu, Jamie (Performer) / Wu, Selene (Performer) / Zhu, Weichao (Performer) / Kim, Michelle (Performer) / ASU Library. Music Library (Publisher)
Created2020-10-06