The purpose of this study was to examine the classroom observation ability of pre-service music teachers in Greece (N = 62). Two groups of undergraduates, one near the beginning and one near the end of a two-year course sequence in teaching methods that included in-class and in-school training in observation ("juniors" and "seniors," respectively), observed videotapes of one elementary (4th grade) and one secondary (8th grade) general music class, each being taught by its own expert music teacher. Subjects wrote comments that judges classified into subcategories within overall categories of lesson, teacher, and students. Results largely confirmed those of previous research from the USA, with the more experienced subjects making significantly more comments and both groups focusing more on teachers than on lessons or students. There were also differences between subcategories and significant intersections involving experience level and sex of the subjects.

Abstract: The purpose of this study was to examine relationships between pitch-matching and grade level, sex, ethnicity, and classroom teachers’ use of music among K-3 students (N = 289) taught by the same general music teacher. Portions of the data from a pitch-matching exercise that functioned as the music teacher’s roll-taking procedure during the 2005-06 school year were treated as pre- and post-tests. There were no significant pretest differences between ethnic groups (Hispanic, White, Other). There were significant pretest differences among classes taught by different classroom teachers, as well as the female students scoring significantly higher than males. Covariance analysis (pretest as covariate) revealed significant improvement by girls over boys on the posttest. There were no significant pretest differences among grade levels, suggesting a lack of carryover of pitch-matching skills from previous years, despite significant improvement (pre-post) for every grade level during the year under study. The boys performed poorly relative to girls in higher grades, though the interaction was not significant. Finally, the study revealed relationships between classroom teachers’ reported use of music and student gain scores (pre-post) in pitch-matching.

||VEZA IZMEĐU REPRODUKOVANJA ZADATOG TONSKOG NIZA I RAZREDA, POLA, ETNIČKE PRIPADNOSTI I METODA KORIŠĆENJA MUZIKE U NASTAVI NA PREDŠKOLSKOM UZRASTU I U PRVA TRI RAZREDA OSNOVNE ŠKOLE
Cilj rada je bio da se ispita veza između reprodukovanja zadatog tonskog niza i razreda koje dete pohađa, pola, etničke pripadnosti i načina na koji nastavnici razredne nastave koriste muziku u nastavi kod predškolske grupe i učenika od prvog do trećeg razreda (N = 289) kojima predaje isti nastavnik muzike opšteg smera. Podaci dobijeni na bazi vežbe za reprodukovanje zadatog tonskog niza koje je nastavnik muzike koristio u procesu prozivke učenika tokom školske 2005/06. godine su delom iskorišćeni kao predtestiranje i post-testiranje. U predtestiranju nije bilo značajnijih razlika među etničkim grupama (Hispanjolci, belci, ostali). Značajne razlike u predtestiranju evidentirane su između odeljenja kojima su predavali različiti nastavnici razredne nastave, a bilo je primetno i da su rezultati devojčica bili značajno viši u odnosu na dečake. Analizom kovarijanse (sa predtestiranjem kao kovarijantom) u post-testiranju je utvrđeno značajno poboljšanje kod devojčica u odnosu na dečake. U predtestiranju nije bilo značajnijih razlika između različitih razreda, što je sugerisalo da nije bilo prenošenja veštine reprodukovana zadatog tonskog niza iz prethodnih razreda, i pored značajnog poboljšanja (predtestiranje – post testiranje) u svakom razredu tokom referentne godine. Dečaci su imali slabije rezultate u odnosu na devojčice u višim razredima, iako interakcija nije bila važna. Konačno, studija je ukazala na vezu koja postoji između načina na koji su nastavnici razredne nastave koristili muziku u nastavi i napretka koji su učenici pokazali u pogledu reprodukovanja zadatog tonskog niza (predtestiranje – post-testiranje).