Matching Items (25)
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This dissertation provides a critical reassessment of the historical and modern conceptions of early American novelist Hannah Webster Foster as part of a larger disciplinary move toward recovering authors, primarily women, whose work has been lost or neglected by scholars. Although Foster is a fairly prominent writer from this early

This dissertation provides a critical reassessment of the historical and modern conceptions of early American novelist Hannah Webster Foster as part of a larger disciplinary move toward recovering authors, primarily women, whose work has been lost or neglected by scholars. Although Foster is a fairly prominent writer from this early national period, remarkably little is known about her life due to her desire for anonymity and personal privacy. As a result, much of Foster’s legacy has been constructed through a combination of problematic assumptions related to the author’s class and gender as well as biases by those attempting to refashion the author according to contemporary approaches. While these concerns are examined in this study, much of this dissertation hinges on new opportunities for Foster scholarship by offering historical evidence related to and annotation of a recovered text to present a fuller perspective of Foster than has previously been available. Through an analysis of this recovered text, this dissertation challenges modern perceptions of Foster to show that Foster may best be understood through the ways she consistently models republicanism through her writings.
ContributorsHurley, Jeremy A (Author) / Wertheimer, Eric (Thesis advisor) / Lockard, Joe (Committee member) / O'Donnell, Catherine (Committee member) / Arizona State University (Publisher)
Created2018
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What is the value of postsecondary education in prison? For the past two years, my involvement with the Prison English Program in the Department of English at Arizona State University has pushed me to explore answers to this question. I began by teaching creative writing for one semester through the

What is the value of postsecondary education in prison? For the past two years, my involvement with the Prison English Program in the Department of English at Arizona State University has pushed me to explore answers to this question. I began by teaching creative writing for one semester through the Pen Project, an online internship in which undergraduate students provide critical responses to writing produced by inmates at the Penitentiary of New Mexico. The next two semesters, I co-­‐taught Shakespeare on a minimum-­‐security yard at the Arizona State Prison Complex in Florence. This semester, eager to expand my teaching repertoire and the breadth of ASU programming in Arizona prisons, I teach an introductory Chinese language course at the Cook Unit in Eyman.
ContributorsCai, Tina (Author) / Lockard, Joe (Thesis director) / Spring, Madeline (Committee member) / Barrett, The Honors College (Contributor)
Created2014-05
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We, a team of students and faculty in the life sciences at Arizona State University (ASU), currently teach an Introduction to Biology course in a Level 5, or maximum-security unit with the support of the Arizona Department of Corrections and the Prison Education Program at ASU. This course aims to

We, a team of students and faculty in the life sciences at Arizona State University (ASU), currently teach an Introduction to Biology course in a Level 5, or maximum-security unit with the support of the Arizona Department of Corrections and the Prison Education Program at ASU. This course aims to enhance current programs at the unit by offering inmates an opportunity to practice literacy and math skills, while also providing exposure to a new academic field (science, and specifically biology). Numerous studies, including a 2005 study from the Arizona Department of Corrections (ADC), have found that vocational programs, including prison education programs, reduce recidivism rates (ADC 2005, Esperian 2010, Jancic 1988, Steurer et al. 2001, Ubic 2002) and may provide additional benefits such as engagement with a world outside the justice system (Duguid 1992), the opportunity for inmates to revise personal patterns of rejecting education that they may regret, and the ability of inmate parents to deliberately set a good example for their children (Hall and Killacky 2008). Teaching in a maximum security prison unit poses special challenges, which include a prohibition on most outside materials (except paper), severe restrictions on student-teacher and student-student interactions, and the inability to perform any lab exercises except limited computer simulations. Lack of literature discussing theoretical and practical aspects of teaching science in such environment has prompted us to conduct an ongoing study to generate notes and recommendations from this class through the use of surveys, academic evaluation of students' work and ongoing feedback from both teachers and students to inform teaching practices in future science classes in high-security prison units.
ContributorsLarson, Anika Jade (Author) / Mor, Tsafrir (Thesis director) / Brownell, Sara (Committee member) / Lockard, Joe (Committee member) / Barrett, The Honors College (Contributor) / School of Politics and Global Studies (Contributor) / School of Life Sciences (Contributor)
Created2015-05
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The thesis explores the trial of the Nazi war criminal Adolf Eichmann, which occurred in Jerusalem in 1961. In order to do this, the thesis analyzes four sources—two films and two books—that exist as representations of and responses to the historic trial. My analyses investigate the role of the witnesses

The thesis explores the trial of the Nazi war criminal Adolf Eichmann, which occurred in Jerusalem in 1961. In order to do this, the thesis analyzes four sources—two films and two books—that exist as representations of and responses to the historic trial. My analyses investigate the role of the witnesses who offered testimony during the trial and the sentencing that occurred at the trial’s conclusion, which are two major aspects of the trial. By comparing the way that various witnesses, who appear in multiple representations of the trial, are portrayed, the thesis will make conclusions regarding the way that each source utilizes the witness testimony. In order to evaluate the way each source presents the sentencing of the trial, the thesis uses Yasco Horsman’s concepts of the constative and performative aspects of judgement. The thesis concludes by discussing the value that each of these works has as a representation of the Holocaust. Ultimately, as time distances the modern generation from the events of the Holocaust and post-Holocaust trials, the need for such representations as the four examined in this thesis continues to grow in importance.
ContributorsKierum, Caitlin Anne (Author) / Gilfillan, Daniel (Thesis director) / Goodman, Brian (Committee member) / Historical, Philosophical & Religious Studies (Contributor) / School of Social Transformation (Contributor) / Department of English (Contributor) / School of International Letters and Cultures (Contributor) / School of Music (Contributor) / Barrett, The Honors College (Contributor)
Created2019-05
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The trilogy of the Czech author and playwright Karel Čapek consists of the novels Hordubal, Meteor (Povětroň), and An Ordinary Life (Obyčejný Život). This thesis examines each novel in literary terms and especially its narrative techniques, with special attention to how each novel’s characters obtains understanding and knowledge as represented

The trilogy of the Czech author and playwright Karel Čapek consists of the novels Hordubal, Meteor (Povětroň), and An Ordinary Life (Obyčejný Život). This thesis examines each novel in literary terms and especially its narrative techniques, with special attention to how each novel’s characters obtains understanding and knowledge as represented in the free indirect discourse within each text. Commentary on how the seemingly disjointed trilogy functions as a cohesive whole follows a brief narrative analysis. Analysis shows that each work represents a distinct part of Hegel’s tripartite presentation and resolution of logic. Čapek’s Hegelian trilogy allows him, as a citizen of the newly born First Czechoslovak Republic, to creatively respond to the problems that the country’s nationalism faced both within its borders and abroad. His trilogy conveys the desperate need for mutual understanding between European nations in an era of nationalistic fervor within the hope for peaceful coexistence despite political and cultural differences.
ContributorsHarris, Kimberly (Author) / Horan, Elizabeth (Thesis director) / Goodman, Brian (Committee member) / Department of English (Contributor) / Barrett, The Honors College (Contributor)
Created2019-05
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Abstract: This study investigates grades from 1980 to 2010 in English 102 at Arizona State University Tempe Campus to see if grade inflation has taken place. It concludes it has and then goes on to study the causes. The data was collected from existing data held in the archives of

Abstract: This study investigates grades from 1980 to 2010 in English 102 at Arizona State University Tempe Campus to see if grade inflation has taken place. It concludes it has and then goes on to study the causes. The data was collected from existing data held in the archives of the Registrar's Office, collated into proper order and saved in proper numerical format for analysis. After analysis, the data was reviewed to establish whether or not as consumer demands rise, measured by student responses to evaluation questions, grade point averages rise as well, and whether demands for adequate performance in classrooms have declined. This study statistically analyzes students' final grades in ENG102 for thirty years and concludes that grade compression at the top of the grading scale exists. This study discusses the implications of that compression at length.
ContributorsSimmons, Cynthia Anne (Author) / Gelderen, Elly van (Thesis advisor) / Gillon, Carrie (Committee member) / Lockard, Joe (Committee member) / Arizona State University (Publisher)
Created2015
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This dissertation analyzes two regional systems of involuntary servitude (Indian captive slavery and Mexican debt peonage) over a period spanning roughly two centuries. Following a chronological framework, it examines the development of captive slavery in the Southwest beginning in the early 1700s and lasting through the mid-1800s, by which time

This dissertation analyzes two regional systems of involuntary servitude (Indian captive slavery and Mexican debt peonage) over a period spanning roughly two centuries. Following a chronological framework, it examines the development of captive slavery in the Southwest beginning in the early 1700s and lasting through the mid-1800s, by which time debt peonage emerged as a secondary form of coerced servitude that augmented Indian slavery in order to meet increasing demand for labor. While both peonage and captive slavery had an indelible impact on cultural and social systems in the Southwest, this dissertation places those two labor systems within the context of North American slavery and sectional agitation during the antebellum period. The existence of debt bondage and Indian captivity in New Mexico had a significant impact on America's judicial and political institutions during the Reconstruction era.

Debt peonage and Indian slavery had a lasting influence on American politics during the period 1846 to 1867, forcing lawmakers to acknowledge the fact that slavery existed in many forms. Following the Civil War, legislators realized that the Thirteenth Amendment did not cast a wide enough net, because peonage and captive slavery were represented as voluntary in nature and remained commonplace throughout New Mexico. When Congress passed a measure in 1867 explicitly outlawing peonage and captive slavery in New Mexico, they implicitly acknowledged the shortcomings of the Thirteenth Amendment. The preexistence of peonage and Indian slavery in the Southwest inculcated a broader understanding of involuntary labor in post-Civil War America and helped to expand political and judicial philosophy regarding free labor. These two systems played a crucial role in America's transition from free to unfree labor in the mid-1800s and contributed to the judicial and political frameworks that undermined slavery.
ContributorsKiser, William S., 1986- (Author) / Fixico, Donald L. (Thesis advisor) / Simpson, Brooks (Committee member) / Schermerhorn, Calvin (Committee member) / Lockard, Joe (Committee member) / Arizona State University (Publisher)
Created2016
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Modern and contemporary African American writers employ science fiction in order to recast ideas on past, present, and future black culture. This dissertation examines Afrofuturism’s cultural aesthetics, which appropriate devices from science fiction and fantasy in order to revise, interrogate, and re-examine historical events insufficiently treated by literary realism. The

Modern and contemporary African American writers employ science fiction in order to recast ideas on past, present, and future black culture. This dissertation examines Afrofuturism’s cultural aesthetics, which appropriate devices from science fiction and fantasy in order to revise, interrogate, and re-examine historical events insufficiently treated by literary realism. The dissertation includes treatments of George Schuyler, Ishmael Reed, Octavia Butler, Colson Whitehead, Nalo Hopkinson, and Chicana/ofuturism.

The original contribution of this research is to highlight how imagination of a posthuman world has made it possible for African American writers to envision how racial power can be re-configured and re-negotiated. Focusing on shifting racial dynamics caught up in the swirl of technological changes, this research illuminates a complex process of literary production in which black culture and identity have been continuously re-interpreted.

In the post-war and post-Civil Rights Movement eras African American writers began reflecting on shifting racial dynamics in light of technological changes. This shift in which black experience became mechanized and digitized explains how technology became a source of new African American fiction. The relationships between humans and their external conditions appear in such futuristic themes as trans-human anamorphosis, cyberspace, and digital souls. These thematic devices, which explore humanity outside its phenotypic boundaries, provide African American writers with tools to demystify deterministic views of race. Afrofuturism has responded to the conceptual transformation of humanity with a race-specific scope, locating the presence of black culture in a high-tech world.

Techno-scientific progress has provided important resources in contemporary theory, yet these theoretical foci too seldom have been drawn into critical race discourses. This discrepancy is due to techno-scientific progress having served as a tool for the legitimation of scientific racism under global capitalism for centuries. Responding to this critical lacuna, the dissertation highlights an under-explored field in which African American literature responds to techno-culture’s involvement in contemporary discussions of race. Rather than repeat nominal assumptions of Eurocentric modernity and its racist hegemony, this dissertation theorizes how modern techno-culture’s outcomes—such as information science, genetic engineering, and computer science—shape minority lives, and how minority groups appropriate these outcomes to enact their own liberation.
ContributorsKim, Myungsung (Author) / Lockard, Joe (Thesis advisor) / Lester, Neal (Committee member) / Holbo, Christine (Committee member) / Arizona State University (Publisher)
Created2017
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This project is a critical analysis of the works of 6 American war veterans and how they demonstrate trauma in their narratives. The texts covered here are Philip Red Eagle’s Red Earth (2007), John A. Williams’ Captain Blackman (1972), Roy Scranton’s War Porn (2016), Tim O’Brien’s The Things They

This project is a critical analysis of the works of 6 American war veterans and how they demonstrate trauma in their narratives. The texts covered here are Philip Red Eagle’s Red Earth (2007), John A. Williams’ Captain Blackman (1972), Roy Scranton’s War Porn (2016), Tim O’Brien’s The Things They Carried (1990), Kurt Vonnegut’s Slaughterhouse-Five (1969), and Joseph Heller’s Catch-22 (1961).

ContributorsNovinger, Joshua (Author) / Ellis, Lawrence (Thesis director) / Goodman, Brian (Committee member) / Department of English (Contributor) / Barrett, The Honors College (Contributor)
Created2021-05
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The United States is an empire. It was founded as such and continues to be one to this day. However, during the most prominent periods of imperial expansion, anti-imperialist organizations and politicians often rise up to oppose these further imperialist actions. This thesis paper examines the rhetoric used by these

The United States is an empire. It was founded as such and continues to be one to this day. However, during the most prominent periods of imperial expansion, anti-imperialist organizations and politicians often rise up to oppose these further imperialist actions. This thesis paper examines the rhetoric used by these organizations and politicians, particularly through their speeches and platforms. The primary focus is on the role of American exceptionalism in this rhetoric, and what American anti-imperialism not rooted in this concept looks like. This analysis will be done by looking at a few key specific texts from these organizations and politicians, including (but not limited to) the platform of the Anti-Imperialist League and the speech Representative Barbara Lee gave to explain her lone no vote on the Authorization for Use of Military Force in Afghanistan in 2001.

ContributorsRemelius, Justin (Author) / Avina, Alexander (Thesis director) / Goodman, Brian (Committee member) / Historical, Philosophical & Religious Studies (Contributor, Contributor) / School of Politics and Global Studies (Contributor, Contributor) / Historical, Philosophical & Religious Studies, Sch (Contributor, Contributor) / Department of English (Contributor) / Barrett, The Honors College (Contributor)
Created2021-05