Matching Items (3)
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DescriptionOfficial program of the Mapping Grand Canyon Conference. Document was designed and optimized for digital dissemination and mobile device (smartphone, tablet) viewing and interactive browsing. Document was deliberately not printed in paper format with the intent of minimizing the event's ecological footprint through a reduction of paper and ink waste.
ContributorsWatson, Amy Carolyn (Compiler, Designer) / Toro, Matthew (Compiler, Cartographer) / Avila, Theresa (Contributor) / Field, Kenneth (Contributor) / Fry, Michael (Contributor) / Griffin, Dori (Contributor) / Kaplinski, Matt (Contributor) / Karlstrom, Karl (Contributor) / Manone, Mark (Contributor) / Oetting, Ed (Contributor) / Patterson, Tom (Contributor) / Quartaroli, Richard David (Contributor) / Runge, Peter (Contributor) / Semken, Steve (Contributor) / Smilovsky, Nikolas (Contributor) / Smith, Stephanie (Contributor) / Spindler, Rob (Contributor) / Trapido-Lurie, Barbara (Contributor) / Upchurch, Jonathan (Contributor) / Deitrick, Stephanie (Contributor) / Lemar, Shea (Contributor) / Messinger, Ellen Murray (Contributor) / Sherwood, Jill (Contributor) / Wilhelm, Karina (Contributor)
Created2019-02
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Description
Shortly after the Grand Canyon became a national park in 1919, commercial artists began mapping the region for tourist audiences. Beginning around 1930, many of these maps used a cartoon style, populating the landscape with natural wonders, talking animals, cheerful tourists, quirky locals, and timeless “natives” (in the language of

Shortly after the Grand Canyon became a national park in 1919, commercial artists began mapping the region for tourist audiences. Beginning around 1930, many of these maps used a cartoon style, populating the landscape with natural wonders, talking animals, cheerful tourists, quirky locals, and timeless “natives” (in the language of their day). These illustrated maps facilitated only the most basic navigational tasks, but they performed a great deal of work as cultural narratives, shaping viewers’ concepts and expectations of the Grand Canyon as a tourism destination. From reinforcing a standardized menu of iconic sites to perpetuating popular mythologies of indigenous culture, cartoon maps dealt in stereotypes. Yet they also offered a surprising level of detail and most were based in careful research. Several of the artists who made cartoon maps of the Grand Canyon were well-known as commercial cartographic illustrators, including Ruth Taylor White, Jo Mora, and Arizona Highways art director George Avey. They brought their own signature styles to a geographic region made famous by John Wesley Powell’s 1869 expedition and the Fred Harvey Company’s popular tours. “Cartoon Maps of Canyonland” showcases the rich visual history of mapping the Grand Canyon for tourists and unpacks the complex, evolving stories told by these engaging but imperfect maps.
ContributorsGriffin, Dori (Author, Speaker)
Created2019-03-01
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Description
Over 700 known deaths have occurred in Grand Canyon from the first river exploration by John Wesley Powell in 1869 to present day. Causes range from suicides to accidental drownings, heatstroke, snake bite, flash floods, aircraft collisions, crashes and even murder. Based on the book ‘Over the Edge: Death in

Over 700 known deaths have occurred in Grand Canyon from the first river exploration by John Wesley Powell in 1869 to present day. Causes range from suicides to accidental drownings, heatstroke, snake bite, flash floods, aircraft collisions, crashes and even murder. Based on the book ‘Over the Edge: Death in Grand Canyon’ by Michael Ghiglieri and Thomas Myers, this map illustrates the geography of deathly incidents. It uses a pan-sharpening technique to create a crisp, vibrant combination of layer tints and hillshades. The colours are defined to allow the map to be viewed in normal two dimensional viewing but in 3D when viewed using chromadepth glasses. The map provides a dramatic, visually engaging illustration of a unique dataset and maintain the first geocoded display of the complete record of deaths in Grand Canyon. In so doing, it illustrates the development and application of novel cartographic approaches. Vignettes describing the incidents bring the quantity of death into perspective through the telling of short individual stories, some fantastic, some tragic. The presentation will discuss the map’s creation in 2012, a recent update, and also the response to its publication. There were some very real issues faced in portraying an often sensitive subject matter, and some of the failures in this respect and the lessons learned will be explored.
ContributorsField, Kenneth (Author, Speaker) / ASU Marketing Hub (Videographer)
Created2019-03-01