Matching Items (8)

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How Was I to Know You Wouldn't Let Me Forget?

Description

How Was I to Know You Wouldn't Let Me Forget? is a art installation created by Christine Adams showcasing printmaking media, including lithography and etching. This installation was based on

How Was I to Know You Wouldn't Let Me Forget? is a art installation created by Christine Adams showcasing printmaking media, including lithography and etching. This installation was based on Adams' childhood bedroom and featured small bedroom shrines, a common motif throughout girlhood. The portraits of the people in the show are all individuals who Adams met between the ages of 13 and 21 and who have left her life, commenting on whether or not someone can ever really leave you.

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Created

Date Created
  • 2014-05

Deus Ex Machina

Description

Deus Ex Machina was a group exhibition of works by honors candidate Kenosha Drucker and her Herberger institute colleagues Nicholas Gutierrez and Alyssa Burke. The show was a mixed media installation featuring video, printmaking, sculpture, painting, and drawing.

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Created

Date Created
  • 2014-05

Why We Bend, A Multimedia Art Exhibition

Description

‘why we bend' a Bachelor of Fine Arts honors thesis exhibition by Ximenna Hofsetz and Tiernan Warner brings together installation, digital, sculptural, and printed artwork. The main focus concerns

‘why we bend' a Bachelor of Fine Arts honors thesis exhibition by Ximenna Hofsetz and Tiernan Warner brings together installation, digital, sculptural, and printed artwork. The main focus concerns memory; and its vague, formless, and hazy nature. The work also examines what would happen if cognitive space could be physically mapped? What would it look like in sculptural form? Memory erodes and distorts with time. We influence our memories as much as they affect us. Thus, just as relationships are ever-changing, and our memories of those we interact with constantly shifting, our relationships with our own memories are malleable and evolve through time. This transient nature of memory is depicted in the various stylistic means of this exhibition by referencing time and space as well as personal memories and ephemera in both concrete and abstract ways. ‘why we bend’ implements a variety of multimedia techniques to examine recollection and its hold on us.

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Created

Date Created
  • 2014-12

You Are Here. BFA Thesis Exhibition

Description

You Are Here is a mixed-media installation, featuring the thesis work of BFA: Intermedia senior, Carissa Kalia Heinrichs. The installation consists of a hanging fabric structure, in which gallery visitors

You Are Here is a mixed-media installation, featuring the thesis work of BFA: Intermedia senior, Carissa Kalia Heinrichs. The installation consists of a hanging fabric structure, in which gallery visitors may interact with by both circumambulating and entering the form, walking alongside ever transforming horizons. The exhibition addresses the re-contextualization of "here", challenging its containment, and inviting viewers to study diverse definitions of home encompassed in a single shared space. The exhibition will encompass the conceptual and technical growth fostered by the artist's academic career at both the Herberger Institute for Design and the Arts, as well as the Barrett Honors College at Arizona State University.

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Created

Date Created
  • 2014-05

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Sojourn

Description

This project uses the tintype process to create contemporary portraits. The tintype is a nineteenth century photographic process that creates a direct positive on a sheet of metal. The images

This project uses the tintype process to create contemporary portraits. The tintype is a nineteenth century photographic process that creates a direct positive on a sheet of metal. The images were created using the same process from the 1800s, as well as a more contemporary method. The natural imperfections caused by both processes were used to help examine the intimacy and emotion present in the portraits.

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Created

Date Created
  • 2014-05

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Familiar Places: Ghosts of a Memory

Description

Familiar Places: Ghosts of a Memory is a thesis exhibition, presented in Gallery 100 in Tempe, AZ, accompanied by a written investigation into the function of photography in the home

Familiar Places: Ghosts of a Memory is a thesis exhibition, presented in Gallery 100 in Tempe, AZ, accompanied by a written investigation into the function of photography in the home and art. This project is a diaristic photographic record including images of myself, my family, my environment, and mementos or objects that embody family history. I am interested in what we hold onto to keep memories and create our "home". I moved frequently growing up so my sense of home became firmly grounded in family, tradition, and the things we kept close, making home a practiced space not a place. This thesis project explores how material culture, including photographs, is used in creating the space of the home. Questions regarding the nature of the photograph as a memory keeping device or memory trigger is investigated to understand their usefulness and accuracy to the memory. A deeper examination of the difference between an artist's photograph of family and home versus the family photograph is discussed and presented by utilizing installations in the exhibition. The photographs can be seen at www.gwendolynanne.com

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Created

Date Created
  • 2015-12

Arizona Then and Now: Exploring Arizona's Five Cs Through Photography

Description

Arizona Then and Now: Exploring Arizona's Five Cs Through Photography is a photographic exploration of the evolution of Arizona's five Cs: cotton, copper, citrus, cattle, and climate. This project first

Arizona Then and Now: Exploring Arizona's Five Cs Through Photography is a photographic exploration of the evolution of Arizona's five Cs: cotton, copper, citrus, cattle, and climate. This project first looks to the past to see how these five elements shaped the state of Arizona. Photographs were taken across the valley of these elements, or lack thereof, discovering what Arizona has transformed into in the process. Each chapter of the book begins with a brief history of the element focused on in that chapter, followed by an analytical thought about the photographs taken and how the element has evolved. Each chapter shows two historical photographs followed by a series of photographs taken during the project that the author thought depicted what is seen today. The book ends on a final positive note about how the five Cs are not dead, but soon could be completely taken over. This project was a way for a non-art major to explore the state that she grew up while also challenging herself by more than just taking pictures. The photographs displayed in the book depict a sampling of what the author saw that is left of the five Cs.

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Created

Date Created
  • 2018-05