Matching Items (48)
Description
Artistic trends of the mid-nineteenth century demonstrate the popularity of incorporating Asian elements into various artistic media. This paper discusses why the stereotypical Asian female provided an attractive character for operatic librettists, composers and audiences. To support the discussion, six operas from 1885 to 2010 are examined, and the dramatic and musical portrayal of representative female characters is discussed. The familiar character of Cio-cio-san from Giocamo Puccini's Madama Butterfly (1904) provides a foundation to discuss these stereotypical Asian female characteristics, specifically one archetype, that of the naïve, yet sexually desirable female. Prior to Cio-cio-san, Sir W. S. Gilbert and Sir Arthur Sullivan's Yum-Yum from The Mikado (1885), Iris of Pietro Mascagni's Iris (1898) exemplify this archetype, as does Liù from Puccini's Turandot (1924). At the other extreme is the icy, cold and bloodthirsty archetype found in the title role of Puccini's Turandot and Katisha from The Mikado. Chiang Ch'ing (also known as Madame Mao) from John Adams's Nixon in China (1987), and Madame White Snake from Chinese-American composer Zhou Long's Madame White Snake (2010) feature leading characters that demonstrate elements of both of these archetypes, and this combination of the two archetypes yields more complex and richer characters. These two extremes of the female Asian stereotype and the evolution of these characteristics provide an interesting outlook on the incorporation of non-Western musical styles into these operas, and the understanding of a Western perception of foreign peoples, especially foreign females.
ContributorsLo, Wan-Yi (Author) / Campbell, Andrew (Thesis advisor) / Carpenter, Ellon (Committee member) / Kopta, Anne (Committee member) / Mills, Robert (Committee member) / Ryan, Russell (Committee member) / Arizona State University (Publisher)
Created2013
Description
In order to cope with the decreasing availability of symphony jobs and collegiate faculty positions, many musicians are starting to pursue less traditional career paths. Also, to combat declining audiences, musicians are exploring ways to cultivate new and enthusiastic listeners through relevant and engaging performances. Due to these challenges, many community-based chamber music ensembles have been formed throughout the United States. These groups not only focus on performing classical music, but serve the needs of their communities as well. The problem, however, is that many musicians have not learned the business skills necessary to create these career opportunities. In this document I discuss the steps ensembles must take to develop sustainable careers. I first analyze how groups build a strong foundation through getting to know their communities and creating core values. I then discuss branding and marketing so ensembles can develop a public image and learn how to publicize themselves. This is followed by an investigation of how ensembles make and organize their money. I then examine the ways groups ensure long-lasting relationships with their communities and within the ensemble. I end by presenting three case studies of professional ensembles to show how groups create and maintain successful careers. Ensembles must develop entrepreneurship skills in addition to cultivating their artistry. These business concepts are crucial to the longevity of chamber groups. Through interviews of successful ensemble members and my own personal experiences in the Tetra String Quartet, I provide a guide for musicians to use when creating a community-based ensemble.
ContributorsDalbey, Jenna (Author) / Landschoot, Thomas (Thesis advisor) / McLin, Katherine (Committee member) / Ryan, Russell (Committee member) / Solis, Theodore (Committee member) / Spring, Robert (Committee member) / Arizona State University (Publisher)
Created2013
ContributorsRuhleder, Kathleen (Performer) / Lo, Wan-Yi (Performer) / Montana, Matt (Performer) / Nicosia, Paul (Performer) / O'Hara, Martha (Performer) / Rovani, Suzanne (Performer) / Peterman, Jeremy (Performer) / ASU Library. Music Library (Publisher)
Created2010-02-18
ContributorsDalbey, Jenna (Performer) / Nixon, Thomas (Performer) / Hsu, Jui-Ling (Performer) / ASU Library. Music Library (Publisher)
Created2010-12-04
ContributorsKesler, Michelle (Performer) / Lo, Wan-Yi (Performer) / ASU Library. Music Library (Publisher)
Created2010-04-21
ContributorsSalmon, Audrey (Performer) / Hsu, Jui-Ling (Performer) / Dalbey, Jenna (Performer) / Dauphinais, Michael (Performer) / Gorbich, Victoria (Performer) / Nouri, Sahar (Performer) / Susilo, Chandra (Performer) / Lo, Wan-Yi (Performer) / ASU Library. Music Library (Publisher)
Created2010-02-11
ContributorsArias, Mauricio (Performer) / Wang, Boyang (Performer) / Lo, Wan-Yi (Performer) / Wilson, Evan Tyler (Performer) / Whitworth, Kristen (Performer) / Villanueva, Antonio (Performer) / Perez, Joseph (Performer) / McKenzie, James (Performer) / ASU Library. Music Library (Publisher)
Created2009-09-16
ContributorsAvent, Matravius (Performer) / Lo, Wan-Yi (Performer) / ASU Library. Music Library (Publisher)
Created2009-04-18
ContributorsMartin, Theresa (Performer) / Leman, Christi (Performer) / Dalbey, Jenna (Performer) / ASU Library. Music Library (Publisher)
Created2004-11-06
ContributorsHall, Britanie (Performer) / Rausch, Lauren (Performer) / Vittal, Alex (Performer) / Dalbey, Jenna (Performer) / ASU Library. Music Library (Publisher)
Created2004-04-24