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From the time of his death in 323 BC, the life and exploits of Alexander of Macedon were continually reimagined and reinterpreted in various literary works throughout the ancient world. While modern historians prefer such authorities as Arrian or Plutarch, in Late Antiquity there emerged an amorphous collection of stories, anecdotes, and apocryphal letters now subsumed under the title of the Alexander Romance, which elaborate in remarkable detail upon Alexander's Eastern campaigns. This project seeks to examine a popular episode of the Alexander Romance: the prophecy of the Sun and Moon Trees in the apocryphal letters of Alexander to his tutor, Aristotle, which appear as interpolations in the Romance text. We will trace the various permutations of this episode, from its earliest known versions in Latin and Ancient Greek, to its medieval translations in Old English, Old French, and Arabic. Through a close philological reading of these texts, we will examine the thousand-year history of a single tale about Alexander, and see how this single literary thread unites so many different peoples and cultures which at first seem so far apart.
ContributorsMaur, Glenn B (Author) / Cruse, Markus (Thesis director) / O'Donnell, James (Committee member) / Arena, Paul (Committee member) / School of International Letters and Cultures (Contributor) / Barrett, The Honors College (Contributor)
Created2016-12
Description
To demonstrate the way in which Benedict Anderson's theory of imagined communities applies to Vietnamese nationalism, a work of historical fiction was written to illustrate several of Anderson's key points. These scenes were then elaborated on in the second non-fiction portion, which analyzes the history of Vietnamese nationalism and how they are portrayed creatively in the first section to prove the accuracy and utility of applying a constructivist model to the origin of the Vietnamese nation.
ContributorsLy, Jane Truc (Author) / Lundry, Chris (Thesis director) / Le, Thuy-Kim (Committee member) / Cruse, Markus (Committee member) / Barrett, The Honors College (Contributor) / School of International Letters and Cultures (Contributor) / School of Politics and Global Studies (Contributor) / School of Historical, Philosophical and Religious Studies (Contributor)
Created2013-05
Description
Archetypes are commonly seen throughout different media such as artwork, film, or literature. Similar ideas or perceptions come together to create said archetypes. As defined by Faber and Mayer (2008), “an archetype is an internal mental model of a typical, generic story character to which an observer might resonate emotionally”. Carl Jung, famed psychoanalyst, first created this concept to describe how all human beings know of these commonalities through the collective unconscious. Today, we typically think of archetypes when looking at the development of fictional characters. Star Wars, one of the largest film franchises in the world, uses many of these archetypes in its character development. A great example of this phenomenon is Luke Skywalker, as the archetype of the Hero. Tarot cards are another form of media that also convey these archetypes, however they do so through each card’s imagery. With the use of different colors and symbols tarot cards can convey the same archetypes that can be seen in film and literature. While there are tarot decks in existence, they all use different art and art styles to depict the same archetypal messages. Within this project, I created my own version of the major arcana in a tarot deck using the imagery seen within the Star Wars saga. I then completed a comparative critical analysis of how Star Wars contains some of the same allegories, archetypes, and imagery seen within tarot cards. By looking at the archetypes of both Star Wars and the tarot we are able to gain a stronger grasp of the themes present in both types of media, film and art.
ContributorsPagliuca, Jessica-Lynn (Author) / Cruse, Markus (Thesis director) / Arena, Paul (Committee member) / Barrett, The Honors College (Contributor) / School of Social and Behavioral Sciences (Contributor)
Created2023-05
ContributorsPagliuca, Jessica-Lynn (Author) / Cruse, Markus (Thesis director) / Arena, Paul (Committee member) / Barrett, The Honors College (Contributor) / School of Social and Behavioral Sciences (Contributor)
Created2023-05
Description
Archetypes are commonly seen throughout different media such as artwork, film, or literature. Similar ideas or perceptions come together to create said archetypes. As defined by Faber and Mayer (2008), “an archetype is an internal mental model of a typical, generic story character to which an observer might resonate emotionally”. Carl Jung, famed psychoanalyst, first created this concept to describe how all human beings know of these commonalities through the collective unconscious. Today, we typically think of archetypes when looking at the development of fictional characters. Star Wars, one of the largest film franchises in the world, uses many of these archetypes in its character development. A great example of this phenomenon is Luke Skywalker, as the archetype of the Hero. Tarot cards are another form of media that also convey these archetypes, however they do so through each card’s imagery. With the use of different colors and symbols tarot cards can convey the same archetypes that can be seen in film and literature. While there are tarot decks in existence, they all use different art and art styles to depict the same archetypal messages. Within this project, I created my own version of the major arcana in a tarot deck using the imagery seen within the Star Wars saga. I then completed a comparative critical analysis of how Star Wars contains some of the same allegories, archetypes, and imagery seen within tarot cards. By looking at the archetypes of both Star Wars and the tarot we are able to gain a stronger grasp of the themes present in both types of media, film and art.
ContributorsPagliuca, Jessica-Lynn (Author) / Cruse, Markus (Thesis director) / Arena, Paul (Committee member) / Barrett, The Honors College (Contributor) / School of Social and Behavioral Sciences (Contributor)
Created2023-05
Description
Medieval Arthurian stories typically feature noble knights as their main characters, and follow these knights on various quests as they work to fulfill their destiny. Although women do not get to appear as the central characters in these stories, they are oftentimes afforded magical abilities that provide them with a great deal of power and influence. This thesis investigates the role of magical women, including fairies and sorceresses, in medieval Arthurian literature. I explore the conditions under which medieval authors permitted women characters to have power, magical or otherwise; for each of five different magical women appearing in Arthurian stories written between the 12th and 15th centuries, I discuss their different abilities, motivations, and major actions. Even when these fairies are fairly powerful and autonomous in their choices, their motivations are typically related to the interests of the male man character. Their relationship to the heroes of their respective stories determines their characterization. I argue that there are three major tropes that these characters fulfill: fairy caretakers, fairy lovers, or evil sorceresses.
ContributorsDardis, Cora Shea (Author) / Cruse, Markus (Thesis director) / Barca, Lisa (Committee member) / Historical, Philosophical & Religious Studies (Contributor) / School of International Letters and Cultures (Contributor, Contributor) / Barrett, The Honors College (Contributor)
Created2020-05
Description
In examining the popular culture of the United States today, one would find themselves hard-pressed to avoid mentions of texts and films that fall within the fantasy genre. In fact, many works within this genre find themselves amongst the ranks of the best-selling books and movies of all time (Moor; Harding and Thompson). Outside of their economic success, these stories have become an integral part of American culture. Extending from the domination of the entertainment industry, the characters and stories of the fantasy genre have influenced the collective ideals and perspectives of the United States population. Websites such as DeviantArt and Archive of Our Own serve as testament to how these stories inspire their fans, boasting thousands of pieces of artwork and writing that have been inspired by various fantasy texts and films. Beyond this, characters featured in these stories find themselves being applied elsewhere, ranging from their prevalence in online meme culture to their use during times of political strife. A notable example of this is a photograph of a protestor holding up a large sign boasting the claim that “Dumbledore wouldn’t let this happen,” which later became viral and was posted across several media platforms (whiskey-tango). The importance and impact of the fantasy genre can clearly be seen to take on many forms, and can be observed as playing a larger role than simple entertainment in the lives of the American public. While all of these examples highlight the deeply embedded nature of these tales in popular culture, it begs the question as to how and why these stories got to this status.
ContributorsKrolick, Samantha Rae (Author) / Cruse, Markus (Thesis director) / Fong, Benjamin (Committee member) / School of Life Sciences (Contributor) / Dean, The College of Liberal Arts and Sciences (Contributor) / Barrett, The Honors College (Contributor)
Created2020-05
DescriptionThe Autobiography of a Mary Sue is the fictional autobiography of a fanfiction author, detailing her experiences in fandom and how they made her into her ‘more perfect’ aka more realized, modern self.
ContributorsTerasaki, Kimberly Midori (Author) / Ingram-Waters, Mary (Thesis director) / Cruse, Markus (Committee member) / School of Sustainability (Contributor) / Department of English (Contributor) / Barrett, The Honors College (Contributor)
Created2019-05
Description
Vigilantism has existed in the United States since the Revolutionary War. Ever present in popular culture and other media, vigilantes are presently revered for taking the will of the people into their own hands to exact justice as they deem necessary. However, the vigilantes who impose this justice can take many forms, going so far as to act using their own prejudices and claim that it is justice. The Ku Klux Klan did just this, as a Christian white supremacist organization with a history of targeting black individuals in the South on the basis of race alone. The media paints a distinctly different picture, with Batman as one of the most prominent vigilante figures in popular culture. Batman’s narrative is notably based on ideas of contagion in urban landscapes, criminalizing the downtrodden members of society, such as in the 2019 film "Joker." These vigilantes are founded upon the idea of America under siege by the perceived "Other," whether this be based on race, class, or other factors. This thesis serves to explore the themes at play for both the KKK and Batman to better understand the source of these narratives as well as the roles played by these figures in light of the current political landscape, in which we confront race socio-culturally and politically. In this thesis, I discuss the ideas of vigilantism, terrorism, and heroism through the case studies of the Ku Klux Klan and Batman: two entities that act violently outside the law yet are received drastically differently from one another due to their respective senses of morality.
ContributorsMiller, Eden (Author) / Cruse, Markus (Thesis director) / Joslin, Isaac (Committee member) / Maur, Glenn (Committee member) / Barrett, The Honors College (Contributor) / College of Integrative Sciences and Arts (Contributor)
Created2022-05
Description
This research examines twelfth-century Anglo-Norman literature as social commentary, in support of or as critique of the ruling class, and investigates what Anglo-Norman society considered the most profound responsibilities of kingship. Literature offered a space for courtly poets and chroniclers to critique authority and express concerns about issues in the court. Both R. Howard Bloch (2003) and Albrecht Classen (2008) have examined the political aspect of Marie de France’s lais, relying on the context in John of Salisbury’s political treatise Policraticus. While John’s written views are broadly reflective of his society’s beliefs, he primarily examines the king’s role in promoting religion and justice. This study’s inclusion of three other chronicles written contemporaneously—The Anglo-Saxon Chronicle, Geoffrey of Monmouth’s The History of the Kings of Britain, and Walter Map’s De Nugis Curialium—reveals more nuance and breadth in both the Anglo-Norman political realm and twelfth-century ideologies of kingship. By extending prior research, broadening the range of voices included in the conversation, and analyzing multiple chronicles in conjunction with the lais of Marie de France, this research explores what twelfth-century Anglo-Norman society considered the four most critical tenets of kingship: reverence for religious authority, the administration of equitable justice, generosity in sustaining one’s vassals and strangers alike, and respecting the bonds of feudal loyalty.
ContributorsMoss, Mallory (Author) / Maring, Heather (Thesis director) / Cruse, Markus (Committee member) / Barrett, The Honors College (Contributor) / School of Community Resources and Development (Contributor) / Historical, Philosophical & Religious Studies, Sch (Contributor) / Division of Teacher Preparation (Contributor)
Created2023-12