Phoebus 4: A Journal of Art History - Table of Contents

“Contributors” p. 2.

“Preface” by Lee Anne Wilson, p. 7.

“Grave Goods of the Florida Elite” by Mallory McCane-O’Connor, p. 9-21.

“Visual Imagery and Social Change” by Lee Anne Wilson, p. 24-31. 

“The Language of Dance: Communicative Dimensions of Hopi Katsina Dances” by Louis A. Heib, p. 32-41.

“WoHaw, a Kiowa Artist at Fort Marion, Florida” by Janet Catherine Berlo, p. 43-53. 

“The Other Weavers: Navajo Basket Makers” by Susan Brown McGreevey, p. 54-61.

“Powhatan Copper and the Prehistoric Ceremonial Complexes of the Eastern United States” by Amy Trevelyan, p. 62-70.

“Lakota Beaded Costumes of the Early Reservation Era” by Marsha Clift Bol, p. 71-77.

“The Emergence of Crenellated Ritual Pueblo Ceramics During the Late Prehistoric Period” by Susan G. Kenagy, p. 78-85.

“Form, Function and Interpretation of Mimbres Ceramic Hemispheric Vessels” by Barbara L. Moulard, p. 86-98.

“Meaning in Women's Arts in North America” by Marvin Cohodas and Barbara DeMott, p. 99-106.

“Native American Photography: Diversity and Achievement in the Southwest” by Erin Younger, p. 107-115.

“Notes” p. 117-128

Phoebus 1: A Journal of Art History - Table of Contents 

“Preface” by Ju-hsi Chou, p. 4-6. 

“Dedication” by Harry Wood, p. 7-8.

“Style and Symbolism in the Awatobi Kiva Mural Paintings” by Marvin Cohodas, p. 9-21.

“Mr. B and the Cherubim: A Critical Examination of William Blake's 'A Descriptive Catalogue' of 1809” by Anthony Gully, p. 23-46. 

“Arizona Portfolio” p. 47-64.

          “La Muse de Guillaume Apollinaire (The Muse of Guillaume Apollinaire)” by Anthony
          Gully, p. 48-51.

          “Wild Geese, Flowering Plants, and Tall Reeds” by Ju-hsi Chou, p. 52-55.

          “Ting” by Ju-hsi Chou, p. 56-59.

          “Homage to Watteau” by Robin Dowden, p. 60-64.

“A Note on a Letter from Roger Hilton to Terry Frost” by Jack Breckenridge, p. 65-74.

“Ming Idealism and Landscape Painting” by Ju-hsi Chou, p. 75-92.

“Classic Maya Elements in the Iconography of Rulership at El Tajin, Veracruz, Mexico” by Michael Kampen, p. 93-104. 

“Anne de Coursey Clapp, Wen Cheng-ming, ‘The Ming Artist and Antiquity’” by Anne de Coursey Clapp and Wen Cheng-ming, p. 105-108.

“‘7+5 Sculptors in the 1950s’: An Exhibition in the Phoenix Art Museum” 108-113.

“List of Contributors” by 114-116.