Matching Items (869)
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Description
Educed Play is a performance installation that investigates spontaneity and the invisible communication that can exist in improvisation and collaborative play. The work unites the mediums of dance, drawing, music, and video through improvisational performances. The multimedia installation entitled Educed Play was presented in the fall of 2012. Inspiration came

Educed Play is a performance installation that investigates spontaneity and the invisible communication that can exist in improvisation and collaborative play. The work unites the mediums of dance, drawing, music, and video through improvisational performances. The multimedia installation entitled Educed Play was presented in the fall of 2012. Inspiration came from the idea of relics created by ephemeral interactions, using improvisation as a means to performance, and working within a genuine collaboration. This document encompasses an overview of the project.
ContributorsLing, Amanda (Author) / Kaplan, Robert (Thesis advisor) / Standley, Eileen (Committee member) / Pittsley, Janice (Committee member) / Arizona State University (Publisher)
Created2013
Description
‘why we bend' a Bachelor of Fine Arts honors thesis exhibition by Ximenna Hofsetz and Tiernan Warner brings together installation, digital, sculptural, and printed artwork. The main focus concerns memory; and its vague, formless, and hazy nature. The work also examines what would happen if cognitive space could

‘why we bend' a Bachelor of Fine Arts honors thesis exhibition by Ximenna Hofsetz and Tiernan Warner brings together installation, digital, sculptural, and printed artwork. The main focus concerns memory; and its vague, formless, and hazy nature. The work also examines what would happen if cognitive space could be physically mapped? What would it look like in sculptural form? Memory erodes and distorts with time. We influence our memories as much as they affect us. Thus, just as relationships are ever-changing, and our memories of those we interact with constantly shifting, our relationships with our own memories are malleable and evolve through time. This transient nature of memory is depicted in the various stylistic means of this exhibition by referencing time and space as well as personal memories and ephemera in both concrete and abstract ways. ‘why we bend’ implements a variety of multimedia techniques to examine recollection and its hold on us.
ContributorsHofsetz, Ximenna Cedella (Author) / Gutierrez, Rogelio (Thesis director) / Hood, Mary (Committee member) / Barrett, The Honors College (Contributor) / School of Life Sciences (Contributor) / School of Art (Contributor)
Created2014-12
DescriptionDeus Ex Machina was a group exhibition of works by honors candidate Kenosha Drucker and her Herberger institute colleagues Nicholas Gutierrez and Alyssa Burke. The show was a mixed media installation featuring video, printmaking, sculpture, painting, and drawing.
ContributorsDrucker, Kenosha Quinn (Author) / Pessler, Anthony (Thesis director) / Gutierrez, Rogelio (Committee member) / Pittsley, Janice (Committee member) / Barrett, The Honors College (Contributor) / School of Art (Contributor)
Created2014-05
Description
You Are Here is a mixed-media installation, featuring the thesis work of BFA: Intermedia senior, Carissa Kalia Heinrichs. The installation consists of a hanging fabric structure, in which gallery visitors may interact with by both circumambulating and entering the form, walking alongside ever transforming horizons. The exhibition addresses the re-contextualization

You Are Here is a mixed-media installation, featuring the thesis work of BFA: Intermedia senior, Carissa Kalia Heinrichs. The installation consists of a hanging fabric structure, in which gallery visitors may interact with by both circumambulating and entering the form, walking alongside ever transforming horizons. The exhibition addresses the re-contextualization of "here", challenging its containment, and inviting viewers to study diverse definitions of home encompassed in a single shared space. The exhibition will encompass the conceptual and technical growth fostered by the artist's academic career at both the Herberger Institute for Design and the Arts, as well as the Barrett Honors College at Arizona State University.
ContributorsHeinrichs, Carissa Kalia (Author) / Ellsworth, Angela (Thesis director) / Gutierrez, Rogelio (Committee member) / Danh, Binh (Committee member) / Barrett, The Honors College (Contributor) / School of Art (Contributor)
Created2014-05
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Description
How Was I to Know You Wouldn't Let Me Forget? is a art installation created by Christine Adams showcasing printmaking media, including lithography and etching. This installation was based on Adams' childhood bedroom and featured small bedroom shrines, a common motif throughout girlhood. The portraits of the people in the

How Was I to Know You Wouldn't Let Me Forget? is a art installation created by Christine Adams showcasing printmaking media, including lithography and etching. This installation was based on Adams' childhood bedroom and featured small bedroom shrines, a common motif throughout girlhood. The portraits of the people in the show are all individuals who Adams met between the ages of 13 and 21 and who have left her life, commenting on whether or not someone can ever really leave you.
ContributorsAdams, Christine Ruth (Author) / Gutierrez, Rogelio (Thesis director) / Hood, Mary (Committee member) / Barrett, The Honors College (Contributor) / School of Art (Contributor)
Created2014-05
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Description
Many cultures find connections between humans and nature. Chinese philosophies such as Daoism assert that mountains are sacred beings of cosmic energy. These cosmic beings have elements that coincide with parts of the human body: rocks are bones, water is blood and veins, trees and grass are hair, clouds and

Many cultures find connections between humans and nature. Chinese philosophies such as Daoism assert that mountains are sacred beings of cosmic energy. These cosmic beings have elements that coincide with parts of the human body: rocks are bones, water is blood and veins, trees and grass are hair, clouds and mist are breath, the mountains themselves are the body. "Bodyscapes" is an exploration of these concepts using charcoal and ink to merge the human form with natural landscape.
ContributorsMonar, Kayci Leilani (Author) / Solis, Forrest (Thesis director) / Pittsley, Janice (Committee member) / Brown, Claudia (Committee member) / School of Art (Contributor) / Barrett, The Honors College (Contributor)
Created2016-05