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- Creators: Brahms, Johannes, 1833-1897
ContributorsBrahms, Johannes, 1833-1897 (Composer)
ContributorsBrahms, Johannes, 1833-1897 (Composer)
ContributorsBrahms, Johannes, 1833-1897 (Composer)
ContributorsBrahms, Johannes, 1833-1897 (Composer)
Description
This thesis tackles the questions of what it means to be a Millennial man, and based upon that way of life, how one would best define Millennial masculinity. This thesis is predominantly a creative project, although it is supported by a supplemental critical piece that analyzes the themes/topics and poetics behind the poetry. The thesis encompasses a collection of my original poetry relevant to the state of being a Millennial man. This manifestation of Millennial masculinity is observed through the lenses of three distinct themes in my poetry. The first theme is fiscal instability, relating to inheriting a bad economy after the Great Recession of 2008. This economic downturn caused many Millennial men to become too fiscally unstable to live autonomously, pursue their passions (careers they love), or comfortably date the partners they desire. The second theme relates to ambiguous dating and relationship norms that challenge Millennial men's ability and desire to date or commit to a partner. The third theme is in regards to Millennial men being seen by society as either stereotypically macho or overly effeminate. Frequently used poetics in this poetry include repetition and indentation. Both poetic techniques are used to create emphasis in the writing as well as to provide the reader with a deeper comprehension of the poems and their significance to the entire poetry collection. The ultimate goal of both the poetry and the analysis in this creative project is to help people better understand Millennial men, and to help Millennial men better understand and be true to themselves.
ContributorsSchorr-Coben, Richard Jason (Author) / Fette, Don (Thesis director) / Dickens, Andrea (Committee member) / Department of Supply Chain Management (Contributor) / Barrett, The Honors College (Contributor)
Created2017-05
ContributorsBrahms, Johannes, 1833-1897 (Composer)
Description
In critical conversation about the political theory of Game of Thrones, academics are often quick to compare the series with Machiavellian ideals and therefore assert that The Prince can be used as a tool to evaluate the effectiveness of the way that Game of Thrones characters cope with political intrigue. Those who compare Game of Thrones and The Prince argue that because of the political realism and similar notions of human nature in Game of Thrones, the series perpetuates Machiavelli's idea that goodness and morality are not sufficient means by which to gain and sustain political power. When Game of Thrones began, many speculated that it adopted Machiavelli's deeply pragmatic paradigm of a successful ruler, but as the series progressed it seemed to reveal a more idealistic theory of leadership. This paper explores the relationship between these two works to determine if Game of Thrones ultimately perpetuates Machiavelli's philosophies about how to successfully acquire and maintain political power. After comparing the political tactics set forth in The Prince to the actions of the characters considered most idealistic and most Machiavellian in Game of Thrones, it is determined that Game of Thrones conclusively embraces Machiavelli's attitude toward successful political leadership, as the characters who seem to be most idealistic ultimately act in alignment with the theories set forth in The Prince.
ContributorsKlosterman, Meredith R. (Co-author) / Arterburn, Natalie (Co-author) / Fette, Don (Thesis director) / Stanford, Michael (Committee member) / W.P. Carey School of Business (Contributor) / School of Politics and Global Studies (Contributor) / Barrett, The Honors College (Contributor)
Created2018-05
Description
The goal of my thesis is to examine gender roles and their implications on mental illness in the short story of "The Yellow Wallpaper." The context of this thesis is historical, medical, and literary. The project includes five parts. The introduction is an analysis of the various literary criticisms associated with the short story. The second part is research on Charlotte Perkins Gilman and her journey with mental illness. The third part is research and background information on mental illness in the 19th century. The fourth part is research and analysis on the social, political, and economic context of the 19th century in the United States that affected the view of mental illness in the period, such as gender roles. The final part of the thesis is an analysis of Charlotte Perkins Gilman's "The Yellow Wallpaper." The analysis focuses on gender roles of the story and how these relate to the depiction of mental illness. This analysis takes into account the historical background and research when studying the context behind the story. In conclusion, the research and information in this thesis provides a new criticism for readers to consider when analyzing "The Yellow Wallpaper."
ContributorsFitzpatrick, Erin Elizabeth (Author) / Fette, Don (Thesis director) / Soares, Rebecca (Committee member) / School of Accountancy (Contributor) / Hugh Downs School of Human Communication (Contributor) / WPC Graduate Programs (Contributor) / Barrett, The Honors College (Contributor)
Created2018-05
ContributorsBrahms, Johannes, 1833-1897 (Composer)