While the poems illustrate the complexity of one’s experience with both PTSD and its stages of recovery (e.g., emergency, numbness, intrusive/repetitive, integration), they are anchored in the sensory, the concrete. Amidst the terror of the symptoms at the most basic, raw level, she attempts to reclaim selfhood, which involves wrestling with philosophical suicide, reconciling realities, numbness and the widening of a barrier, stunning intimacies, the craving to feel, and both the desire and the need to connect authentically without being able to satiate such inclinations.
Influenced by the works of Frank Bidart, Claudia Rankine, James Longenbach, and Carolyn Forché, the pieces rely heavily upon rhythm and spacing, imagery, and associative linkages throughout the work to craft a sense of physical, intellectual, and emotional movement within the space.
The collection focuses upon the narrative of one survivor of trauma, and though traumas may be experienced differently, and while PTSD may manifest itself in profoundly diverse ways, the pieces aim to capture the shared foundation of the experience — the isolation and the pure, unadulterated pain — in order to cast a universal veil onto the exploration, providing the audience with insight into one of trauma’s most important facets.
For this Creative Project, I decided to explore the elements that set novellas apart from other genres and then experiment writing in the form. In doing so, I took into account three main categories: Plot Structure, Character Development, Style/Format, and then used my findings to write 45 pages of a novella titled Emmy and Me.
A collection of three short stories whose goal is to think about the differences between the lives of Tamil speaking Indians living in India and Tamil speaking Indians living in the US as immigrants. The central conflict in all three stories comes from a general sense of discomfort around family members made worse by the personal ideology of each story’s central character. Their family is more aligned with Indian values but they feel more aligned with American values.
A creative project seeking to incorporate rhetorical theory into speculative fiction. Tales From Beyond the Breach is a series of five stories set in a post climate apocalypse, all dealing in some way with rhetorical understandings of truth. Each chapter or story draws on a different philosopher, though there is some overlap and reflection of my own personal beliefs. The project is meant to entertain as well as provoke thought, taking what we know and imagining what could be.