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An investigation of musical aptitude and attitudes toward teaching among pre-service music teachers in Turkey (n = 42) and the United States (n = 35). Multivariate analysis revealed statistically significant differences by nationality in favor of the Turkish subjects on the tonal, rhythm, and total tests on the Advanced Measures

An investigation of musical aptitude and attitudes toward teaching among pre-service music teachers in Turkey (n = 42) and the United States (n = 35). Multivariate analysis revealed statistically significant differences by nationality in favor of the Turkish subjects on the tonal, rhythm, and total tests on the Advanced Measures of Music Audiation (AMMA) by Edwin Gordon. There were no significant differences by sex or for the interaction of nationality and sex. There were negative correlations between AMMA scores and scores on the Minnesota Teacher Attitude Inventory, which means that subjects with high music aptitude scores tended to hold attitudes that do not predict effective teaching behaviors. There were also significant differences by nationality on a questionnaire about attitudes toward various music instructional activities in schools.
ContributorsOzeke, Sezen (Author) / Humphreys, Jere Thomas (Author)
Created2000
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Description

An investigation of musical aptitude and attitudes toward teaching among pre-service music teachers in Turkey (n = 42) and the United States (n = 35). Multivariate analysis revealed statistically significant differences by nationality in favor of the Turkish subjects on the tonal, rhythm, and total tests on the Advanced Measures

An investigation of musical aptitude and attitudes toward teaching among pre-service music teachers in Turkey (n = 42) and the United States (n = 35). Multivariate analysis revealed statistically significant differences by nationality in favor of the Turkish subjects on the tonal, rhythm, and total tests on the Advanced Measures of Music Audiation (AMMA) by Edwin Gordon. There were no significant differences by sex or for the interaction of nationality and sex. There were negative correlations between AMMA scores and scores on the Minnesota Teacher Attitude Inventory, which means that subjects with high music aptitude scores tended to hold attitudes that do not predict effective teaching behaviors. There were also significant differences by nationality on a questionnaire about attitudes toward various music instructional activities in schools.

ContributorsOzeke, Sezen (Author) / Humphreys, Jere Thomas (Author)
Created2007
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Description

An overview of music education research in the United States, divided into historical, philosophical, and empirical research modes and topics. Included are discussions of the major topic areas investigated, publication venues, and the relative size of each enterprise. Research efforts are limited to some extent by lack of agreed-upon goals

An overview of music education research in the United States, divided into historical, philosophical, and empirical research modes and topics. Included are discussions of the major topic areas investigated, publication venues, and the relative size of each enterprise. Research efforts are limited to some extent by lack of agreed-upon goals for music education, and there has been relatively few attempts to develop sociological research in music education. Also needed are more cross-cultural, international efforts in music education, starting with sharing results.

ContributorsHumphreys, Jere Thomas (Author)
Created1998
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Description
Some ancient Greek perspectives on three praxial musical activities: composing, performing, and listening. Early founders of modern Western thought created boundaries and hierarchies among these three activities, in addition to the scientific study of music. Under the dualistic conception of reality, or "truth," original musical works became objects. Plato stipulated

Some ancient Greek perspectives on three praxial musical activities: composing, performing, and listening. Early founders of modern Western thought created boundaries and hierarchies among these three activities, in addition to the scientific study of music. Under the dualistic conception of reality, or "truth," original musical works became objects. Plato stipulated the use of "good" songs, reserved composition for a select few, and believed that "goodness" in music could be determined objectively by society's leaders, a form of universal "truth" represented in artistic products. The praxis of music performing, regarded as a "practiced habit" and given lower status than composing, was deemed an appropriate leisure-time activity for gentlemen. Virtuoso music performance was to be left to non-citizens, leaving citizens free for more intellectual pursuits. . . . [I]t is no surprising that subsequent educators taught music primarily through theoretical means. . . .
ContributorsHumphreys, Jere Thomas (Author) / Elliott, David J. (Respondent) / Androutsos, Polyvios (Editor)
Created2007
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Description

An overview of music education research in the United States, divided into historical, philosophical, and empirical research modes and topics. Included are discussions of the major topic areas investigated, publication venues, and the relative size of each enterprise. Research efforts are limited to some extent by lack of agreed-upon goals

An overview of music education research in the United States, divided into historical, philosophical, and empirical research modes and topics. Included are discussions of the major topic areas investigated, publication venues, and the relative size of each enterprise. Research efforts are limited to some extent by lack of agreed-upon goals for music education, and there has been relatively few attempts to develop sociological research in music education. Also needed are more cross-cultural, international efforts in music education, starting with sharing results.

ContributorsHumphreys, Jere Thomas (Author) / Tsoka, Panagiota (Translator)
Created1998
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Description

The purpose of this study was to examine relationships between school music participation and a composite measure of academic achievement in American schools. The authors examined the first (baseline) year of a longitudinal study commissioned by the National Center for Education Statistics, conducted in 1988 (NELS:88/94 Data Analysis system, with

The purpose of this study was to examine relationships between school music participation and a composite measure of academic achievement in American schools. The authors examined the first (baseline) year of a longitudinal study commissioned by the National Center for Education Statistics, conducted in 1988 (NELS:88/94 Data Analysis system, with Additional Systems for High School and Beyond and the National Longitudinal Study of 1972, NCES, 1996). The data set contains information on more than 23,000 American middle school students, and is thought to be representative of the national as a whole.

Several previous researchers employing causal modeling techniques have found relationships between extracurricular activities and education attainment as measured by standardized academic achievement tests. In music, students with school band and orchestra experience make significantly higher grades in high school mathematics, English, and social science than do non-performing students, and instrumental music instruction seems to improve scores on tests of spatial-temporal ability, which is thought to correlate with ability in mathematics.

The present study confirmed previous findings on relationships among music participation and academic achievement. Significantly more students in school music choral or instrumental groups ranked above the 50th percentile in academic grades than did other students (p < .05). For instrumental students, these results held true for all four socioeconomic quartiles, for both boys and girls, and for all races/ethnicities. For choral students, only students in the third and fourth quartiles and Caucasian students ranked significantly higher than other students.

ContributorsBush, Jeffrey E. (Author) / Humphreys, Jere Thomas (Author) / Allen, Douglas (Author) / Lohr, Sharon (Author)
Created2000
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DescriptionDescription of how to use a stroboscope to chart the pitch tendencies of a given player/instrument.
ContributorsHumphreys, Jere Thomas (Author)
Created1979
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DescriptionA brief eulogy for music education historian George N. Heller (1941-2004) of the University of Kansas, USA.
ContributorsHumphreys, Jere Thomas (Author) / dal Pino, Claudia (Translator)
Created2004
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Description
This study investigated the effects of a training seminar and selected background variables on Greek music teachers’ attitudes and self-evaluation regarding research. Public school, university, and conservatory teachers (n=41) participated in 16 hours of seminar instruction over a two-week period at a Greek university. The seminar provided an introduction to empirical

This study investigated the effects of a training seminar and selected background variables on Greek music teachers’ attitudes and self-evaluation regarding research. Public school, university, and conservatory teachers (n=41) participated in 16 hours of seminar instruction over a two-week period at a Greek university. The seminar provided an introduction to empirical research methods, testing, and basic statistical concepts and, procedures and an overview of music aptitude testing and the administration of selected tests. There was no significant pre-seminar difference in self-assessed interest and ability in research between participants who had and had not taken a prior research course. However, participants with prior training scored significantly higher on self-assessed knowledge of selected research concepts. A mixed-model analysis of variance indicated that the seminar instruction was effective in improving self-assessed research knowledge and interest, and that those with previous research training improved more than those without such training.
ContributorsStamou, Lelouda (Author) / Humphreys, Jere Thomas (Author) / Schmidt, Charles P. (Author)
Created2007
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Description

Today, when we think of policymaking we think first of the nation-state, the world’s foremost political entity, although other types of entities generate policies as well. Regardless of the source, in practice policy-making often represents the interests of political and other special groups. Far too often, policies purported to support

Today, when we think of policymaking we think first of the nation-state, the world’s foremost political entity, although other types of entities generate policies as well. Regardless of the source, in practice policy-making often represents the interests of political and other special groups. Far too often, policies purported to support aspects of culture such education, music, and the other arts reflect interests that have little or nothing to do with education or the arts. The process of establishing connections across numerous realms of human discourse and activity, called globalization, is increasing at a dizzying rate.

Educational policies increasingly aim toward training people to think independently and creatively and to work productively in small groups, both necessary attributes in an environment that requires the production, marketing, and distribution of new goods and services to individuals and increasingly numerous and diverse niche groups. Arts education is now seen as an effective means for helping students develop their individual creative abilities and for learning to work together in small groups. An additional reason is that unique, diverse experiences in the arts can be linked to standards of excellence applied to the development of the specialized high-quality goods and services demanded by the global economy.

ContributorsHumphreys, Jere Thomas (Author)
Created2005-01