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Reduced space is an important theme in the works of the Marquis de Sade including his epic novel The New Justine and his pornographic performance piece Philosophy in the Bedroom including the political/social treatise "Frenchmen, yet another effort is needed if you want to be a Republic". Through out his

Reduced space is an important theme in the works of the Marquis de Sade including his epic novel The New Justine and his pornographic performance piece Philosophy in the Bedroom including the political/social treatise "Frenchmen, yet another effort is needed if you want to be a Republic". Through out his life Sade attempted to overcome reduction of space with writing. Tragically, his writing often prolonged the reduction of his space by sending him to or keeping him in prison. It is my theory that his violent, pornographic writing style is "une écriture de surjouissance" or "a writing of over-coming". Surjouissance is my theory for Sade's method, based on textual analysis of Sade's main works, that he combines through his syntactic structure, narrative voice, and semantic themes the orgasm of the mind represented by philosophical discourse with the orgasm of the body represented textually by orgiastic scenes and the language of orgasm to reach an ultimate state of complete freedom. In the political pamphlet "Frenchmen yet another effort..."Sade attempts to set this theory of sur-jouissance, or this transcendent state reached through the combination of physical and philosophical orgasm, as the political foundation for a new republic. Does he succeed in creating a viable political formula for a sustainable republic? My argument states absolutely not. His aristocratic elitism narrows his voice. But he does propose the combination of sexual, literary, and intellectual freedoms as a possible polemic against any form of reduced space.
ContributorsSwankie, Ryan James (Author) / Mullet, Isabelle (Thesis advisor) / Canovas, Frédéric (Committee member) / Bahtchevanova, Mariana (Committee member) / Arizona State University (Publisher)
Created2011
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Description
The purpose of this study is to explore the syntax and pragmatics of subject doubling in spoken French. Many prescriptivists have considered it a redundant and ungrammatical form, but over the years, it has gained more interest from syntacticians. It is widely acknowledged that dislocations involve topics, but the position

The purpose of this study is to explore the syntax and pragmatics of subject doubling in spoken French. Many prescriptivists have considered it a redundant and ungrammatical form, but over the years, it has gained more interest from syntacticians. It is widely acknowledged that dislocations involve topics, but the position of these structures is very disputed. Some linguists believe in base generation while others state there is movement. The status of subject clitics also comes into play and their role as arguments or agreement markers is crucial to understanding the issues at stake with a topic analysis. It is often argued that the clitics are undergoing a linguistic cycle whereby they lose their function of argument, and need to be reinforced by disjunct pronouns. In this study, I examined which analyses support my data and I attempted to determine what structures tend to be most dislocated by looking at the environment of the discourse in a corpus of spoken French.
ContributorsBlanquart, Eleonore (Author) / Ossipov, Helene (Thesis advisor) / Bahtchevanova, Mariana (Thesis advisor) / Gelderen, Elly van (Committee member) / Arizona State University (Publisher)
Created2012
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Description
Throughout generative syntax, verb movement has been discussed and debated to varying degrees. Syntacticians have attempted to describe this unique form of head movement and its constraints cross-linguistically. Pollock’s (1985, 1997) elaborate comparison of French and English verb movement restrictions has been considered one of the major contributions

Throughout generative syntax, verb movement has been discussed and debated to varying degrees. Syntacticians have attempted to describe this unique form of head movement and its constraints cross-linguistically. Pollock’s (1985, 1997) elaborate comparison of French and English verb movement restrictions has been considered one of the major contributions to the discussion. His analysis has led to the general understanding that auxiliaries are the only variety of verbs in English capable of moving to a higher position in the TP-layer—i.e. the T. In order to prove this claim, Pollock and others (e.g. Roberts 1993, Ernst 2002, Engels 2012, etc.) have examined the placement of other constituents—i.e. adverbs, negation, etc.

In terms of adverb placement, Cinque (1999) assigns a position for each adverb in a rigid hierarchy. Claiming the adverbs are in the specifier position, this syntactic representation follows the rich Cartographic framework. I agree that adverbs are base-generated in the specifiers; however, I argue that such a specific ordering of adverbs is rather difficult to justify. Therefore, I adopt the scope-based approach, which groups adverbs into “zones” throughout the TP-layer.

By analyzing spoken corpus data, this thesis provides empirical evidence of auxiliary verb movement occurring in Modern English. I argue that, despite being considered optional, English speakers move auxiliaries to the T more frequently, which is consistently indicated by the analysis of adverb placement in the TP-layer.
ContributorsWolfe, Andrew John (Author) / Gelderen, Elly van (Thesis advisor) / Bahtchevanova, Mariana (Committee member) / Wood, Johanna (Committee member) / Arizona State University (Publisher)
Created2017