Matching Items (3)
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- All Subjects: Violence in literature
- All Subjects: Humanitarianism
- Creators: Menjivar, Cecilia
- Creators: Sifuentes, Ana
- Status: Published
Description
ABSTRACT This thesis aims to demonstrate the validity of political violence in contemporary Chicano and Peruvian American narratives as a reflection of the sociopolitical situation of immigrants and their descendants in the United States (U.S.). The thesis explores the various ways in which contemporary Chicano and Peruvian American narratives present the political violence in the U.S. towards Mexican and Peruvian immigrants and Chicanos and Peruvian Americans examining the intersections that exist between the resistance and violence discourses and its sociopolitical consequences. Although the topic of political violence has been previously studied in U.S. and Latin American narratives throughout its history, its analysis has been insufficiently explored as far as contemporary narratives of the XXI century are concerned. With this in mind, two texts will be used to study this discourse of violence in Chicano and Peruvian American literature: Alejandro Morales' "Pequeña nación" (2005) and Daniel Alarcón's "Guerra en la penumbra" (2005). The thesis examines the immigrant as a center of discourse exploring the conflict between them and the institutions or groups in power that instigate this political violence. The first chapter covers the socio historical background regarding Mexican and Peruvian migration flows to the United States in the nineteenth, twentieth and twenty-first centuries. The second chapter introduces "The Triangle of Violence" proposed by Norwegian mathematician and sociologist Johan Galtung as the basis for the theoretical framework and approach of this analysis. Chapter three analyzes the Chicano short story "Pequeña nación" by Alejandro Morales. The analysis of the Peruvian American short story "Guerra en la penumbra" by Daniel Alarcón follows in chapter four. The conclusion emphasizes the problem of political violence experienced by immigrants in the U.S. in contemporary Chicano and Peruvian American narratives and possible solutions contained therein, protesting a problem that can hinder immigration policy reforms and the defense of human rights.
ContributorsSifuentes, Ana (Author) / Rosales, Jesus (Thesis advisor) / García-Fernández, Carlos J. (Thesis advisor) / Alarcon, Justo (Committee member) / Arizona State University (Publisher)
Created2013
Description
In the midst of historical ruptures and transfiguration caused by a globalization that has restructured new realities marked by violence, Central American and Chicanos realities have come into contact in a global space such the United States. Thus, the interdependence between these two cultures is so close that the literary influences are unavoidable. We argue that there is an asymmetrical relationship in the narrative of globalization, which sets new unpublished orders and generates perceptions of reality. The ideological dimensions of globalization that have caused systemic violence can be traced through military interventions and economic ventures. Thus, the subject of our research is assumed as a literary whole within certain social facts, i.e., as a symbolic aspect of the processes of violence within a culture undermined by globalization. Hence, in using theory of violence by Slavoj Ziek and theory of globalization by Manuel Castells, Tony Shirato, Jenn Webb, James Petra, and Henry Veltmeyer, we explore the narrative and criticism of U.S-Central Americans and Chicano in order to expose the forces of systemic violence that globalization produces. Our results show that, historically, globalization has formulated epistemologies via violence for Chicanos and U.S-Central Americans; such violence marks both groups, allowing for solidarity, through discursive practices of resistance, to take place in the textual space as well as in the real world. Such solidarity disrupts the textual borders, creating a dialogue of mutual understanding.
ContributorsEscobar, Mario A (Author) / Hernández-G, Manuel De Jesús (Thesis advisor) / Rosales, Jesus (Thesis advisor) / Menjivar, Cecilia (Committee member) / Arizona State University (Publisher)
Created2011
Description
In 2001, a refugee group of unaccompanied minors known as the Lost Boys of Sudan began arriving in the United States. Their early years were met with extensive media coverage and scores of well-meaning volunteers in scattered resettlement locations across the country. Their story was told in television news reports, documentary films, and published memoirs. Updates regularly appeared in newsprint media. Scholars have criticized public depictions of refugees as frequently de-politicized, devoid of historical context, and often depicting voiceless masses of humanity rather than individuals with skills and histories (Malkki 1996, Harrell-Bond and Voutira 2007). These representations matter because they are both shaped by and shape what is possible in public discourse and everyday relations. This dissertation research creates an intersection where public representation and everyday practices meet. Through participant observation as a volunteer at a refugee community center in Phoenix, Arizona, this research explores the emotions, social roles and relations that underpin community formation, and investigates the narratives, representations, and performances that local Lost Boys and their publics engage in. I take the assertion that "refugee issues are one privileged site for the study of humanitarian interventions through which 'the international community' constitutes itself " (Malkki 1996: 378) and consider formation of local 'communities of feeling' (Riches and Dawson 1996) in order to offer a critique of humanitarianism as mobilized and enacted around the Lost Boys.
ContributorsAlexander, Melinda (Author) / McHugh, Kevin (Thesis advisor) / Catlaw, Thomas (Committee member) / Lukinbeal, Christopher (Committee member) / Menjivar, Cecilia (Committee member) / Arizona State University (Publisher)
Created2014