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This dissertation illuminates overlaps in Mormonism and the New Spirituality in North America, showing their shared history and epistemologies. As example of these connections, it introduces ethnographic data from women who are members of the Church of Jesus Christ of Latter-day Saints in order to show (a) how living LDS

This dissertation illuminates overlaps in Mormonism and the New Spirituality in North America, showing their shared history and epistemologies. As example of these connections, it introduces ethnographic data from women who are members of the Church of Jesus Christ of Latter-day Saints in order to show (a) how living LDS women adapt and integrate elements from the New Spirituality with Mormon ideas about the nature of reality into hybrid spiritualities; and (b) how they negotiate their blended religious identities both in relation to the current American New Spirituality milieu and the highly centralized, hierarchical, and patriarchal Church of Jesus Christ of Latter-day Saints. The study focuses on religious hybridity with an emphasis on gender and the negotiation of power deriving from patriarchal religious authority, highlighting the dance between institutional power structures and individual authority. It illuminates processes and discourses of religious adaptation and synthesis through which these LDS women creatively and provocatively challenge LDS Church formal power structures.
ContributorsDaughtrey, Doe (Author) / Cady, Linell (Thesis advisor) / McDannell, Colleen (Committee member) / Wenger, Tisa (Committee member) / Fessenden, Tracy (Committee member) / Arizona State University (Publisher)
Created2012
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My dissertation project, Mormons at the World's Fair: A Study of Religious and Cultural Agency and Transformation looks at a pivotal period of transition within the American religious and political national culture (1880-1907). Using Mormonism as an important focal point of national controversy and cultural change, this dissertation looks at

My dissertation project, Mormons at the World's Fair: A Study of Religious and Cultural Agency and Transformation looks at a pivotal period of transition within the American religious and political national culture (1880-1907). Using Mormonism as an important focal point of national controversy and cultural change, this dissertation looks at the interconnections between Mormon transitions and the larger national transformations then under way in what historians call the "progressive" era. Prominent scholars have recognized the 1893 World's Fair as an important moment that helped initiate the "dawning" of religious pluralism in America. This national response to American religious diversity, however, is limited to a nineteenth-century historiographical framework, which made real religious pluralism in the next century more difficult. Bringing together into one narrative the story of the anti-polygamy crusades of the 1880s, the ambivalent presence (and non presence) of Mormonism at the World's Fair of 1893, and the drawn-out US Senate Hearings and ultimate victory of Mormon apostle and Senator Reed Smoot in 1907, this dissertation offers new insights into the meaning and limitations of American religious liberty, the dynamics of minority agency, as well as a deeper understanding of America's developing national identity.
ContributorsSmith, Konden Rich (Author) / Moore, Moses N (Thesis advisor) / Cady, Linell (Committee member) / Fessenden, Tracy (Committee member) / Arizona State University (Publisher)
Created2012
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Guantánamo: The Amen Temple of Empire connects the fetishization of the trauma of nine/eleven with the co-constitution of subjects at Guantánamo—that of the contained Muslim terrorist prisoner silhouetted against the ideal nationalistic military body—circulated as ‘afterimages’ that carry ideological narratives about U.S. Empire. These narratives in turn religiously and racially

Guantánamo: The Amen Temple of Empire connects the fetishization of the trauma of nine/eleven with the co-constitution of subjects at Guantánamo—that of the contained Muslim terrorist prisoner silhouetted against the ideal nationalistic military body—circulated as ‘afterimages’ that carry ideological narratives about U.S. Empire. These narratives in turn religiously and racially charge the new normative practices of the security state and its historically haunted symbolic order. As individuals with complex subjectivities, the prisoners and guards are, of course, not reducible to the standardizing imprimatur of the state or its narratives. Despite the circulation of these ‘afterimages’ as fixed currency, the prisoners and guards produce their own metanarratives, through their para-ethnographic accounts of containment and of self. From within the panopticon of the prison, they seek sight lines, and gaze back at the state. This dissertation is thus a meditation on US militarism, violence, torture, race, and carceral practices, revealed thematically through metaphors of hungry ghosts, nature, journey and death, liminality, time, space, community, and salvage. Based on a multi-sited, empirical and imaginary ethnography, as well as textual and discourse analysis, I draw on the writing and testimony of prisoners, and military and intelligence personnel, whom I consider insightful para-ethnographers of the haunting valence of this fetishized historical event.
ContributorsColeman, Diana (Diana Murtaugh) (Author) / Talebi, Shahla (Thesis advisor) / Matustik, Martin (Committee member) / Fessenden, Tracy (Committee member) / Arizona State University (Publisher)
Created2018
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Se examinan desde una perspectiva autobiográfica las obras de Yolanda Cruz, Saúl Cuevas, Víctor Fuentes, John Leguizamo, Gustavo Pérez-Firmat, Roberto Quesada, y Esmeralda Santiago bajo los filtros de los espacios creados por la migración y/o el exilio, para lo cual se toma en cuenta el bagaje cultural de objetos que

Se examinan desde una perspectiva autobiográfica las obras de Yolanda Cruz, Saúl Cuevas, Víctor Fuentes, John Leguizamo, Gustavo Pérez-Firmat, Roberto Quesada, y Esmeralda Santiago bajo los filtros de los espacios creados por la migración y/o el exilio, para lo cual se toma en cuenta el bagaje cultural de objetos que cada uno de estos autores aporta en el panorama cultural euiberolatino en los Estados Unidos. Para su análisis crítico, se consideran en un primer plano el pensamiento en Imaginary Communities: Utopia, the Nation, and the Spatial Histories of Modernity (2002) de Phillip Wegner sobre las comunidades imaginarias creadas desde los espacios utópicos que se convierten en realidad desde un enfoque sociohistórico en un ambiente de Estado moderno. Asimismo, se interpreta la ideología como Misplaced Objects; Migrating Collections and Recollections in Europe and the Americas (2009) de Silvia Spitta sobre los objetos desubicados y la transformación que conlleva con dicho movimiento vía el desplazamiento en los espacios de migración y exilio de los autores en este estudio. Se consideran ciertas similares aportaciones existentes como Hispanic New York: A Sourcebook (2010) de Claudio Iván Remeseira cuyo estudio particular enfoca a unos habitantes euiberolatinos de la gran urbe neoyorquina. Para redondear el pensamiento crítico se ha incluido la obra Lugares decoloniales: Espacios de intervención en las Américas (2008), editada por Ramón Grosfoguel y Roberto Almanza Hernández. Este enfoque funciona como el marco crítico para la perspectiva de nuestro texto que examina los bagajes culturales de las regiones como Zacatecas-Durango y Oaxaca, México; La Habana, Cuba; Santurce, Puerto Rico; Olanchito, Honduras; Bogotá, Colombia y Madrid, España y hasta los de sus nuevos espacios en Phoenix, Los Ángeles, Miami-Chapel Hill, Manhattan, Queens y Santa Bárbara, en los Estados Unidos y más allá en Latinoamérica, Europa y África.
ContributorsVargas, Daniel Minerbi (Author) / Hernández-G., Manuel J (Thesis advisor) / Foster, David W (Committee member) / Rosales, Jesus (Committee member) / Garcia-Fernandez, Carlos J (Committee member) / Arizona State University (Publisher)
Created2015