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- All Subjects: American studies
- Creators: Aggarwal, Rimjhim
- Member of: Theses and Dissertations
Description
Se examinan desde una perspectiva autobiográfica las obras de Yolanda Cruz, Saúl Cuevas, Víctor Fuentes, John Leguizamo, Gustavo Pérez-Firmat, Roberto Quesada, y Esmeralda Santiago bajo los filtros de los espacios creados por la migración y/o el exilio, para lo cual se toma en cuenta el bagaje cultural de objetos que cada uno de estos autores aporta en el panorama cultural euiberolatino en los Estados Unidos. Para su análisis crítico, se consideran en un primer plano el pensamiento en Imaginary Communities: Utopia, the Nation, and the Spatial Histories of Modernity (2002) de Phillip Wegner sobre las comunidades imaginarias creadas desde los espacios utópicos que se convierten en realidad desde un enfoque sociohistórico en un ambiente de Estado moderno. Asimismo, se interpreta la ideología como Misplaced Objects; Migrating Collections and Recollections in Europe and the Americas (2009) de Silvia Spitta sobre los objetos desubicados y la transformación que conlleva con dicho movimiento vía el desplazamiento en los espacios de migración y exilio de los autores en este estudio. Se consideran ciertas similares aportaciones existentes como Hispanic New York: A Sourcebook (2010) de Claudio Iván Remeseira cuyo estudio particular enfoca a unos habitantes euiberolatinos de la gran urbe neoyorquina. Para redondear el pensamiento crítico se ha incluido la obra Lugares decoloniales: Espacios de intervención en las Américas (2008), editada por Ramón Grosfoguel y Roberto Almanza Hernández. Este enfoque funciona como el marco crítico para la perspectiva de nuestro texto que examina los bagajes culturales de las regiones como Zacatecas-Durango y Oaxaca, México; La Habana, Cuba; Santurce, Puerto Rico; Olanchito, Honduras; Bogotá, Colombia y Madrid, España y hasta los de sus nuevos espacios en Phoenix, Los Ángeles, Miami-Chapel Hill, Manhattan, Queens y Santa Bárbara, en los Estados Unidos y más allá en Latinoamérica, Europa y África.
ContributorsVargas, Daniel Minerbi (Author) / Hernández-G., Manuel J (Thesis advisor) / Foster, David W (Committee member) / Rosales, Jesus (Committee member) / Garcia-Fernandez, Carlos J (Committee member) / Arizona State University (Publisher)
Created2015
Description
My Critical Yoga Studies investigation maps from the early 20th century to present day how yoga has become white through U.S. law and cultural productions, and has enhanced white privilege at the expense of Indian and people of color bodies. I position Critical Yoga Studies at the intersection of Yoga Studies, Critical Race Theory, Indigenous Studies, Mobilities Studies, and transnational American Studies. Scholars have linked uneven development and racial displacement (Soja, 1989; Harvey, 2006; Gilmore, 2007). How does racist displacement appear in historic and current contexts of development in yoga? In my dissertation, I use yoga mobilities to explain ongoing movements of Indigenous knowledge and wealth from former colonies, and contemporary “Indian” bodies, into the white, U.S. settler nation-state, economy, culture, and body. The mobilities trope provides rich conceptual ground for yoga study, because commodified yoga anchors in corporal movement, sets billions of dollars of global wealth in motion, shapes culture, and fuels complex legal and nation building maneuvers by the U.S. settler state and post-colonial India. Emerging discussions of commodified yoga typically do not consider race and colonialism. I fill these gaps with critical race and Indigenous Studies investigations of yoga mobilities in contested territories, triangulating data through three research sites: (1) U.S. Copyright law (1937-2015): I chart a 14,000% rise in U.S. yoga copyrights over a century of white hoarding through archival study in Copyright Public Records Reading Room, Library of Congress; (2) U.S. popular culture/music (1941-1967): I analyze twentieth-century popular song to illustrate how racist tropes of the Indian yogi joined yoga’s entry into U.S. popular culture, with material consequences; (3) Kerala, India, branded as India’s wellness tourism destination (2018): I engage participant-observation and interviews with workers in yoga tourism hubs to document patterns of racialized, uneven access to yoga. I find legal regimes facilitate extraction and displacement; cultural productions materially segregate and exclude; and yoga tourism is a node of racist capitalism that privileges white, settler mobility at the expense of Indian people, land, culture.
ContributorsSingh, Roopa (Author) / Lomawaima, K. Tsianina (Thesis advisor) / Aggarwal, Rimjhim (Committee member) / Swadener, Elizabeth (Committee member) / Arizona State University (Publisher)
Created2019