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Post-oppositional queer politics and the non-confrontational negotiation of queer desires in contemporary China

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The meaning of sexuality is not only specific to particular time periods in history; it is also culturally specific. Informed by transnationalism, queer of color critique, postcolonial feminism, and public sphere theory, my dissertation investigates the complex dynamic between what

The meaning of sexuality is not only specific to particular time periods in history; it is also culturally specific. Informed by transnationalism, queer of color critique, postcolonial feminism, and public sphere theory, my dissertation investigates the complex dynamic between what I call "Chinese queer subjects" and their bio-genetic families in a time of queer globalization. By centering the life experiences of Chinese queer subjects through interviewing and rhetorical analysis, this project intervenes in the teleological discourse of "coming out" that is circulated both in transnational LGBT movements and within academia. Through a materialist analysis of the "coming out" discourse in mainland China, I reveal why and how the discourse of "coming out" is prioritized in Chinese LGBT movements in order to foster a domestic queer market in mainland China. Of most significance to this project are the two non-confrontational strategies that some Chinese queer subjects employ to navigate the tension between family and sexuality: first, the reticent "coming with" strategy that engages the home space with queer desires, transforming the heteronormative family institution from within, toward a more livable queer life; second, the xinghun strategy, a marriage arrangement that many Chinese gay men and lesbian women partake in as a means of being gay or lesbian without exiting the family kinship system. The practices of reticent "coming with" and xinghun challenge the binary between family and sexuality, suggesting that queerness can emerge and thrive without exiting the (heterosexual) family; they give us some concrete examples of what AnaLouise Keating calls "post-oppositional politics" among some Chinese queer subjects.

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2016

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Self-silencing in the early modern theater

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This dissertation considers why several characters on the Early Modern Stage choose to remain silent when speech seems warranted. By examining the circumstances and effects of self-silencing on both the character and his/her community, I argue that silencing is an

This dissertation considers why several characters on the Early Modern Stage choose to remain silent when speech seems warranted. By examining the circumstances and effects of self-silencing on both the character and his/her community, I argue that silencing is an exercise of power that simultaneously subjectifies the silent one and compels the community (textual or theatrical) to ethical self-examination. This argument engages primarily with social philosophers Pierre Bourdieu, Alain Badiou, and Emmanual Levinas, considering their sometimes contradictory ideas about the ontology and representation of the subject and the construction of community. Set alongside the Early Modern plays of William Shakespeare, Ben Jonson and Thomas Kyd, these theories reveal a rich functionality of self-silencing in the contexts of gender relations, aberrant sociality, and ethical crisis. This multi-faceted functionality creates a singular subject, establishes a space for the simultaneous existence of the subject and his/her community, offers an opportunity for empathetic mirroring and/or insight, and thereby leads to social unification. Silence is, in its effects, creative: it engenders empathy and ethical self- and social-reflection.

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2011

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Trauma, typology, and anti-Catholicism in early modern England, 1579-1625

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“Trauma, Typology, and Anti-Catholicism in Early Modern England” explores the connection between the biblical exegetical mode of typology and the construction of traumatic historiography in early modern English anti-Catholicism. The Protestant use of typology—for example, linking Elizabeth to Eve--was a

“Trauma, Typology, and Anti-Catholicism in Early Modern England” explores the connection between the biblical exegetical mode of typology and the construction of traumatic historiography in early modern English anti-Catholicism. The Protestant use of typology—for example, linking Elizabeth to Eve--was a textual expression of political and religious trauma surrounding the English Reformation and responded to the threat presented by foreign and domestic Catholicism between 1579 and 1625. During this period of the Elizabethan and Jacobean eras, English anti-Catholicism began to encompass not only doctrine, but stereotypical representations of Catholics and their desire to overthrow Protestant sovereignty. English Protestant polemicists viewed themselves as taking part in an important hermeneutical process that allowed their readers to understand the role of the past in the present. Viewing English anti-Catholicism through the lens of trauma studies allows us greater insight into the beliefs that underpinned this religio-political rhetoric.

Much of this rhetorical use of typology generated accessible associations of Catholics with both biblical villains and with officials who persecuted and executed Protestants during the reign of Mary I. These associations created a typological network that reinforced the notion of English Protestants as an elect people, while at the same time exploring Protestant religio-political anxiety in the wake of various Catholic plots. Each chapter explores texts published in moments of Catholic “crisis” wherein typology and trauma form a recursive loop by which the parameters of the threat can be understood. The first chapter examines John Stubbs’s Discovery of a Gaping Gulf (1579) and his views of Protestant female monarchy and a sexualized Catholic threat in response to Elizabeth I’s proposed marriage to the French Catholic Duke of Anjou. The second chapter surveys popular and state responses to the first Jesuit mission to England in 1580. The final chapters consider the place of typology and trauma in works by mercantilist Thomas Milles in response to recusant equivocation following the thwarting of the Gunpowder Plot in 1605 and in Thomas Middleton’s A Game at Chess (1624) as a response to the failure of marriage negotiations between the Protestant Prince Charles and the Catholic Spanish Infanta.

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2015