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- All Subjects: Latin American History
- Creators: Cabrera Cortes, Mercedes Oralia
Description
This dissertation investigates socio-economic strategies adopted by a small craftworking community situated on the edge of one of the earliest, largest and most complex cities in Mesoamerica. The focus of investigation is San Jose 520, a hamlet located on the southeastern margin of Teotihuacan and occupied primarily during the Tlamimilolpa and Xolalpan phases (ca. A.D. 200-500). Its inhabitants were potters of low socio-economic status living in small, architecturally simple residential structures. The investigation complements much more numerous studies of higher-status groups residing in Teotihuacan's famous apartment compounds, much larger and architecturally more formal structures clustered primarily within built-up parts of the city. The founding residents of San Jose 520 might have initially been immigrants, arriving at Teotihuacan after most of the city was already filled in and occupied, and therefore settling in a spatially marginal area with limited potential for farming. Archaeological field and lab investigations demonstrate that they adopted ceramic production as a strategy of economic survival in a competitive urban system. They specialized in the manufacture of the outcurving bowl--a vessel widely used at Teotihuacan for food service and certain ritual activities. At smaller scales of production, these potters also made other types of serving and ritual vessels and figurines. Evidence relating to mortuary and domestic rituals indicates participation in a number of the rituals typical of other sectors of Teotihuacan society, but not all. The most general goal of this investigation is to improve understanding of how socially and spatially marginal peoples possessing low economic status developed and exploited viable economic niches in pre-industrial urban systems. The San Jose 520 potters appear dynamic in their economic adjustment--in part by enhancing their production system over time through the adoption of various specialized pot-making tools (some as yet undocumented for Teotihuacan), and to some extent by modifying their product line, they survived for many generations. Nevertheless, they never succeeded in significantly raising their economic status; at the time of their apparent disappearance sometime in the Xolalpan phase, these potters and their households continued to constitute a case study of urban poverty in a massive pre-industrial city.
ContributorsCabrera Cortes, Mercedes Oralia (Author) / Stark, Barbara L. (Thesis advisor) / Cowgill, George L. (Thesis advisor) / Falconer, Steven E. (Committee member) / Spielmann, Katherine A. (Committee member) / Arizona State University (Publisher)
Created2011
Description
Antonio López de Santa Anna (1794-1876) is considered as one of the biggest villains of Mexican history. This frequent president in the first decades of Independence of México is the main character portrayed in the novels analyzed in this dissertation: Su alteza serenísima (1895-1896) by Ireneo Paz, Santa Anna, el dictador resplandeciente (1936) by Rafael F. Muñoz, El seductor de la patria (1999) by Enrique Serna, and México mutilado (2006) by Francisco Martín Moreno. Many Mexican novelists have tackled iconic personalities from Mexican history. However, based upon the historical context that occurred within their lifetime, each author takes a different approach to the story and characters they portray. In the novel Su alteza serenísima, Santa Anna is presented with identical characteristics as in the official history. That was written for other liberals, like Paz, the author. In El dictador resplandeciente an image almost romantic of the leader is presented through the valorization of his role in history. The narrator shows the contradictions of Santa Anna, who was a hero and villain. Santa Anna is presented from different perspectives in El seductor de la patria. The narrator uses Santa Anna's voice projecting a consciousness of the future's judgment of history upon his actions and the voices of "the others" that live around him. In México mutilado Santa Anna is presented from the same perspective as the official history, although other traitors are added to distribute the fault among various important figures. This dissertation works through the analysis of the discursive mechanisms used in these novels, of the configuration of the message that they wish to convey to the reader, of the level of re-writing official history, of the perspective from which each author is reviewing the history, of the recount of what historical aspects and voices were chosen for inclusion in each novel, and through the evaluation of how the authors recover the figure of Santa Anna. This study follows an eclectic model of cultural commentary, taking up critical concepts from Latin American literary scholars such as Perkowska, Pons, Jitrik, Aínsa, among others.
ContributorsSigüenza Ponce, Olga (Author) / Volek, Emil (Thesis advisor) / Acereda, Alberto (Committee member) / Hernández-Gutierrez, Manuel J (Committee member) / Arizona State University (Publisher)
Created2011