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In "Between Mountain and Lake: an Urban Mormon Country," I identify a uniquely Mormon urban tradition that transcends simple village agrarianism. This tradition encompasses the distinctive ways in which Mormons have thought about cities, appropriating popular American urban forms to articulate their faith's central beliefs, tenants, and practices, from street

In "Between Mountain and Lake: an Urban Mormon Country," I identify a uniquely Mormon urban tradition that transcends simple village agrarianism. This tradition encompasses the distinctive ways in which Mormons have thought about cities, appropriating popular American urban forms to articulate their faith's central beliefs, tenants, and practices, from street layout to home decorating. But if an urban Mormon experience has as much validity as an agrarian one, how have the two traditions articulated themselves over time? What did the city mean for nineteenth-century Mormons? Did these meanings change in the twentieth-century, particularly following World War II when the nation as a whole underwent rapid suburbanization? How did Mormon understandings of the environment effect the placement of their villages and cities? What consequences did these choices have for their children, particularly when these places rapidly suburbanized? Traditionally, Zion has been linked to a particular place. This localized dimension to an otherwise spiritual and utopian ideal introduces environmental negotiation and resource utilization. Mormon urban space is, as French thinker Henri Lefebvre would suggest, culturally constructed, appropriated and consumed. On a fundamental level, Mormon spaces tack between the extremes of theocracy and secularism, communalism and capitalism and have much to reveal about how Mormonism has defined gender roles and established racial hierarchies. Mormon cultural landscapes both manifest a sense of identity and place, as well as establish relationships with the past.
ContributorsAndersen, Rebecca (Author) / Gray, Susan E. (Thesis advisor) / Rugh, Susan S. (Committee member) / Pyne, Stephen (Committee member) / Arizona State University (Publisher)
Created2015
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“The Moral Sense of Touch: Teaching Tactile Values in Late Medieval England” investigates the intersections of popular science and religious education in the late fourteenth and fifteenth centuries. Taking an interdisciplinary approach, the project draws together a range of textual artifacts, from scientific manuals to private prayerbooks, to reconstruct the

“The Moral Sense of Touch: Teaching Tactile Values in Late Medieval England” investigates the intersections of popular science and religious education in the late fourteenth and fifteenth centuries. Taking an interdisciplinary approach, the project draws together a range of textual artifacts, from scientific manuals to private prayerbooks, to reconstruct the vast network of touch supporting the late medieval moral syllabus. I argue that new scientific understandings of the five senses, and specifically the sense of touch, had a great impact on the processes, procedures, and parlances of vernacular religious instruction in late medieval England. The study is organized around a set of object lessons that realize the materiality of devotional reading practices. Over the course of investigation, I explore how the tactile values reinforcing medieval conceptions of pleasure and pain were cultivated to educate and, in effect, socialize popular reading audiences. Writing techniques and technologies—literary forms, manuscript designs, illustration programs—shaped the reception and user-experience of devotional texts. Focusing on the cultural life of the sense of touch, “The Moral Sense of Touch” provides a new context for a sense based study of historical literatures, one that recovers the centrality of touch in cognitive, aesthetic, and moral discourses.
ContributorsRussell, Arthur J. (Author) / Newhauser, Richard G (Thesis advisor) / Sturges, Robert (Committee member) / Malo, Robyn (Committee member) / Arizona State University (Publisher)
Created2016