Matching Items (3)
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- All Subjects: Regional Studies
- Creators: Fessenden, Tracy
Description
Current data indicates that a growing number of individuals in the English-speaking world are identifying as “spiritual, but not religious” (SBNR). Using ethnographic data collected at two important sites of spiritual pilgrimage and tourism—Glastonbury, England and Sedona, Arizona—this project argues that seekers at these places produce spirituality as much as they consume it. Using the lens of economy, this project examines how seekers conceptualize the (super-) natural resources at these sites, the laborious practices they perform to transform these resources, and the valuation and exchange of the resultant products. In so doing, the project complicates prevailing notions, both among scholars and the public, that contemporary unaffiliated spirituality is predominantly an individualistic consumer process.
ContributorsVann, Jodie Ann (Author) / Fessenden, Tracy (Thesis advisor) / Cady, Linell (Committee member) / Kripal, Jeffrey (Committee member) / Arizona State University (Publisher)
Created2018
Description
Since the 1960’s and 1970’s, ethnographic research on Jewish menstrual rituals known as niddah, Taharat HaMishpacha, or Family Purity has associated their practices with religious behavior. Much of this research organizes around questions of women’s agency within ostensibly patriarchally constructed religious practices that carry the potential to oppress its women practitioners. This premise is built upon a number of implicit assumptions about the history of today’s niddah practices: that niddah is observed exclusively by Orthodox Jews; that increasing rates of niddah observance correlate exclusively with the trend toward stricter observance levels among the Orthodox since the 1960s; and that this increasingly strict observance itself reflects a reactionary trend among the Orthodox community (a.k.a. tradition versus modernity). All these assumptions currently circulate, in various degrees, among the American Jewish lay community and are shared by a significant number of congregational rabbis. Until the 1990s, no history of niddah existed to either support or refute these assumptions. I initially intended that this project would provide future ethnographers with a comprehensive history of niddah in America during the past one and a half centuries. I engaged Victor Turner’s theory of Social Drama as a framework for understanding this history as a socio-cultural process, rather than as a series of less than related events. However, this study h*as resulted in the identification of many more specific assumptions about the decline and revival of niddah observance in the twentieth century, which are not supported by the scant evidence available. These challenged assumptions beg new directions for research; a thorough reworking of the history of niddah in America; and a fresh look at the literature advocating niddah produced in the 1990’s and early 2000’s. This genealogy as Social Drama presents niddah in twentieth century America as undergoing periods of crisis, negotiation, and reintegration. This drama was triggered by late nineteenth century concepts of religion, body, and ritual that undermined and ruptured the integrity of niddah as a bodily religious ritual practice. Niddah’s twentieth century social drama culminated in fresh articulations of a unique Jewish sexuality and Jewish marital ethic.
ContributorsJohnston, Isobel-Marie (Author) / Gereboff, Joel (Thesis advisor) / Talebi, Shahla (Thesis advisor) / Bennett, Gaymon (Committee member) / Arizona State University (Publisher)
Created2016
Description
James Baldwin (1924-1987) was one of the most well-known African American fiction and nonfiction writers of the twentieth century. Throughout his life and career, he earned a worldwide reputation as a respected novelist, memoirist, and essayist who contributed to a wide array of artistic movements and intellectual discourses. Many scholars have noted the particular African American religious and cultural influences upon Baldwin’s work. More recently, scholars have additionally noted the importance of Baldwin’s globally-engaged thought and internationalist life. Throughout all of his work, Baldwin wrote extensively on the subject of religion. This dissertation posits the topics of religion, violence, and marginalization as integral to his nonfiction writings and speeches, particularly after 1967. As such, it argues that Baldwin in his early career established four distinct discourses on morality, evil, scapegoatism, and purity that he came to connect in his later writings on the intersection of religion, violence, and marginalization. Within these writings, Baldwin also displayed a rigorous engagement with multicultural and multireligious artistic and literary canons, along with the evolving academic study of religion. Therefore, not only should the intersection of religion, violence, and marginalization be a central consideration for Baldwin scholarship, but scholars of religion and violence in particular would benefit from engaging Baldwin’s addressment of this intersection.
ContributorsBroyles, Michael Anthony Louis (Author) / Moore, Moses N (Thesis advisor) / Fessenden, Tracy (Committee member) / Gereboff, Joel (Committee member) / Arizona State University (Publisher)
Created2019