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- Genre: Academic theses
Description
This study examined the influence of childhood aggression, peer exclusion and associating with deviant peers on the development of antisocial behavior in early adolescence. To gain a stronger understanding of how these factors are associated with antisocial behavior and delinquency, multiple alternative pathways were examined based on additive, mediation and incidental models. A parallel process growth model was specified to assess whether early childhood aggression and peer exclusion (in 1st grade) and intra-individual increases in aggressive behaviors and exclusion through childhood (grades 1 to 6) are predictive of associating with deviant peers (in 7th grade) and antisocial behavior (in 8th grade). Based on a sample of 383 children (193 girls and 190 boys), results showed the strongest support for an additive effects model in which early childhood aggression, increases in aggression, increases in peer exclusion and associating with more deviant peers all predicted antisocial behavior. These findings have implications for how children's psychological adjustment is impacted by their behavioral propensities and peer relational context and the importance of examining developmental processes within and between children over time.
ContributorsEttekal, Idean (Author) / Ladd, Gary W (Thesis advisor) / Eggum, Natalie D (Committee member) / Thompson, Marilyn S (Committee member) / Arizona State University (Publisher)
Created2011
Description
Four Souvenirs for Violin and Piano was composed by Paul Schoenfeld (b.1947) in 1990 as a showpiece, spotlighting the virtuosity of both the violin and piano in equal measure. Each movement is a modern interpretation of a folk or popular genre, re- envisioned over intricate jazz harmonies and rhythms. The work was commissioned by violinist Lev Polyakin, who specifically requested some short pieces that could be performed in a local jazz establishment named Night Town in Cleveland, Ohio. The result is a work that is approximately fifteen minutes in length. Schoenfeld is a respected composer in the contemporary classical music community, whose Café Music (1986) for piano trio has recently become a staple of the standard chamber music repertoire. Many of his other works, however, remain in relative obscurity. It is the focus of this document to shed light on at least one other notable composition; Four Souvenirs for Violin and Piano. Among the topics to be discussed regarding this piece are a brief history behind the genesis of this composition, a structural summary of the entire work and each of its movements, and an appended practice guide based on interview and coaching sessions with the composer himself. With this project, I hope to provide a better understanding and appreciation of this work.
ContributorsJanczyk, Kristie Annette (Author) / Ryan, Russell (Thesis advisor) / Campbell, Andrew (Committee member) / Norton, Kay (Committee member) / Arizona State University (Publisher)
Created2015
Description
Samuel Máynez Prince (1886-1966), was a prolific and important Mexican musician. Prince’s musical style followed the trends of the nineteenth-century salon music genre. His compositions include lullabies, songs, dances, marches, mazurkas, waltzes, and revolutionary anthems. Prince’s social status and performances in the famed Café Colón in Mexico City increased his popularity among high-ranking political figures during the time of the Mexican Revolution as well as his status in the Mexican music scene.
Unfortunately there is virtually no existing scholarship on Prince and even basic information regarding his life and works is not readily available. The lack of organization of the manuscript scores and the absence of dates of his works has further pushed the composer into obscurity. An investigation therefore was necessary in order to explore the neglected aspects of the life and works of Prince as a violinist and composer. This document is the result of such an investigation by including extensive new biographical information, as well as the first musical analysis and edition of the complete recovered works for violin and piano.
In order to fill the gaps present in the limited biographical information regarding Prince’s life, investigative research was conducted in Mexico City. Information was drawn from archives of the composer’s grandchildren, the Palacio de Bellas Artes, the Conservatorio Nacional de Música de México, and the Orquesta Sinfónica Nacional. The surviving relatives provided first-hand details on events in the composer’s life; one also offered the researcher access to their personal archive including, important life documents, photographs, programs from concert performances, and manuscript scores of the compositions. Establishing connections with the relatives also led the researcher to examining the violins owned and used by the late violinist/composer.
This oral history approach led to new and updated information, including the revival of previously unpublished music for violin and piano. These works are here compiled in an edition that will give students, teachers, and music-lovers access to this unknown repertoire. Finally, this research seeks to promote the beauty and nuances of Mexican salon music, and the complete works for violin and piano of Samuel Máynez Prince in particular.
Unfortunately there is virtually no existing scholarship on Prince and even basic information regarding his life and works is not readily available. The lack of organization of the manuscript scores and the absence of dates of his works has further pushed the composer into obscurity. An investigation therefore was necessary in order to explore the neglected aspects of the life and works of Prince as a violinist and composer. This document is the result of such an investigation by including extensive new biographical information, as well as the first musical analysis and edition of the complete recovered works for violin and piano.
In order to fill the gaps present in the limited biographical information regarding Prince’s life, investigative research was conducted in Mexico City. Information was drawn from archives of the composer’s grandchildren, the Palacio de Bellas Artes, the Conservatorio Nacional de Música de México, and the Orquesta Sinfónica Nacional. The surviving relatives provided first-hand details on events in the composer’s life; one also offered the researcher access to their personal archive including, important life documents, photographs, programs from concert performances, and manuscript scores of the compositions. Establishing connections with the relatives also led the researcher to examining the violins owned and used by the late violinist/composer.
This oral history approach led to new and updated information, including the revival of previously unpublished music for violin and piano. These works are here compiled in an edition that will give students, teachers, and music-lovers access to this unknown repertoire. Finally, this research seeks to promote the beauty and nuances of Mexican salon music, and the complete works for violin and piano of Samuel Máynez Prince in particular.
ContributorsEkenes, Spencer Arvin (Author) / McLin, Katherine (Thesis advisor) / Feisst, Sabine (Committee member) / Jiang, Danwen (Committee member) / Arizona State University (Publisher)
Created2016
Description
An early Christian construct which had the recently-deceased soul endures a series of judicial proceedings by demons, the telonia has survived as a folk belief in Orthodox nations such as Russia and Ukraine. The telonia construct is a controversial one in Orthodoxy, however, as discussions of the construct's origins often break down into polemical debate regarding the ontological reality of the telonia. This thesis, as its primary goal, investigates the origins and early development of the telonia in a methodical, scholarly manner. It adduces texts from ancient Egypt to propose that the origins of the telonia extend to the earliest written phases of the Egyptian religion. Secondarily, this thesis investigates the origins of the logismoi: intentions which demons introduce into human minds to seduce them to sin. In 1952, Morton Bloomfield posited that the logismoi ultimately evolved from the telonia. Bloomfield's assertion has become the secondary inquiry of this thesis: to wit, whether the logismoi construct evolved from the telonia. This study employs textual criticism of sources in Greek, Latin, and Coptic to answer the two queries. The evidence indicates that the telonia evolved from three previous constructs over the course of at least 2500 years. It also indicates that neither the telonia nor any of its ancestral constructs influenced the creation of the logismoi.
ContributorsMcAvoy, Shawn Daniel (Author) / Newhauser, Richard (Thesis advisor) / Clay, J. Eugene (Committee member) / Tueller, Michael (Committee member) / Arizona State University (Publisher)
Created2011
Description
Specific cultural variables have been found to protect against the onset of alcohol, tobacco and drug use among Latino adolescents. It has been suggested that targeting similar cultural components during the treatment of drug dependence and abuse for Latino adults may also enhance the effectiveness of the intervention, although few studies have explored this hypothesis. The current study attempted to remedy this disparity by exploring the potentially protective influence of two cultural variables, ethnic pride and family traditionalism, on self-efficacy to avoid drug use following residential substance abuse treatment among 99 Hispanic and 85 non-Hispanic White males. Results of the study indicate that higher levels of ethnic pride predict greater confidence to remain abstinent from drugs following substance abuse treatment, and that this relationship is stronger among Hispanic participants than non-Hispanic White participants. Family traditionalism was not a significant predictor of drug avoidance self-efficacy for either group, suggesting that some specific cultural variables may be better targets for substance abuse treatment than others. Study limitations and future directions for research and clinical practice are discussed.
ContributorsBoyd, Stephen James (Author) / Gonzalez Castro, Felipe (Thesis advisor) / Barrera, Jr., Manuel (Committee member) / Aiken, Leona (Committee member) / Arizona State University (Publisher)
Created2011
Description
Previous research suggests that the relation between sport participation and alcohol use is positive, but small in size. Few explanations for this positive relation have been empirically tested. Theories denote that the relation between sport participation and alcohol use is explained by peers and that the relation varies based on the models adolescents are exposed to. This study tested mediators (popularity and friends' alcohol use) and moderators (sport-focus, teammates' alcohol use, gender, popularity, and friends' alcohol use) for the relation between sport participation and alcohol use. Analyses were conducted through path models in Mplus v5.1. The sample included 48,390 adolescents (mean age=15.8 years; 51% female) from the National Longitudinal Study of Adolescent Health. In the self-administered in-school questionnaire, adolescents reported on their activity participation, alcohol use, friendship nominations, and demographic characteristics. Friend indicators were based on friends' self-reported alcohol use. Results suggested that popularity mediated, but did not moderate the relation between sport participation and alcohol use. In contrast, friends' alcohol use moderated, but did not mediate this relation. The relation was positive and strongest for sport-focused adolescents, and for adolescents whose teammates and sport friends used high levels of alcohol. The findings of this study suggest athletes are at an elevated risk for alcohol use, but not all athletes drink. Peers are important predictors, such that, sport participation may be related to alcohol use, partially, because it promotes adolescents' social status. The sport context is also important, such that, athletes are more likely to use alcohol if they are highly involved in sports, and they have sport friends and teammates who drink. Specific types of athletes, such as popular athletes, should be targeted for alcohol use interventions. Intervention programs should also be designed to capture specific aspects of the sport context, such as teams without no tolerance substance use policies, and highly competitive or stressful sports.
ContributorsVest, Andrea Elaine (Author) / Simpkins, Sandra D. (Thesis advisor) / Updegraff, Kimberly A. (Committee member) / Schaefer, David R. (Committee member) / Arizona State University (Publisher)
Created2011