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- All Subjects: Violin and piano music
ContributorsChang, Ruihong (Performer) / ASU Library. Music Library (Publisher)
Created2018-03-29
Description
Four Souvenirs for Violin and Piano was composed by Paul Schoenfeld (b.1947) in 1990 as a showpiece, spotlighting the virtuosity of both the violin and piano in equal measure. Each movement is a modern interpretation of a folk or popular genre, re- envisioned over intricate jazz harmonies and rhythms. The work was commissioned by violinist Lev Polyakin, who specifically requested some short pieces that could be performed in a local jazz establishment named Night Town in Cleveland, Ohio. The result is a work that is approximately fifteen minutes in length. Schoenfeld is a respected composer in the contemporary classical music community, whose Café Music (1986) for piano trio has recently become a staple of the standard chamber music repertoire. Many of his other works, however, remain in relative obscurity. It is the focus of this document to shed light on at least one other notable composition; Four Souvenirs for Violin and Piano. Among the topics to be discussed regarding this piece are a brief history behind the genesis of this composition, a structural summary of the entire work and each of its movements, and an appended practice guide based on interview and coaching sessions with the composer himself. With this project, I hope to provide a better understanding and appreciation of this work.
ContributorsJanczyk, Kristie Annette (Author) / Ryan, Russell (Thesis advisor) / Campbell, Andrew (Committee member) / Norton, Kay (Committee member) / Arizona State University (Publisher)
Created2015
Description
Chiral symmetry and its anomalous and spontaneous breaking play an important role
in particle physics, where it explains the origin of pion and hadron mass hierarchy
among other things.
Despite its microscopic origin chirality may also lead to observable effects
in macroscopic physical systems -- relativistic plasmas made of chiral
(spin-$\frac{1}{2}$) particles.
Such plasmas are called \textit{chiral}.
The effects include non-dissipative currents in external fields that could be present
even in quasi-equilibrium, such as the chiral magnetic (CME) and separation (CSE)
effects, as well as a number of inherently chiral collective modes
called the chiral magnetic (CMW) and vortical (CVW) waves.
Applications of chiral plasmas are truly interdisciplinary, ranging from
hot plasma filling the early Universe, to dense matter in neutron stars,
to electronic band structures in Dirac and Weyl semimetals, to quark-gluon plasma
produced in heavy-ion collisions.
The main focus of this dissertation is a search for traces of chiral physics
in the spectrum of collective modes in chiral plasmas.
I start from relativistic chiral kinetic theory and derive
first- and second-order chiral hydrodynamics.
Then I establish key features of an equilibrium state that describes many
physical chiral systems and use it to find the full spectrum of collective modes
in high-temperature and high-density cases.
Finally, I consider in detail the fate of the two inherently chiral waves, namely
the CMW and the CVW, and determine their detection prospects.
The main results of this dissertation are the formulation of a fully covariant
dissipative chiral hydrodynamics and the calculation of the spectrum of collective
modes in chiral plasmas.
It is found that the dissipative effects and dynamical electromagnetism play
an important role in most cases.
In particular, it is found that both the CMW and the CVW are heavily damped by the usual
Ohmic dissipation in charged plasmas and the diffusion effects in neutral plasmas.
These findings prompt a search for new physical observables in heavy-ion collisions,
as well as a revision of potential applications of chiral theories in
cosmology and solid-state physics.
in particle physics, where it explains the origin of pion and hadron mass hierarchy
among other things.
Despite its microscopic origin chirality may also lead to observable effects
in macroscopic physical systems -- relativistic plasmas made of chiral
(spin-$\frac{1}{2}$) particles.
Such plasmas are called \textit{chiral}.
The effects include non-dissipative currents in external fields that could be present
even in quasi-equilibrium, such as the chiral magnetic (CME) and separation (CSE)
effects, as well as a number of inherently chiral collective modes
called the chiral magnetic (CMW) and vortical (CVW) waves.
Applications of chiral plasmas are truly interdisciplinary, ranging from
hot plasma filling the early Universe, to dense matter in neutron stars,
to electronic band structures in Dirac and Weyl semimetals, to quark-gluon plasma
produced in heavy-ion collisions.
The main focus of this dissertation is a search for traces of chiral physics
in the spectrum of collective modes in chiral plasmas.
I start from relativistic chiral kinetic theory and derive
first- and second-order chiral hydrodynamics.
Then I establish key features of an equilibrium state that describes many
physical chiral systems and use it to find the full spectrum of collective modes
in high-temperature and high-density cases.
Finally, I consider in detail the fate of the two inherently chiral waves, namely
the CMW and the CVW, and determine their detection prospects.
The main results of this dissertation are the formulation of a fully covariant
dissipative chiral hydrodynamics and the calculation of the spectrum of collective
modes in chiral plasmas.
It is found that the dissipative effects and dynamical electromagnetism play
an important role in most cases.
In particular, it is found that both the CMW and the CVW are heavily damped by the usual
Ohmic dissipation in charged plasmas and the diffusion effects in neutral plasmas.
These findings prompt a search for new physical observables in heavy-ion collisions,
as well as a revision of potential applications of chiral theories in
cosmology and solid-state physics.
ContributorsRybalka, Denys (Author) / Shovkovy, Igor (Thesis advisor) / Lunardini, Cecilia (Committee member) / Timmes, Francis (Committee member) / Vachaspati, Tanmay (Committee member) / Arizona State University (Publisher)
Created2019
ContributorsWhite, Aaron (Performer) / Kim, Olga (Performer) / Hammond, Marinne (Performer) / Shaner, Hayden (Performer) / Yoo, Katie (Performer) / Shoemake, Crista (Performer) / Gebe, Vladimir, 1987- (Performer) / Wills, Grace (Performer) / McKinch, Riley (Performer) / Freshmen Four (Performer) / ASU Library. Music Library (Publisher)
Created2018-04-27
ContributorsRosenfeld, Albor (Performer) / Pagano, Caio, 1940- (Performer) / ASU Library. Music Library (Publisher)
Created2018-10-03
ContributorsCao, Yuchen (Performer) / Chen, Sicong (Performer) / Soberano, Chino (Performer) / Nam, Michelle (Performer) / Collins, Clarice (Performer) / Witt, Juliana (Performer) / Liu, Jingting (Performer) / Chen, Neilson (Performer) / Zhang, Aihua (Performer) / Jiang, Zhou (Performer) / ASU Library. Music Library (Publisher)
Created2018-04-25
ContributorsMcLin, Katherine (Performer) / Campbell, Andrew (Pianist) (Performer) / Ericson, John Q. (John Quincy), 1962- (Performer) / McLin/Campbell Duo (Performer) / ASU Library. Music Library (Publisher)
Created2018-09-23
Description
Samuel Máynez Prince (1886-1966), was a prolific and important Mexican musician. Prince’s musical style followed the trends of the nineteenth-century salon music genre. His compositions include lullabies, songs, dances, marches, mazurkas, waltzes, and revolutionary anthems. Prince’s social status and performances in the famed Café Colón in Mexico City increased his popularity among high-ranking political figures during the time of the Mexican Revolution as well as his status in the Mexican music scene.
Unfortunately there is virtually no existing scholarship on Prince and even basic information regarding his life and works is not readily available. The lack of organization of the manuscript scores and the absence of dates of his works has further pushed the composer into obscurity. An investigation therefore was necessary in order to explore the neglected aspects of the life and works of Prince as a violinist and composer. This document is the result of such an investigation by including extensive new biographical information, as well as the first musical analysis and edition of the complete recovered works for violin and piano.
In order to fill the gaps present in the limited biographical information regarding Prince’s life, investigative research was conducted in Mexico City. Information was drawn from archives of the composer’s grandchildren, the Palacio de Bellas Artes, the Conservatorio Nacional de Música de México, and the Orquesta Sinfónica Nacional. The surviving relatives provided first-hand details on events in the composer’s life; one also offered the researcher access to their personal archive including, important life documents, photographs, programs from concert performances, and manuscript scores of the compositions. Establishing connections with the relatives also led the researcher to examining the violins owned and used by the late violinist/composer.
This oral history approach led to new and updated information, including the revival of previously unpublished music for violin and piano. These works are here compiled in an edition that will give students, teachers, and music-lovers access to this unknown repertoire. Finally, this research seeks to promote the beauty and nuances of Mexican salon music, and the complete works for violin and piano of Samuel Máynez Prince in particular.
Unfortunately there is virtually no existing scholarship on Prince and even basic information regarding his life and works is not readily available. The lack of organization of the manuscript scores and the absence of dates of his works has further pushed the composer into obscurity. An investigation therefore was necessary in order to explore the neglected aspects of the life and works of Prince as a violinist and composer. This document is the result of such an investigation by including extensive new biographical information, as well as the first musical analysis and edition of the complete recovered works for violin and piano.
In order to fill the gaps present in the limited biographical information regarding Prince’s life, investigative research was conducted in Mexico City. Information was drawn from archives of the composer’s grandchildren, the Palacio de Bellas Artes, the Conservatorio Nacional de Música de México, and the Orquesta Sinfónica Nacional. The surviving relatives provided first-hand details on events in the composer’s life; one also offered the researcher access to their personal archive including, important life documents, photographs, programs from concert performances, and manuscript scores of the compositions. Establishing connections with the relatives also led the researcher to examining the violins owned and used by the late violinist/composer.
This oral history approach led to new and updated information, including the revival of previously unpublished music for violin and piano. These works are here compiled in an edition that will give students, teachers, and music-lovers access to this unknown repertoire. Finally, this research seeks to promote the beauty and nuances of Mexican salon music, and the complete works for violin and piano of Samuel Máynez Prince in particular.
ContributorsEkenes, Spencer Arvin (Author) / McLin, Katherine (Thesis advisor) / Feisst, Sabine (Committee member) / Jiang, Danwen (Committee member) / Arizona State University (Publisher)
Created2016