Matching Items (379)
Description
The end of the nineteenth century was an exhilarating and revolutionary era for the flute. This period is the Second Golden Age of the flute, when players and teachers associated with the Paris Conservatory developed what would be considered the birth of the modern flute school. In addition, the founding in 1871 of the Société Nationale de Musique by Camille Saint-Saëns (1835-1921) and Romain Bussine (1830-1899) made possible the promotion of contemporary French composers. The founding of the Société des Instruments à Vent by Paul Taffanel (1844-1908) in 1879 also invigorated a new era of chamber music for wind instruments. Within this groundbreaking environment, Mélanie Hélène Bonis (pen name Mel Bonis) entered the Paris Conservatory in 1876, under the tutelage of César Franck (1822-1890). Many flutists are dismayed by the scarcity of repertoire for the instrument in the Romantic and post-Romantic traditions; they make up for this absence by borrowing the violin sonatas of Gabriel Fauré (1845-1924) and Franck. The flute and piano works of Mel Bonis help to fill this void with music composed originally for flute. Bonis was a prolific composer with over 300 works to her credit, but her works for flute and piano have not been researched or professionally recorded in the United States before the present study. Although virtually unknown today in the American flute community, Bonis's music received much acclaim from her contemporaries and deserves a prominent place in the flutist's repertoire. After a brief biographical introduction, this document examines Mel Bonis's musical style and describes in detail her six works for flute and piano while also offering performance suggestions.
ContributorsDaum, Jenna Elyse (Author) / Buck, Elizabeth (Thesis advisor) / Holbrook, Amy (Committee member) / Micklich, Albie (Committee member) / Schuring, Martin (Committee member) / Norton, Kay (Committee member) / Arizona State University (Publisher)
Created2013
ContributorsMatthews, Eyona (Performer) / Yoo, Katie Jihye (Performer) / Roubison, Ryan (Performer) / ASU Library. Music Library (Publisher)
Created2018-03-25
ContributorsHoeckley, Stephanie (Performer) / Lee, Juhyun (Performer) / ASU Library. Music Library (Publisher)
Created2018-03-24
Description
In a large network (graph) it would be desirable to guarantee the existence of some local property based only on global knowledge of the network. Consider the following classical example: how many connections are necessary to guarantee that the network contains three nodes which are pairwise adjacent? It turns out that more than n^2/4 connections are needed, and no smaller number will suffice in general. Problems of this type fall into the category of ``extremal graph theory.'' Generally speaking, extremal graph theory is the study of how global parameters of a graph are related to local properties. This dissertation deals with the relationship between minimum degree conditions of a host graph G and the property that G contains a specified spanning subgraph (or class of subgraphs). The goal is to find the optimal minimum degree which guarantees the existence of a desired spanning subgraph. This goal is achieved in four different settings, with the main tools being Szemeredi's Regularity Lemma; the Blow-up Lemma of Komlos, Sarkozy, and Szemeredi; and some basic probabilistic techniques.
ContributorsDeBiasio, Louis (Author) / Kierstead, Henry A (Thesis advisor) / Czygrinow, Andrzej (Thesis advisor) / Hurlbert, Glenn (Committee member) / Kadell, Kevin (Committee member) / Fishel, Susanna (Committee member) / Arizona State University (Publisher)
Created2011
ContributorsMcClain, Katelyn (Performer) / Buringrud, Deanna (Contributor) / Lee, Juhyun (Performer) / ASU Library. Music Library (Publisher)
Created2018-03-31
Description
Since the seminal work of Tur ́an, the forbidden subgraph problem has been among the central questions in extremal graph theory. Let ex(n;F) be the smallest number m such that any graph on n vertices with m edges contains F as a subgraph. Then the forbidden subgraph problem asks to find ex(n; F ) for various graphs F . The question can be further generalized by asking for the extreme values of other graph parameters like minimum degree, maximum degree, or connectivity. We call this type of question a Tura ́n-type problem. In this thesis, we will study Tura ́n-type problems and their variants for graphs and hypergraphs.
Chapter 2 contains a Tura ́n-type problem for cycles in dense graphs. The main result in this chapter gives a tight bound for the minimum degree of a graph which guarantees existence of disjoint cycles in the case of dense graphs. This, in particular, answers in the affirmative a question of Faudree, Gould, Jacobson and Magnant in the case of dense graphs.
In Chapter 3, similar problems for trees are investigated. Recently, Faudree, Gould, Jacobson and West studied the minimum degree conditions for the existence of certain spanning caterpillars. They proved certain bounds that guarantee existence of spanning caterpillars. The main result in Chapter 3 significantly improves their result and answers one of their questions by proving a tight minimum degree bound for the existence of such structures.
Chapter 4 includes another Tur ́an-type problem for loose paths of length three in a 3-graph. As a corollary, an upper bound for the multi-color Ramsey number for the loose path of length three in a 3-graph is achieved.
Chapter 2 contains a Tura ́n-type problem for cycles in dense graphs. The main result in this chapter gives a tight bound for the minimum degree of a graph which guarantees existence of disjoint cycles in the case of dense graphs. This, in particular, answers in the affirmative a question of Faudree, Gould, Jacobson and Magnant in the case of dense graphs.
In Chapter 3, similar problems for trees are investigated. Recently, Faudree, Gould, Jacobson and West studied the minimum degree conditions for the existence of certain spanning caterpillars. They proved certain bounds that guarantee existence of spanning caterpillars. The main result in Chapter 3 significantly improves their result and answers one of their questions by proving a tight minimum degree bound for the existence of such structures.
Chapter 4 includes another Tur ́an-type problem for loose paths of length three in a 3-graph. As a corollary, an upper bound for the multi-color Ramsey number for the loose path of length three in a 3-graph is achieved.
ContributorsYie, Jangwon (Author) / Czygrinow, Andrzej (Thesis advisor) / Kierstead, Henry (Committee member) / Colbourn, Charles (Committee member) / Fishel, Susanna (Committee member) / Spielberg, John (Committee member) / Arizona State University (Publisher)
Created2018
ContributorsHur, Jiyoun (Performer) / Lee, Juhyun (Performer) / ASU Library. Music Library (Publisher)
Created2018-03-01
ContributorsZaleski, Kimberly (Contributor) / Kazarian, Trevor (Performer) / Ryan, Russell (Performer) / IN2ATIVE (Performer) / ASU Library. Music Library (Publisher)
Created2018-09-28
ContributorsDelaney, Erin (Performer) / Novak, Gail (Pianist) (Performer) / ASU Library. Music Library (Publisher)
Created2018-03-18
Description
ABSTRACT Many musicians, both amateur and professional alike, are continuously seeking to expand and explore their performance literature and repertory. Introducing new works into the standard repertory is an exciting endeavor for any active musician. Establishing connections, commissioning new works, and collaborating on performances can all work together toward the acceptance and success of a composer's music within an instrument community. For the flute, one such composer is Daniel Dorff (b. 1956). Dorff, a Philadelphia-based composer, has written for symphony orchestra, clarinet, contrabassoon, and others; however, his award-winning works for flute and piccolo are earning him much recognition. He has written works for such illustrious flutists as Mimi Stillman, Walfrid Kujala, and Gary Schocker; his flute works have been recorded by Laurel Zucker, Pamela Youngblood and Lois Bliss Herbine; and his pieces have been performed and premiered at each of the National Flute Association Conventions from 2004 to 2009. Despite this success, little has been written about Dorff's life, compositional style, and contributions to the flute repertory. In order to further promote the flute works of Daniel Dorff, the primary focus of this study is the creation of a compact disc recording of Dorff's most prominent works for flute: April Whirlwind, 9 Walks Down 7th Avenue, both for flute and piano, and Nocturne Caprice for solo flute. In support of this recording, the study also provides biographical information regarding Daniel Dorff, discusses his compositional methods and ideology, and presents background information, description, and performance notes for each piece. Interviews with Daniel Dorff regarding biographical and compositional details serve as the primary source for this document. Suggestions for the performance of the three flute works were gathered through interviews with prominent flutists who have studied and performed Dorff's pieces. Additional performance suggestions for Nocturne Caprice were gathered through a coaching session between the author and the composer. This project is meant to promote the flute works of Daniel Dorff and to help establish their role in the standard flute repertory.
ContributorsRich, Angela Marie (Contributor) / Novak, Gail (Pianist) (Performer) / Buck, Elizabeth Y (Thesis advisor) / Hill, Gary W. (Committee member) / Holbrook, Amy (Committee member) / Schuring, Martin (Committee member) / Arizona State University (Publisher)
Created2010