Matching Items (380)
Description
Derived from the necessity to increase testing capabilities of hybrid rocket motor (HRM) propulsion systems for Daedalus Astronautics at Arizona State University, a small-scale motor and test stand were designed and developed to characterize all components of the system. The motor is designed for simple integration and setup, such that both the forward-end enclosure and end cap can be easily removed for rapid integration of components during testing. Each of the components of the motor is removable allowing for a broad range of testing capabilities. While examining injectors and their potential it is thought ideal to obtain the highest regression rates and overall motor performance possible. The oxidizer and fuel are N2O and hydroxyl-terminated polybutadiene (HTPB), respectively, due to previous experience and simplicity. The injector designs, selected for the same reasons, are designed such that they vary only in the swirl angle. This system provides the platform for characterizing the effects of varying said swirl angle on HRM performance.
ContributorsSummers, Matt H (Author) / Lee, Taewoo (Thesis advisor) / Chen, Kangping (Committee member) / Wells, Valana (Committee member) / Arizona State University (Publisher)
Created2013
Description
The end of the nineteenth century was an exhilarating and revolutionary era for the flute. This period is the Second Golden Age of the flute, when players and teachers associated with the Paris Conservatory developed what would be considered the birth of the modern flute school. In addition, the founding in 1871 of the Société Nationale de Musique by Camille Saint-Saëns (1835-1921) and Romain Bussine (1830-1899) made possible the promotion of contemporary French composers. The founding of the Société des Instruments à Vent by Paul Taffanel (1844-1908) in 1879 also invigorated a new era of chamber music for wind instruments. Within this groundbreaking environment, Mélanie Hélène Bonis (pen name Mel Bonis) entered the Paris Conservatory in 1876, under the tutelage of César Franck (1822-1890). Many flutists are dismayed by the scarcity of repertoire for the instrument in the Romantic and post-Romantic traditions; they make up for this absence by borrowing the violin sonatas of Gabriel Fauré (1845-1924) and Franck. The flute and piano works of Mel Bonis help to fill this void with music composed originally for flute. Bonis was a prolific composer with over 300 works to her credit, but her works for flute and piano have not been researched or professionally recorded in the United States before the present study. Although virtually unknown today in the American flute community, Bonis's music received much acclaim from her contemporaries and deserves a prominent place in the flutist's repertoire. After a brief biographical introduction, this document examines Mel Bonis's musical style and describes in detail her six works for flute and piano while also offering performance suggestions.
ContributorsDaum, Jenna Elyse (Author) / Buck, Elizabeth (Thesis advisor) / Holbrook, Amy (Committee member) / Micklich, Albie (Committee member) / Schuring, Martin (Committee member) / Norton, Kay (Committee member) / Arizona State University (Publisher)
Created2013
ContributorsMatthews, Eyona (Performer) / Yoo, Katie Jihye (Performer) / Roubison, Ryan (Performer) / ASU Library. Music Library (Publisher)
Created2018-03-25
ContributorsHoeckley, Stephanie (Performer) / Lee, Juhyun (Performer) / ASU Library. Music Library (Publisher)
Created2018-03-24
ContributorsMcClain, Katelyn (Performer) / Buringrud, Deanna (Contributor) / Lee, Juhyun (Performer) / ASU Library. Music Library (Publisher)
Created2018-03-31
ContributorsHur, Jiyoun (Performer) / Lee, Juhyun (Performer) / ASU Library. Music Library (Publisher)
Created2018-03-01
Description
Until late 1970’s the primary focus in power system modeling has been largely directed towards power system generation and transmission. Over the years, the importance of load modeling grew and having an accurate representation of load played an important role in the planning and operation studies. With an emphasis on tackling the topic of load modeling, this thesis presents the following intermediary steps in developing accurate load models:
1. Synthesis of a three-phase standard feeder and load model using the measured voltages and currents, for events such as faults and feeder pickup cases, obtained at the head of the feeder.
2. Investigated the impact of the synthesized standard feeder and load model on the sub-transmission system for a feeder pick-up case.
In the first phase of this project, a standard feeder and load model had been synthesized by capturing the current transients when three-phase voltage measurements (obtained from a local electric utility) are played-in as input to the synthesized model. The comparison between the measured currents and the simulated currents obtained using an electromagnetic transient analysis software (PSCAD) are made at the head of the designed feeder. The synthesized load model has a load composition which includes impedance loads, single-phase induction motor loads and three-phase induction motor loads. The parameters of the motor models are adjusted to obtain a good correspondence between measured three-phase currents and simulated current responses at the head of the feeder when subjected to events under which measurements were obtained on the feeder. These events include faults which occurred upstream of the feeder at a higher voltage level and a feeder pickup event that occurred downstream from the head of the feeder. Two different load compositions have been obtained for this feeder and load model depending on the types of load present in the surrounding area (residential or industrial/commercial).
The second phase of this project examines the impact of the feeder pick-up event on the 69 kV sub-transmission system using the obtained standard feeder and load model. Using the 69 kV network data obtained from a local utility, a sub-transmission network has been built in PSCAD. The main difference between the first and second phase of this project is that no measurements are played-in to the model in the latter case. Instead, the feeder pick-up event at a particular substation is simulated using the reduced equivalent of the 69 kV sub-transmission circuit together with the synthesized three-phase models of the feeder and the loads obtained in the first phase of the project. Using this analysis, it is observed that a good correspondence between the PSCAD simulated values of both three-phase voltages and currents with their corresponding measured responses at the substation is achieved.
1. Synthesis of a three-phase standard feeder and load model using the measured voltages and currents, for events such as faults and feeder pickup cases, obtained at the head of the feeder.
2. Investigated the impact of the synthesized standard feeder and load model on the sub-transmission system for a feeder pick-up case.
In the first phase of this project, a standard feeder and load model had been synthesized by capturing the current transients when three-phase voltage measurements (obtained from a local electric utility) are played-in as input to the synthesized model. The comparison between the measured currents and the simulated currents obtained using an electromagnetic transient analysis software (PSCAD) are made at the head of the designed feeder. The synthesized load model has a load composition which includes impedance loads, single-phase induction motor loads and three-phase induction motor loads. The parameters of the motor models are adjusted to obtain a good correspondence between measured three-phase currents and simulated current responses at the head of the feeder when subjected to events under which measurements were obtained on the feeder. These events include faults which occurred upstream of the feeder at a higher voltage level and a feeder pickup event that occurred downstream from the head of the feeder. Two different load compositions have been obtained for this feeder and load model depending on the types of load present in the surrounding area (residential or industrial/commercial).
The second phase of this project examines the impact of the feeder pick-up event on the 69 kV sub-transmission system using the obtained standard feeder and load model. Using the 69 kV network data obtained from a local utility, a sub-transmission network has been built in PSCAD. The main difference between the first and second phase of this project is that no measurements are played-in to the model in the latter case. Instead, the feeder pick-up event at a particular substation is simulated using the reduced equivalent of the 69 kV sub-transmission circuit together with the synthesized three-phase models of the feeder and the loads obtained in the first phase of the project. Using this analysis, it is observed that a good correspondence between the PSCAD simulated values of both three-phase voltages and currents with their corresponding measured responses at the substation is achieved.
ContributorsNekkalapu, Sameer (Author) / Vittal, Vijay (Thesis advisor) / Undrill, John M (Committee member) / Ayyanar, Raja (Committee member) / Arizona State University (Publisher)
Created2018
ContributorsZaleski, Kimberly (Contributor) / Kazarian, Trevor (Performer) / Ryan, Russell (Performer) / IN2ATIVE (Performer) / ASU Library. Music Library (Publisher)
Created2018-09-28
ContributorsDelaney, Erin (Performer) / Novak, Gail (Pianist) (Performer) / ASU Library. Music Library (Publisher)
Created2018-03-18
Description
ABSTRACT Many musicians, both amateur and professional alike, are continuously seeking to expand and explore their performance literature and repertory. Introducing new works into the standard repertory is an exciting endeavor for any active musician. Establishing connections, commissioning new works, and collaborating on performances can all work together toward the acceptance and success of a composer's music within an instrument community. For the flute, one such composer is Daniel Dorff (b. 1956). Dorff, a Philadelphia-based composer, has written for symphony orchestra, clarinet, contrabassoon, and others; however, his award-winning works for flute and piccolo are earning him much recognition. He has written works for such illustrious flutists as Mimi Stillman, Walfrid Kujala, and Gary Schocker; his flute works have been recorded by Laurel Zucker, Pamela Youngblood and Lois Bliss Herbine; and his pieces have been performed and premiered at each of the National Flute Association Conventions from 2004 to 2009. Despite this success, little has been written about Dorff's life, compositional style, and contributions to the flute repertory. In order to further promote the flute works of Daniel Dorff, the primary focus of this study is the creation of a compact disc recording of Dorff's most prominent works for flute: April Whirlwind, 9 Walks Down 7th Avenue, both for flute and piano, and Nocturne Caprice for solo flute. In support of this recording, the study also provides biographical information regarding Daniel Dorff, discusses his compositional methods and ideology, and presents background information, description, and performance notes for each piece. Interviews with Daniel Dorff regarding biographical and compositional details serve as the primary source for this document. Suggestions for the performance of the three flute works were gathered through interviews with prominent flutists who have studied and performed Dorff's pieces. Additional performance suggestions for Nocturne Caprice were gathered through a coaching session between the author and the composer. This project is meant to promote the flute works of Daniel Dorff and to help establish their role in the standard flute repertory.
ContributorsRich, Angela Marie (Contributor) / Novak, Gail (Pianist) (Performer) / Buck, Elizabeth Y (Thesis advisor) / Hill, Gary W. (Committee member) / Holbrook, Amy (Committee member) / Schuring, Martin (Committee member) / Arizona State University (Publisher)
Created2010