Matching Items (379)
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Description
The end of the nineteenth century was an exhilarating and revolutionary era for the flute. This period is the Second Golden Age of the flute, when players and teachers associated with the Paris Conservatory developed what would be considered the birth of the modern flute school. In addition, the founding

The end of the nineteenth century was an exhilarating and revolutionary era for the flute. This period is the Second Golden Age of the flute, when players and teachers associated with the Paris Conservatory developed what would be considered the birth of the modern flute school. In addition, the founding in 1871 of the Société Nationale de Musique by Camille Saint-Saëns (1835-1921) and Romain Bussine (1830-1899) made possible the promotion of contemporary French composers. The founding of the Société des Instruments à Vent by Paul Taffanel (1844-1908) in 1879 also invigorated a new era of chamber music for wind instruments. Within this groundbreaking environment, Mélanie Hélène Bonis (pen name Mel Bonis) entered the Paris Conservatory in 1876, under the tutelage of César Franck (1822-1890). Many flutists are dismayed by the scarcity of repertoire for the instrument in the Romantic and post-Romantic traditions; they make up for this absence by borrowing the violin sonatas of Gabriel Fauré (1845-1924) and Franck. The flute and piano works of Mel Bonis help to fill this void with music composed originally for flute. Bonis was a prolific composer with over 300 works to her credit, but her works for flute and piano have not been researched or professionally recorded in the United States before the present study. Although virtually unknown today in the American flute community, Bonis's music received much acclaim from her contemporaries and deserves a prominent place in the flutist's repertoire. After a brief biographical introduction, this document examines Mel Bonis's musical style and describes in detail her six works for flute and piano while also offering performance suggestions.
ContributorsDaum, Jenna Elyse (Author) / Buck, Elizabeth (Thesis advisor) / Holbrook, Amy (Committee member) / Micklich, Albie (Committee member) / Schuring, Martin (Committee member) / Norton, Kay (Committee member) / Arizona State University (Publisher)
Created2013
ContributorsMatthews, Eyona (Performer) / Yoo, Katie Jihye (Performer) / Roubison, Ryan (Performer) / ASU Library. Music Library (Publisher)
Created2018-03-25
ContributorsHoeckley, Stephanie (Performer) / Lee, Juhyun (Performer) / ASU Library. Music Library (Publisher)
Created2018-03-24
ContributorsMcClain, Katelyn (Performer) / Buringrud, Deanna (Contributor) / Lee, Juhyun (Performer) / ASU Library. Music Library (Publisher)
Created2018-03-31
ContributorsHur, Jiyoun (Performer) / Lee, Juhyun (Performer) / ASU Library. Music Library (Publisher)
Created2018-03-01
ContributorsZaleski, Kimberly (Contributor) / Kazarian, Trevor (Performer) / Ryan, Russell (Performer) / IN2ATIVE (Performer) / ASU Library. Music Library (Publisher)
Created2018-09-28
ContributorsDelaney, Erin (Performer) / Novak, Gail (Pianist) (Performer) / ASU Library. Music Library (Publisher)
Created2018-03-18
Description
ABSTRACT Many musicians, both amateur and professional alike, are continuously seeking to expand and explore their performance literature and repertory. Introducing new works into the standard repertory is an exciting endeavor for any active musician. Establishing connections, commissioning new works, and collaborating on performances can all work

ABSTRACT Many musicians, both amateur and professional alike, are continuously seeking to expand and explore their performance literature and repertory. Introducing new works into the standard repertory is an exciting endeavor for any active musician. Establishing connections, commissioning new works, and collaborating on performances can all work together toward the acceptance and success of a composer's music within an instrument community. For the flute, one such composer is Daniel Dorff (b. 1956). Dorff, a Philadelphia-based composer, has written for symphony orchestra, clarinet, contrabassoon, and others; however, his award-winning works for flute and piccolo are earning him much recognition. He has written works for such illustrious flutists as Mimi Stillman, Walfrid Kujala, and Gary Schocker; his flute works have been recorded by Laurel Zucker, Pamela Youngblood and Lois Bliss Herbine; and his pieces have been performed and premiered at each of the National Flute Association Conventions from 2004 to 2009. Despite this success, little has been written about Dorff's life, compositional style, and contributions to the flute repertory. In order to further promote the flute works of Daniel Dorff, the primary focus of this study is the creation of a compact disc recording of Dorff's most prominent works for flute: April Whirlwind, 9 Walks Down 7th Avenue, both for flute and piano, and Nocturne Caprice for solo flute. In support of this recording, the study also provides biographical information regarding Daniel Dorff, discusses his compositional methods and ideology, and presents background information, description, and performance notes for each piece. Interviews with Daniel Dorff regarding biographical and compositional details serve as the primary source for this document. Suggestions for the performance of the three flute works were gathered through interviews with prominent flutists who have studied and performed Dorff's pieces. Additional performance suggestions for Nocturne Caprice were gathered through a coaching session between the author and the composer. This project is meant to promote the flute works of Daniel Dorff and to help establish their role in the standard flute repertory.
ContributorsRich, Angela Marie (Contributor) / Novak, Gail (Pianist) (Performer) / Buck, Elizabeth Y (Thesis advisor) / Hill, Gary W. (Committee member) / Holbrook, Amy (Committee member) / Schuring, Martin (Committee member) / Arizona State University (Publisher)
Created2010
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Description

MAX phases are layered hexagonal early transition metal carbides, sometimes nitrides, where M is an early transition metal, A is an A group element, most prominently groups 13 or 14, and X is either carbon or nitrogen.1 They are gaining a lot of attention because of their unusual properties. Particularly,

MAX phases are layered hexagonal early transition metal carbides, sometimes nitrides, where M is an early transition metal, A is an A group element, most prominently groups 13 or 14, and X is either carbon or nitrogen.1 They are gaining a lot of attention because of their unusual properties. Particularly, their hardness, chemical stability at room temperature, and high melting points. These properties provide a material that is viable for a wide range of demanding applications.2,3 MAX phases display a combination of both ceramic and metallic characteristics. Furthermore, they also serve as a precursor for two-dimensional MXenes.4,5<br/>Generally, bulk synthesis of MAX phases is done through traditional solid state synthesis techniques. For example, three solid state synthesis techniques include solid state method, hot pressing and arc melting and annealing. During solid state method, the powder precursors are preheated between 350 and 400°C, allowing for decomposition of starting reagents and removal of volatile products leaving only the oxides. At this point the germination phase has completed, and the crystal growth phase begins. Under the effect of a concentration gradient and very high temperatures, cations migrate, forming well-ordered layers. Slow cooling rates are used in order to ensure crystallinity of the product.6 The second method, hot pressing, involves the mixing of powder precursors thoroughly and then cold pressed into a green body – a ceramic body powder pre-sintering. They are then heated under vacuum and often high pressure in order to form the product. Two variants of hot-pressing exits: reactive hot pressing, where the pressure during the reaction will vary throughout the reaction, and isostatic hot pressing, where the pressure is held constant throughout the entire reaction.7 Another solid-state technique is arc melting and annealing. During arc melting, alternating current is applied to the electrode inside an inert reactor, which is arranged as to generate an arc discharge. The heat produced by arcing causes rapid melting of the samples.8 While these methods are most common, they are not always viable due to the specialized equipment required in order to achieve the high temperature and pressure conditions. Furthermore, these specific techniques don’t allow for high control over particle size and morphology. <br/>Because of this, alternative, non-conventional synthesis techniques have been developed involving more readily available tube furnaces and microwaves, which lack the extreme pressures instead opting for ambient conditions.9 Sol-gel techniques have been developed by the group of Christina Birkel, and have successfully produced MAX phases through calcination of homogeneous citric acid-based gel-precursors. Some advantages of using these gel-precursors include shorter diffusion paths, and faster mass transport, thus, resulting in lower reaction temperatures and shorter reaction times. Ultimately, this allows for control over particle morphology and size.10<br/>The focus of this work is to discover optimal synthesis conditions to create spherical Cr2GaC. Spherical MAX phases have been briefly explored in existing literature using polymer-based hollow microsphere templates.10 These polymer microspheres have been used to synthesize spherical metal oxides. This is achieved by heating the metal oxide precursors which adhere to the spheres, then by thermal treatment, the template is then removed.11 <br/>Two different microsphere templates will be explored to study the advantages and disadvantages of different size distributions and surface conditions of the spheres. Furthermore, reaction temperature, reaction time, citric acid equivalents, and gel to microsphere ratio will be altered to determine optimal synthesis parameters for depositing Cr2GaC onto spherical templates. Cr2GaC serves as a model compound because it has been successfully synthesized through sol-gel chemistry in the past.10 This phase will be prepared through non-conventional sol-gel chemistry, with various heating profiles, both furnace and microwave, and will be characterized through X-ray diffraction (XRD), and Rietveld refinement. Further, the morphology and atomic composition will be analyzed through scanning electron microscopy (SEM) and energy-dispersive X-ray spectroscopy (EDS).

ContributorsWasserbeck, Andrew (Author) / Birkel, Christina (Thesis director) / Siebert, Jan Paul (Committee member) / Materials Science and Engineering Program (Contributor) / Chemical Engineering Program (Contributor) / Barrett, The Honors College (Contributor)
Created2021-05
Description

MAX phases are ternary carbides or nitrides that possess unique material characteristics, often simplified as a mix of metallic and ceramic properties. Many aspects of MAX phases are still being researched, but they have exciting potential applications in high-temperature structural systems, the next generation of nuclear power plants, and concentrated

MAX phases are ternary carbides or nitrides that possess unique material characteristics, often simplified as a mix of metallic and ceramic properties. Many aspects of MAX phases are still being researched, but they have exciting potential applications in high-temperature structural systems, the next generation of nuclear power plants, and concentrated solar power. This project aims to benefit further research into these applications by validating a rapid unconventional synthesis method: microwave-assisted sol-gel synthesis. Three MAX phases (Cr2GaC, Cr2GeC, and V2GeC) were successfully synthesized via this route, which should open the door for more rapid prototyping and ultimately more efficient research.

ContributorsPatarakun, Keene Narin (Author) / Birkel, Christina (Thesis director) / Seo, Don (Committee member) / Petuskey, William (Committee member) / Mechanical and Aerospace Engineering Program (Contributor) / Barrett, The Honors College (Contributor)
Created2021-05